WarGames (1983)

One important piece of reality in this movie is when David Lightman looks for the computer game company, and stumbles across WOPR, by using a program that automatically calls every number in an area looking for a carrier. Such a program was called, after this movie came out, a "Wargames dialer" or a "Wardialer". And today, as well as old fashioned wardialing, we have wardriving, warstrolling, warchalking... war everything else, because of this movie. And have you heard of the annual hacker convention, held in Las Vegas, called.... Defcon? There are, of course, factual problems with this movie, some of which one just accepts as necessary to the ploy. When David plugs the speech synthesizer into his computer, he explains that the computer isn't really speaking, just interpreting the text that's coming in. We can't have an entire movie just looking at a video screen, so we accept that. But then at the end, Joshua speaks the climactic lines of the movie in the same voice, which makes no sense at all. The way that Joshua could find one character at a time of the password never did wash. And the paper clip method could only make a local call.

The nuclear freeze movement was certainly quite strong in the '80s, more so than many today realize. I hope you understand what "freeze" means, because it's not the same as disarmament. It means: lets just stop throwing money down this black hole by stopping the nuclear arms race where it is. Who cares if they can reduce us fine powder and we can only reduce them to sand. Ronald Reagan outmaneuvered the freeze movement with all that SDI nonsense, which was just another excuse to waste money and extend the arms race into space. With Reagan, it's hard to tell, of course: maybe he really thought it was a "purely defensive" system, that could "make nuclear weapons obsolete". When the Soviet Union finally collapsed, there was talk of a "peace dividend", in which the obscene amount of money previously spent on the arms race could actually help people at home. There ain't too much talk about that now, with the "War on Terror", which is a war about as much as the War on Drugs or the War on Poverty, and just about as successful.

Fmovies: Watching this movie 25 years on, it still works. Obviously the onward march of technology has rendered several of the central plot devices redundant (although, to be honest, most modern techno-thriller entries are far less plausible) but the sheer tension of the story grabs you almost from the off and never lets go - there aren't many genre movies that got an Oscar-nomination for screenplay, which amply demonstrates its quality.

And the last ten minutes or so are still jaw-dropping. That spectacular (if implausible) NORAD set is as astounding as ever, and the last line still deserves it's place in the pantheon.

Laugh at the antiquated tech by all means, but be impressed by the effort taken to make it feel believable (cf. the sequence where Broderick's character gets the password for the school computer.) Hacker movies have rarely come this close to being real - and, as someone who had been there and done that at about that time, it was scarily right.

In no way is this one of the greatest movies ever made. But there's no question that it achieves the rare quality of transcending it's genre.

It was with much interest to me to revisit this early 80s hacker piece armed with the knowledge of just how the advent of change in the computer world had evolved. With that in mind the film could quite easily be classed as a bit clunky due to the now almost Neanderthal toys, games and computers used in the movie, but casting aside the nostalgia feelings I had with it, it still hits the spot as both a poignant piece of interest, and a dam good thriller as well.

Matthew Broderick is David Lightman, a young computer gamer geek who is something of a whizz kid on the PC. He can change his school grades and hack into various sites he shouldn't be even looking at. During one eventful sitting he hacks into a computer called Joshua and plays a game called Global Thermonuclear War, he harmlessly chooses to be The Soviet Union and proceeds to launch a nuclear attack on his own country, the U.S.A. Trouble is is that the game is for real and the wheels are in motion for World War III!.

It helps to remember the time this film was made {for those old enough of course}, for it was the time of the ever worrying cloud of the Cold War, a time when nuclear war was more than a hearsay threat. I really think that in this day and age where computers literally do run our lives, this film stands up really well not only as a warning piece about messing with technology, but also as a gentle poke in the ribs about defence systems and the people we trust to run them. Tho the film is a kind of watered down and accessible 2001: A Space Odyssey for the 80s set, it impacts well and only really suffers from a pointless romantic plot strand involving the sprightly Ally Sheedy (could they not just have been pals?) and the aforementioned dated gadgets. The ending to the film is excellent as the tension builds up nicely and we are left chewing our nails watching a game of Tic-Tac-Toe, sounds simple doesn't it? Not so.

Good honest and intelligent entertainment. 7.5/10.

WarGames fmovies. In the 1980's, the realisation that computers will soon play an extremely important role in everyday life was becoming more and more evident. This idea was treated with excitement, curiosity, and fear - people genuinely did not know how powerful they would become, but they were certainly fearful of it. Cinema explored this fear in successful films such as The Terminator (1984), which depicted a future where humans were locked into a battle with robots, and Tron (1982), in which a character is sucked into a game where he is forced to battle with the computer to survive. Never had the capabilities of computers been so realistically portrayed than in WarGames, a film that introduced the world to home computers, hacking, and how humanity can be replaced by machines (as well as the idea that nuclear destruction is still a threat).

