Yojimbo (1961)

Akira Kurosawa is widely (and rightly) thought of as one of the most important filmmakers in the history of motion pictures. "Yojimbo", one of the masterpieces that have earned him this more than deserved reputation, is not only one of the best, but also one of the most influential movies ever made. Only three years after its release another great director, Sergio Leone, who named Yojimbo one of his favorite movies, used it as the model for another masterpiece, "A Fistful Of Dollars" and rose the Italian Western to an international level.

In 1860, a time when the sword is still the most common weapon in the Japanese province, but gradually gets replaced by the revolver, a lonely Ronin, a Samurai without a master to serve,(Toshiro Mifune) who dashes around the county, comes to a little town terrorized by two bosses and their criminal gangs and decides to end the people's suffering and free the town. He is hired by one of the gangs as a bodyguard, only to switch sides and pit the two, already hostile, gangs against each other.

Toshiro Mifune, one of the greatest character actors of all time, is impressive in his role of the Samurai, generally the acting is great in this movie, the supporting cast contains such actors as the great and unforgettable Takashi Shimura. The cinematography is great and the movie's brilliant score, composed by Fumio Hayasaka, is one of its kind. The writing and directing by the inimitable Akira Kurosawa is more than brilliant. One of the greatest movies by one of the greatest directors of all-time, and an absolute must-see for everyone interested in cinema!

Fmovies: At time of writing Yojimbo presently sits as the 115th highest rated movie on IMDB, it's not the only one of Tohos movies in there either. Generally I disagree with IMDB's top 250, and this is no exception.

Feeble compared to the considerably superior Seven Samurai (1954) it tells the story of a lone samurai who arrives in a small town tormented by two gangs. In a bid to save the town he plays mind games with them both in an effort to get them to kill one another off.

The plot is simple but well handled, the film looks the part and it's character development is great. As if that wasn't enough we have legendary director Akira Kurosawa behind the camera and Toshirô Mifune in front of it. Mifune is great and is on form here, but is it just me or does he always play essentially the same character?

I wasn't that keen on the films finale, I also felt that it dragged in places but regardless is a watchable Toho effort and a must watch for fans of the genre.

Enjoyable but top 250? Hardly.

The Good:

Some great comedy

Looks very crisp for its age

Toshirô Mifune is on form

The Bad:

Drags in the middle

Finale could have been handled better

Things I Learnt From This Movie:

The Great Khali was a Japanese actor in the 1960's

Toho movies give me sake cravings

I just figured out why Toshirô Mifune is so mesmerizing to watch. It's just the way he expresses himself. This guy's amazing!

I've been exploring the halls of Kurosawa and it's getting hard to leave. Yojimbo is a FUN film to watch. Toshiro as the samurai steals almost every scene he is in and I think the epitome of his character is when he's in Gonji's place lying on the floor. He doesn't brag, but when he goes into action, that's it! As soon as he enters the chaotic town, he doesn't seem fazed at all and actually enjoys it. His demeanor is really amusing and it's great watching his plan unfold; how he manipulates both groups to get his way (it's really funny). Great thing too is he's not really a hero and he's not entirely a villain. He doesn't hesitate to kill, but does so methodically. You also have "characters" including Gonji, the thugs from both sides, and Unosuke with an ace up his sleeve (or robe?) which makes things really interesting.

Yojimbo's mix of dark humor, action, and a great performance from Mifune make for a Kurosawa classic.

Yojimbo fmovies. After a string of classic masterpieces, Kurosawa confronted his influences head-on. Throwing John Ford's Western aesthetics into a blender and painting them pitch black. The results are Yojimbo and its legacy.

Yojimbo ("the bodyguard") is the tale of a flea-ridden wandering swordsman, Sanjuro (Toshiro Mifune, in his finest performance). He arrives at a gang-war ravaged town and starts hiring himself out to both sides, playing them off against another, in order to wipe all the scum out. Sound familiar?

