A Little Chaos (2014)

I have a problem with movies that play fast and loose with history, unless they make it clear that the story is fictional. If a movie purports to be historically accurate, many people are going to believe that what they're seeing actually happened, whether it did or not. On the other hand, using a specific historical time and place for background while telling a story that isn't meant to be taken literally can yield a pretty good movie. Many people have enjoyed Monty Python and Mel Brooks comedies over the years, but I doubt any of them took what they saw as literal history. And I don't think anyone really believes Abe Lincoln was a vampire hunter. Even Quentin Terantino's "Inglourious Basterds" (2009) isn't likely to muddy the historical waters, unless I underestimate how many people think Adolf Hitler was assassinated in a theater. So, I appreciated it when the opening title card of "A Little Chaos" (R, 1:57) informed the audience that the only thing guaranteed to be true in the movie is the end result. I felt free to sit back and enjoy a fictional story set against a historical background. I just wish I enjoyed it more.

There really was a King of France named Louis XIV who built an impressive palace in the Paris suburb of Versailles and surrounded it with spectacular gardens which included an outdoor ballroom, but he didn't look like Hans Gruber from "Die Hard" and young Rose from "Titanic" was not involved. Nevertheless, Alan Rickman (who also wrote and directed this film) plays The Sun King and Kate Winslet plays a fictional woman named Sabine De Barra, who the movie shows receiving a commission to design and build the outdoor ballroom portion of the gardens at Versailles. Of course, she's working for a male landscape artist named André Le Nôtre (the real life royal landscaper), played by Matthias Schoenaerts.

Rather than just showing the building of the gardens as it actually happened, the film adds interest and intrigue to the true story with the creation of Winslet's character. Sabine is definitely a woman in a man's world, and one who stirs things up in other ways as well. Competing against several men, she wins the competition to create the "Bosquet of the Salle de Bal", partly due to her slightly unorthodox plans. She respects order, but also likes being creative and different, adding a little chaos, you might say.

But that phrase applies to more than just her ideas for shrubbery, tiered landscapes and fountains with sea shells. You see, Le Nôtre is married, but I think we all know what happens when landscapers who are passionate about their gardening spend a lot of time working together in 17th century France! André's is a loveless marriage to Madame Françoise Le Nôtre (Helen McCrory) and one that involves much infidelity (at least on her part), but if André were also to cheat, he should at least have the decency to pick someone of a higher social standing. Even the possibility of this particular gardener and gardenette hook-up is enough to throw Madame into a jealous rage, one that holds the potential to ruin lives and cool outdoor ballrooms.

The problem with "A Little Chaos" is that it's a little boring. Portraying what it might have been like for a woman to put together an important part of the world-famous Versailles gardens is an intriguing premise, but isn't enough for a feature film. The love triangle adds some drama and we get some amusement by way of Alan Rickman

Fmovies: OK, OK, the "professional" reviews are tepid, but for my taste, A Little Chaos is a perfect summertime movie. No heavy themes, impeccable acting (Kate Winslet, Matthias Schoenaerts, Stanley Tucci, and Alan Rickman), beautiful scenery, and gorgeous late 17th c. costumes. It's one of those movies where you can sink into the cushioned theater seats, breathe the welcome air-conditioning, and let the film wash over you. No heavy mental or emotional lifting required. The premise is that on a ridiculously short timetable and budget, France's Louis XIV, the Sun King, has decreed that paradisaical gardens be created to expand the grounds at his Versailles palace. Garden design has been placed in the reliable hands of André Le Nôtre (Schoenaerts), a proponent of order in the landscape. His plans include an elaborate display of fountains. But he needs help. After interviewing numerous candidates, he chooses the wildly fictional Madame Sabine de Barra (Winslet) to create the garden's ballroom, for the reason that she will introduce new ideas (a shaky premise, there)—and, as the title suggests, a little chaos. The two of them are attracted to each other, but have vastly different temperaments and face a fairly predictable set of obstacles. Critics who pooh-pooh the film as a failed feminist fable miss its many pleasures: the absurd courtiers, Stanley Tucci as the king's gay brother, the interplay among the women when they're alone behind closed doors, scenery to drool over, the joy of bringing dirt and greenery to beautiful life, and, especially, Alan Rickman playing Louis XIV—"a character worthy of his imperious, reptilian charisma," as Stephen Holden said in the New York Times. Rickman directed and helped write the film, too. "Acting should be about risky projects as much as it can be about entertaining," he told Joe Neumaier at the New York Daily News. "The risk is what makes you want to do it." Bringing to life characters from another culture and long-past century in a revisionist history confection is almost as risky as thinking you can make water dance. The real Salle de Bal (the Bosquet des Rocailles) at Versailles was inaugurated in 1685 and is the gardens' only surviving cascade. If you don't go with inflated expectations you won't be disappointed. You will be well pleased.

