You Only Live Twice Poster

You Only Live Twice (1967)

Action | Thriller 
Rayting:   6.9/10 99.7K votes
Country: UK | USA
Language: English | Japanese
Release date: 14 September 1967

Agent 007 and the Japanese secret service ninja force must find and stop the true culprit of a series of spacejackings before nuclear war is provoked.

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User Reviews

dradenperegrine 16 April 2019

Really that is it. Then accidents happen, aeroplanes don't hit the target and a whole construction is discovered yet no one knows how or when it was constructed. Anyway some chicks in bikini is a bonus so I bought it on DVD>

Boba_Fett1138 21 March 2006

Fmovies: It's not the best but it most certainly is one of the most entertaining Bond movies to watch. Because of that reason, "You Only Live Twice" is one of my favorite Bond movies.

Basically the movie is just simple silly fun. The story is very simple and at the same time also totally unbelievable but also because of this the movie is extremely entertaining to watch. As an action movie this movie is really great. The movie is truly filled with many spectacular, if a tad over-the-top action sequences. Most action sequences don't even make sense that they occur in the movie, once you really start thinking about it but that is all part of the charm of this entertaining movie. It's a very imaginative movie that has some unforgettable sequences in it, that are both thrilling as well as spectacular.

The movie is mostly set in the culturally rich Japan. It works as a perfect backdrop for the movie and the strange unusual culture helps to make the movie an imaginative filled one. Also sequences like with 'Little Nellie' and the end fight set in the hollowed-out volcano add to the adventurous and imaginative feeling of the movie.

Ken Adam is also one of the reasons why everything in the movie works so well. As a production designer he made the right backdrops for the story and made several elements of the movie work out surprising well, such as mainly all of the sequences in the hollowed-out volcano.

Also the musical score by John Barry and the cinematography by Freddie Young are worth mentioning.

Sean Connery is good and fun as always as James Bond and he still showed good form in this movie. This time Ernst Stavro Blofeld was played by legendary actor Donald Pleasence. He takes the movie to an even higher level. He plays the best Blofeld out of the long series of Bond movies, along with Telly Savalas who played the villainous character in "On Her Majesty's Secret Service".

This is a fantastic fast paced, action filled movie, that has some spectacular and unforgettable sequences in it, especially toward the ending. One of my personal favorite Bond movies, of which I never grow tired of watching it.

8/10

http://bobafett1138.blogspot.com/

grendelkhan 20 November 2004

This one is a triumph for Ken Adam's sets. The volcano base is the most memorable feature of the film. Oh, the story is fun and the gadgets are cool, but those sets really sell the film. They would inspire countless imitations and variations throughout the years.

Finally, we get to see Bloefeld, and it's a bit of a letdown. Donald Pleasance is a fine actor, but he's not quite supervillain material; more of the serial killer variety, in the mold of Peter Lorre. Still, he is by far the superior on-screen version.

The Japanese cast are all outstanding. Special mention should be made of Peter Maivia, grandfather of Dwayne Johson, aka The Rock. He and the stuntmen create a brutal fight scene, second only to the train fight in FRWL, although this is perhaps more inventive.

As for gadgets, outside of the jetpack from Thundrball and Goldfinger's Aston Martin, Little Nellie is the coolest ride. The aerial scenes are spectacular and are one of the highpoints of the whole series.

This film really marks the end of the ultra-cool Bond films. After this, they tend to go down in quality, taken as a whole. Some have better stories and villains, some have better stunts, but they are never the complete package that the earlier films were. Still, this one (along with Goldfinger and Thunderball) would inspire every spy work that would follow; from The Man from U.N.C.L.E. to Our Man Flint, Marvel Comics' Nick Fury, Agent of S.H.I.e.L.D., to the X-Men. Everyone stole an idea from here.

Dock-Ock 26 September 2001

You Only Live Twice fmovies. You Only Live Twice is pure Comic Book entertaiment. James Bond is very much the superhero character he was in Goldfinger, and every scene is like a panel in a Comic Book and filled with entertaining excitement. In truth, it is though the feel and style that was vibrant throughout Goldfinger [1964] leapfrogged the dull Thunderball [1965] and found it's way to Japan. Twice is a beautiful looking and sounding addition to the Bond movies, and one is glad Sean Connery didn't really resign from the role of Bond and did indeed Live Twice.

By jettisoning most of Ian Flemmings original story You Only Live Twice, in wich an amnesiac Bond Hunts down Blofeld in Japanese castles, Broccoli and Saltzman have ridden themselves of the same problem evident in Thunderball : Slow Movement, Uninterested Audiences. Thunderball may have been a success, but this was probably due to the Bondmania wich raged through the mid sixties like a giant inferno. Luckily for the fans of the eye popping spectacles the Bond series is famous for, You Only Live Twice contains no such problems of dreary moments of boardom. In its place we have a Space Age actioneer written by childrens author Roald Dahl, and an entertaining and swift director in Lewis Gilbert, who seems more suited to Bond than any director yet.

It has been said before, but the real star of the show is Ken Adams sets. His wondefull Volcano set wich Blofeld uses is one of the most memorable in Cinema history. Add to this the Japanese sets, the Submarines [M's Offices], Tanaka's Lair, and the real sense of Japanese authenticy. Adam deserves an Oscar for this movie alone. For his total contributions to Bond and other movies, there is no Award yet created.

Donald Pleasence makes a very creepy Blofeld. He is perhaps the ultimate Blofeld. His scenes with the other cast members show the complete acting skills of a fine actor. Twice also contains one of Desmonde Lywellyn's funniest performances as Q,and one of Q's finest creations, the Little Nellie Helicopter. Little Nellie is every Bond fans dreams, personally i think it would be lovely to soar above rural England in Nellie, let alone Japan! Some guys have all the luck! Twice also has one of John Barry's most beautiful themes,and songs sung by Nancie Sinatra.