Even though Yojimbo the film is a thrilling ride and very funny dark comedy, it is hard to imagine what a bombshell this was for audiences at the time of its release. It is as far removed as can be from the then squeaky-clean aesthetic of samurai films: you can almost smell the sweat and the grime of the sordid town and characters. The action is fast and furious, enhanced by Kurosawa's deft use of telephoto lenses and Masaru Sato's avant-garde score. With all that, Yojimbo was a massive kick in the pants of a fossilized genre.

It exploded beyond the confines of its own country and genre, forever influencing the very Westerns that had inspired it, particularly a new wave out of Spain and Italy at the time. One Sergio Leone copy/pasted the whole plot into his own revisionist Western and gave us the Dollars trilogy. The slightest of Spaghetti Western enthusiasts owes Kurosawa a debt of gratitude.

As with all truly great work, its greatness exists even devoid of context, and for all the historical precedents it set, all Kurosawa wanted to make was an entertaining film. That he bloody well succeeded is the least you can say about Yojimbo.

I'm not going to waste time debating which was the "greatest" or "best" of Kurosawa's movies, but if you want to know the one I enjoy the most it's 'Yojimbo'. 'Rashomon' and 'Throne Of Blood' are probably deeper and more substantial, but for sheer entertainment value 'Yojimbo' is hard to beat! Being a Kurosawa movie it's no surprise that it stars Toshiro Mifune. The two made many movies together, but this is the performance I like to watch the most. I love looking at Mifune's face! His expressions are awesome. He was without a doubt one of the 20th centuries greatest movie stars. 'Yojimbo' was a massive influence on many spaghetti westerns, specifically 'A Fistful Of Dollars', but before you bay for Sergio Leone's blood, please read Dashiell Hammett's detective classic 'Red Harvest', published in 1929 and you'll see that Kurosawa lifted his plot from it. I see no mention whatsoever of this source material in the credits for 'Yojimbo', so let's just leave the Leone bashing alone okay? Many people have convincingly argued that samurai movies were inspired by classic American westerns anyway. Walter Hill later "remade" 'Yojimbo' (or 'Red Harvest' depending on your perspective) as 'Last Man Standing' and David Lynch gave a small nod to it in his 'Wild At Heart'. You can certainly see both the samurai and spaghetti influences in Tarantino's 'Kill Bill' 1 and 2, that's for sure. "Influences", "inspirations", these are things that go around and around, it's what a writer or film maker does with them that counts. 'Yojimbo' is a classic action movie. Maybe only 'Wages Of Fear' is better. Every film buff needs this movie in their collection!

Yojimbo, based on noir writer Dashiel Hammett's Red Harvest is a magnificently entertaining film. Toshiro Mifune stars as the nobody who calls himself Sanjuro (thirty but closer to forty). He enters a town destroyed by warring factions and plays a double-game to pit one faction against the other thus destroying the criminal element.

Yojimbo (aka The Bodyguard) is one of the coolest and most stylish films ever made. Starring Toshiro Mifune, Kurosawa's favorite actor, as the scruffy looking Samurai, Yojimbo has all of Kurosawa's qualities and none of the flaws. The music score is an essential element of the plot and strikingly good, but admittedly bettered by the Ennio Morricone version in the Spaghetti Western remake Fistful of Dollars. The visuals are great, from the samurai swordplay, to the desolate streets, the town crier announcing its 3 a.m. to the brutal torture scene.

One of the unique things about Yojimbo is the central character. He is an anti-hero. We see him initially as a killer and a man greedy for money. But then, he saves a family by re-uniting mother and child and giving them all the money he was advanced. Mifune has never been cooler than in this film and Eastwood could only aspire to equal such a performance.

Of the two remakes, I liked Fistful of Dollars for starting the Spaghetti Western genre, although Yojimbo is a far more superior and stylish film. The gangster version, Last Man Standing, was not very good and Bruce Willis made for a poor substitute to Yojimbo. This film looks fresh and undated even today - watch it!