When two missile controllers fail to launch a missile during a test launch due to uncertainty, government bigwig McKittrick (Dabney Coleman) introduces his superiors to WOPR (War Operation Plan Response), a giant super-computer that repeatedly plays games with itself to generate stats and results of possible nuclear war outcomes. The operation is given the go-ahead, and workers find themselves replaced by this metallic super- brain, that will deal with any potential nuclear threat to the US. High school punk David (Matthew Broderick) is a highly intelligent computer- obsessive who uses his hacking skills to change his grades on his high school system. When he learns that a company is releasing new breakthrough games in California, he scans the area for computers in order to hack into their mainframe. He stumbles upon a computer that lists many strange war games, including 'Global Thermonuclear War'. He begins a game, choosing to be Russia, but unbeknownst to him, he is actually playing WOPR who is playing the game for real. Soon David is brought in by the FBI who suspect him of working with the Russians, while the threat of global nuclear destruction lingers as WOPR carries on playing the 'game'.

I viewed this film quite often when I was a child as I owned the VHS, but admittedly the film went over my head somewhat and I found it quite boring. Watching it now, I was shocked to find out this is a very good film, and it makes for a gripping adult thriller, while maintaining that 1980's kids-film-feel. The technical aspects shown on screen are extremely well-researched, and David's hacking activities make for exciting and interesting viewing. It's also fascinating to see the early giant, clunky computers of the 1980's and an early portrayal of the Internet. Overall, this is a highly entertaining thriller that is well acted, scripted and filmed (and even received three Academy Award nominations), and has plenty of those nostalgic qualities for us children of the 80's.

www.the-wrath-of-blog.blogspot.com

If you want to see a film with the most real style of hacking, forget Swordfish, The Net and all these other films where "hackers" work in graphically superb programs and can hack government server in few seconds. Broderick, working in his text-only mode, using social-engineering and having good abilities handling primitive electric devices is nearest the real world's "hacking", at least in his period.

As thought that the film sometimes lacks tension, especially in the middle, it has its very strong moments. To be honest, I got most excited on the very beginning, I really loved it.

The performances are good, but I disliked and didn't believe the performance of the man, who should have played the wooden-head general. It seemed to be too overacted. He himself lowered my rating by one.

This film might not be so interesting for people, who aren't interested in computers, because, as I mentioned upper, the plot lacks some deeper crisis, but I thing that everyone else will like it, so if you match the upper criterion I can recommend you only one thing: Go and get it!

A rogue young man named David (Matthew Broderick) along with his best friend Jennifer (Ally Sheedy) hack into their high school's computer to change his grade and later on , find a back door into a military central computer in which reality is confused with game-playing, possibly starting World War III . As the United State's Department of Homeland Security is led to believe an American teen hacker playing a terrorist-attack simulator game online is a real terrorist out to destroy the U.S . The system is called the War Operation Plan Response, or WOPR for short, developed by brilliant but now deceased scientist Stephen Falken (John Wood), who programmed the system to learn continually through game simulations . At the end , a message : The only winning move is not to play.

This is an entertaining film of the 80s ; it was way ahead of its time and it stills grips the spectator . A popular flick in which a young computer whiz hooks into a game manufacturer's computer and accidentally starts WWII when he decides to play a selection titled ¨Global Thermonuclear Warfare¨ . The picture contains almost no violence , nor murders or any other sensationalistic content . Interesting as well as amusing screenplay by writers Lawrence Lasker and Walter F. Parkes who during their extensive research for the film, made friends with many 'hackers' and security experts. They later wrote ¨Sneakers¨ another film featuring 'hackers' and security experts. Likable starring couple , Matthew Broderick and Ally Sheedy , both of whom hold a great chemistry . Large support cast such as Barry Corbin , Dabney Coleman , Dennis Lipscomb and many of them uncredited as Michael Madsen , Eddie Deezen , James Tolkan , ArtLeFleur , William H. Macy , Maury Chaykin and John Spencer . Special mention to John Wood as Professor Stephen Falken ; main inspiration for this character was Cambridge Professor Stephen Hawking ; he was originally approached to appear in the movie, but he declined because he didn't want the producers exploiting his disability . Adequate musical score accompanying the action by Arthur B. Rubinstein and inventively photographed by classic cameraman William A Fraker . The film was part of a 1980s cycle of films about atomic bombs and nuclear warfare which had started in 1979 with ¨The China syndrome¨. The films included ¨Silkwood¨, ¨Testament¨, ¨Threads¨, ¨The day after¨ , ¨The Atomic Cafe¨, ¨Ground zero¨,¨Special Bulletin¨ , ¨Barefoot Gen¨, ¨Rules of Engagement¨, ¨Letters from a Dead Man¨ , ¨The chain reaction¨, among others . Followed by an inferior remake titled ¨ WarGames: The Dead Code (2008)¨ by Stuart Gillard with Matt Lanter as Will Farmer , Amanda Walsh as Annie D'Mateo , Colm Feore as Joshua and Chuck Shamata as Bill Carter .

The motion picture was professionally directed by John Badham , though the original director was Martin Brest, and several of the scenes he shot are still in the movie , but he was fired as filmmaker a short while into production due to creative differences . Badham's breakthrough credit was the box office smash Fever Saturday night (1977) ; other hits on his resume include The Blue Thunder (1983), War games (1983), and Shortcircuit (1986). He's a nice director who achieved his greatest success in the 80s and 90s . He directed several hits (Drop zone , Nick of time , Skateout ,Point of No Return , Bird on a wire) , though today making TV movies (Jack Bull , Floating away) and television episodes (Crossing Jordan, Psych, Las Vegas, Sta