Welcome to the Dollhouse Poster

Welcome to the Dollhouse (1995)

Comedy  
Rayting:   7.4/10 31.9K votes
Country: USA
Language: English
Release date: 31 October 1996

An unattractive seventh grader struggles to cope with inattentive parents, snobbish classmates, a smart older brother, an attractive younger sister and her own insecurities in suburban New Jersey.

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User Reviews

fertilecelluloid 7 February 2006

Todd Solandz's first feature is a dead-on accurate exploration of geek childhood as seen through the bespecled lenses of the nerdy Dawn Wiener (Heather Matarazzo). Dawn's rotten school life is compounded by the fact that an older guy at school is targeting her for extracurricular rape. He hasn't quite decided if he's really going to bury the sausage in Dawn, but he's sure getting off on the anxiety he's generating. At home, Dawn must compete with her cute, feisty, outrageously indulged sister Missy (the irrepressible Daria Kalinina), a beauty pageant wanna-be if ever there was one, and a mother she has a huge disconnection issue with. Dawn's life is such a living hell the rape looks like it might be an interesting diversion. Solandz followed this up with the terrific "Happiness", an exploration of a more adult hell. Though the subject matter of "Dollhouse" is incendiary, the nihilism is sautéed in the blackest of humor and deep sympathy for the characters. A true original.

nuggdachamp11 14 September 2005

Fmovies: Look past the seemingly disturbing dialog in this film and take a deep look into its almost perfect portrait of the American Suburbs. Mr. Solondz writes in such a bold and daring fashion that it would be hard to top him. He writes and directs perfect Dark Comedies. The kind of movie I die for. He is a Satirist and he knows just how to disturb his audiences. If you take your time and give this film the multiple viewings it deserves it all begins to make sense. This was the first Solondz movie I saw, so I wasn't expecting what I got. The second viewing made me see the down right funny parts. This is the perfect portrait of an awkward pre-teen. Its doesn't make the "freak" turn out to be some sort of hero. It's new, fresh, and funny.

****/****

Galina_movie_fan 21 January 2005

Just imagine for one second that you are an 11 years old girl with ugly glasses. You are a middle child (the film also known as Faggots and Retards (working title) or Middle Child) with an older brother who is a computer wiz and a little sister, a pretty ballerina. Your name is Dawn Wiener, and almost every student in your middle school hates you, tells you in your face that you are ugly, and nobody remembers your name, you are called Dog Face or Wiener Dog', and one of your classmates greets you every morning with the words, "I'll rape you today at 3 pm" . The film should be called "Welcome to Hell", and Todd Solondz is our Virgil in this Inferno.

Heather Matarazzo is absolutely terrific. She was able to play both, an archetype of an insecure, unloved, misunderstood, and lost in this cruel world child as well as one very real suffering young girl from New Jersey. That's why I could not forget her Dawn, I wanted to talk her, to tell her that yes, the world is cruel, and she was dealt the mixed cards from the beginning but she could play them, there is always hope, there are books, music, and art. Hang on; I would tell her, you are not going to be an "ugly duckling" forever. You'll take off your stupid glasses, you will grow up, you'll be just fine and you will find friends – just wait. But how can one wait at 11? The time drags so slowly in childhood, and every day is descending to Hell…

One of the best films about the "happy" school years I've ever seen.

9.5/10

Plaided 16 May 2000

Welcome to the Dollhouse fmovies. Welcome to the Dollhouse is an excellent film. It shows, in a strictly un-opinionated manner, a young girl's experiences as one of the unpopular kids in her junior high-school. She is faced with the extreme viciousness commonly shown in schools towards the students who, for whatever reason, don't fit in. The film never attempts to go any deeper than simply displaying these occurences to us, never really analyzing them or questioning why things like that happen. It just shows what is, what we've all experienced or at least seen, and for that I think it's all the more effective.

There are also some humorous moments thrown in, which I thought were nice and somewhat alleviated the otherwise depressing mood of the film (not that I'm complaining).

Welcome to the Dollhouse is a great snapshot of human behaviour. That's the best way I can describe it.

=G= 28 March 2001

"Welcome to the Dollhouse" is a fresh, creative, no frills pic about a junior high school girl who is the personification of "uncool". This poignant film could be dark comedy, light drama, satire or even farce depending on how its interpreted. However that may be, it shows in painful detail the assassination of the self esteem of a sweet, kind, and thoughtful girl who wants little more than to be liked. Entertaining as it may be, "...Dollhouse" is a movie with a message for everyone who has ever been 12.

george.schmidt 23 April 2003

WELCOME TO THE DOLLHOUSE (1996) **** Heather Matarazzo, Brian Sexton Jr., Eric Mabius, Matthew Faber, Daria Kalinina, Angela Pietropinto. Easily one of the best independent films ever produced. Matarazzo is brilliant perfection as 11 year old Dawn Wiener - Wiener Dog - who is trying desperately to survive the 7th grade NJ suburban hell with her existence as a gawky, nerdy yet smarter- than-the-rest protagonist facing every conceivable roadblock to hurdle including a dimwitted hunky high schooler and a seemingly threatening classmate (Sexton who is also great) who can't decide if he wants to "rape" her. Heartbreaking and all too close to the bone perfectly realized depiction of how judgemental we all are and just how harrowing adolescence really is. Dare not to be angered when her self-indulgent mother takes away her cake at the dinner table while the rest of the monstrous family greedily eat their desserts. Black comedy satire and documentarian genres blending seamlessly to a genuine masterpiece of poignancy sharply observant parable of anomie and angst by writer and director Todd Solondz (who won the Best Picture prize at Sundance). Wickedly funny and dead on accurate.

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