The only real let down this time is Sean Connery. He makes any Bond film look good, but this time doesn't look as though he is enjoying himself all that much. This is a petty bacause Twice itself is a very impressive and enjoyable Bond movie, with some of the best sets, Action sequences and Acting in the entire series.

Coventry 10 March 2016

When I was around 11 or 12 years old, my dad and I watched all the James Bond movies that were released then (which was up until "License to Kill") in a period of just a couple of days. Although I liked almost every single one of them, the one and only that instantly became my favorite one in the series! I mean, what wasn't to be loved about this awesome movie?!? The utterly cool sequences of space capsules being swallowed – literally – by bigger and monstrous rockets, the fantastic villainous headquarters hidden inside an inactive volcano, the exciting scenes at the ninja training camp, the cool aerial battle between 007 in his silly little yellow toy-airplane versus various heavily armed black helicopters, the pet piranhas, and – most of all – the portrayal of the ultimate evil mastermind Ernst Stavro Blofeld by the inimitable Donald Pleasance. Now, 25 years and yet another 8 new Bond installments later, I can still shamelessly admit that "You Only Live Twice" still stands as my personal favorite Bond movie and – even though Sir Sean Connery will probably disagree with me – it's undeniably the most entertaining one of the entire series. Through the eyes and ears of an adult viewer I can add more good reasons to love this movie, actually, like for example it features on of the top three greatest theme songs (courtesy of Nancy Sinatra) and an action-packed screenplay penned down by another one of my childhood heroes, namely Roald Dahl. The plot of "You Only Live Twice" is easily summarized… Criminal organization S.P.E.C.T.R.E, led by the scar-faced and cat-loving psychopath Blofeld, is well on track to evoke a third World War by alternately abducting a US and then a Soviet space capsule from within a secret base camp on a Japanese volcanic island, and then counting on the fact that these two stubborn world powers will blame each other. Luckily the intelligent British government suspects there's more going on, and so they send their best agent to the Far East. In order to fulfill his delicate mission, 007 first has to fake his own death and then literally must become a Japanese warrior. "You only live Twice" is another fast- paced and spectacular Bond-adventure with beautiful exotic filming locations, lots of pleasant hi-tech gadgetry (cigarette gunfire, anyone?) and plenty of action. The Bond girls in this one are all Oriental, evidently, so whether Akiko Wakabayashi and Mie Hama rank amongst the most beautiful 007 bed partners or not entirely depends on your own personal taste. My major complaint now is that I remember Pleasance's role in the film to be bigger… When I was 12- years-old Donald Pleasance must have made such an everlasting impression on me that he forever remains the embodiment of James Bond villains…

Spikeopath 1 May 2012

You Only Live Twice is directed by Lewis Gilbert and written by Roald Dahl. It stars Sean Connery, Tetsuro Tamba, Teru Shimada, Akiko Wakabayashi, Mie Hama, Karin Dor and Donald Pleasence. Music is scored by John Barry and cinematography by Freddie Young.

Bond 5 and Connery once again tackles the role of 007. With American and Soviet space craft mysteriously vanishing from space, both nations are laying the blame at the other's door. Sensing a nuclear war could break out, M assigns Bond to Japan to investigate if there might be a third party stirring the hornets nest. Teaming up with the Japanese secret service, Bond uncovers evidence that SPECTRE is behind the plot to pitch the East and the West against each other.

This organisation does not tolerate failure.

Thunderball had broke box office records for Bond, gadgetry, outlandish stunts and a quip on the tongue had proved most profitable. It was planned originally that On Her Majesty's Secret Service would be number 5 in the series, but a change of tack to go for You Only Live Twice as the story gave producers Broccoli & Saltzman the scope for a giganticus enormous production. However, it may be set in Japan and feature a Bond/Blofeld conflict, but Roald Dahl's script bares little resemblance to Ian Fleming's source novel. Although a massive financial success with a Worldwide gross of over $111 million, Bond 5 took $30 million less than Thunderball. Strange since this is a better film. Can we attribute the drop to it being a space age saga? Maybe, the rebirth of sci-fi was a few years away, and of course Bond had lost some fans who had grown tired, like Connery, of 007 relying on gadgets instead of brains and brawn to complete his missions. There was also the rival Casino Royale production, as bad as it was, to contend with, while the spy boom created by Bond had been overkilled elsewhere and was on the wane.

Extortion is my business. Go away and think it over, gentlemen. I'm busy.

True enough that You Only Live Twice has flaws, though they are far from being film killers if you like the gadgets and hi-techery side of the franchise? Connery announced once production was over that he was leaving the role of Bond behind. He had been close to breaking point after Thunderball, but finally the media circus, typecasting, the fanaticism and the character merely being a cypher for outrageous sequences, led Connery to finally call it a day. His displeasure shows in performance, oh it's professional, very much so, but the swagger and machismo from the earlier films has gone. Although Dahl's script tones down the "cheese" dialogue and unfolds as a plot of considerable World peril worth, characterisations are thinly drawn, making this reliant on production value and action sequences. Thankfully both are top dollar. And the ace up its sleeve is the long awaited face to face meeting of Bond and Blofeld.

The firing power inside my crater is enough to annihilate a small army. You can watch it all on TV. It's the last program you're likely to see.

Ken Adam's set design is fit to grace any epic in film history, as is Freddie Young's photography around the Japanese locales, Barry lays a beautiful Bond/Oriental score all over proceedings and Nancy Sinatra's title song is appealingly catchy. The action is excellently constructed by Gilbert (helming the first of three Bond movies on his CV), with the final battle at Blofeld's volcano crater base full of explosions, flying stunt

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