A rare gem in the world of contemporary movies, this story has sympathetic characters. I thought they all but disappeared from the screen. It is purely fictional, but I like to believe it could have happened. Schoenaerts plays Andre Le Notre, the real landscape architect who designed the park of Versailles for King Louis XIV. Andre is interviewing other landscape gardeners to help him with the job, among them the only woman, fictional Sabine De Barra (Winslet).

They don't meet so cute, but Le Notre is intrigued and Sabine is hired. In the society of the time, Sabine is a bit of a low class oddity who manages to make friends in high places. Admitted to court, she attracts attention and curiosity for her beauty and skills, but she also attract Le Notre's wife jealousy.

Le Notre is unhappily married with his unfaithful Madame, but Madame is well connected at court and sort of blackmails him into staying with her. However, that will not stop the slowly burning romance between Andre and Sabine.

Sabine holds back not only because Andre is married but also because of her mysterious tragic past.

We finally get to know Sabine's sad history during one of the most moving scenes of the film. Sabine talks to the court ladies and discovers that they also share tragic losses, although at court it is forbidden to talk about death. Once able to face her past, Sabine can finally move into her future.

Winslet is really good as Sabine and Schoenaerts seems particularly gifted for the role of the strong, silent, lover. He had similar roles in The Danish Girl and Suite Francaise and was equally good. Their scenes together are moving and tender, without any of the artificial slickness or aggressiveness of contemporary romances.Rickman playing Louis XIV as a rather melancholic man who takes a fatherly fancy to Sabine.

The music is not overbearing period and the costumes are absolutely fantastic. The final scene looks like is taking place in the real, still existing, rock ballroom.

Great movie, a balm for the soul.

A Little Chaos fmovies. This movie is a historical fiction à la "Girl with the Pearl Earring". It is an homage to the search for beauty, an homage to France in its most classical and absolutist period. Other aspects come to join the story of this woman gardener: love, loss etc. The movie shows very well the strange behaviors of the people from the court of Versailles. But it shows as well what real "gentilhommes" (gentlemen), true nobility are. The dialogues are meaningful, the sceneries, colors are wonderful. If it was filmed in England or in France? I don't care because it works. That is what I like with this movie, the mix of French and English culture. As a Frenchman, I am so found of English culture. Take time to see this beautiful and poetic movie. It is slow, relaxing, gives you the will to look at a flower and smell the sent of it, gives you the will to seek beauty around you. Thank you actors and Mister Rickman for this beautiful moment.

It was the perfect film to take my elderly mother to, given that we both enjoy gardening holidays in France.

The story is uncomplicated - in a time when gardens were the fashion statement of the rich, the French king wanted a statement to silence the globe. Matthias Schoenaerts' character is given this task which is mammoth given the bogland to be used and he hires Kate Winslet's character for one element of the garden. They fancy each other.

Alan Rickman has a few key scenes but Stanley Tucci steals the show entirely. Costumes and setting are lavish, as they should be.

I cannot comment on the historical accuracy but my immediate thought was 'How does she garden with the corset on when I wear nothing under my t-shirt?' As a gardener, nothing is ever done (weeding, composting, planting etc.) but this project did appear to have a somewhat finite end, which is a fantasy in itself.

More historical dramas with a gardening theme I say!

Belying its title, this is a charmingly well-ordered 'chamber-piece' movie about the creation of Louis XIV's spectacular grounds at Versailles. Landscape architect Andre Le Notre (Matthias Schoenaerts) recruits - a surprise in 17th-century society - a woman to design one of the garden's water features. Sabine De Barra (Kate Winslet) is a widow; Andre is married to a heartless slut (Helen McCrory); so we can expect something more than potting to be happening in the potting shed before the gardens are finished! There's a lovely scene when Sabine finds King Louis (Alan Rickman) alone and unwigged on a bench and mistakes him for the chief gardener.

I worried that A LITTLE CHAOS might be like one of Peter Greenaway's movies, a triumph of style over substance, but it's got almost as much substance as an Oscar Wilde adaptation. There's no attempt to "Frenchify" the language in the style of 'Allo 'Allo: everyone speaks accentless English. Alan Rickman (who also directed) plays the king in the grand style of Lady Bracknell, and Winslet is perfectly cast as a woman of substance and quiet wisdom. Belgium's Monsieur Schoenaerts is having a busy year and although this is role is similar to the one he had in SUITE FRANCAISE he seems more comfortable in it this time. Stanley Tucci and Jennifer Ehle play the top dogs/bitches in His Majesty's court and I'd like to have seen more of them both.

OK this movie is a bit overdone and artificial (like the gardens at Versailles), but the cast are believable and lovable, and the story delivers comedy, romance and intrigue. If you liked THE DUCHESS, you will love this.