Visitor Q (2001)

Another world exists, and we are given a glimpse into that world: where sons beat their mothers, fathers are attracted to their daughters, and random strangers take up residence in a home and begin to run the household as they see fit. This is the world of "Visitor Q".

I've been on something of a Takashi Miike kick lately, thoroughly enjoying "Audition" recently. He's more offbeat and push-the-envelope than much of what passes for horror in America. This film is no exception. While the violence is much less than I've seen from Miike, the bizarre sexual aspects are pushed to new limits.

I don't know what I can write here without being obscene, but it's hard to describe this film without at least mentioning a few of the extreme sexual cases presented: incest, necrophilia, sex with feces, a woman who enjoys making herself lactate until she's flooded the room. And that's just the tip of the iceberg. If you're looking for something weird, this is your best bet. The only film that comes close to being this strange is "Slaughtered Vomit Dolls", which is more gross and artistic than this -- this film is just weird in general.

So, how do you judge a film that's bizarre? As art? Because the plot is really hard to pin down (not much happens, and the visitor is never explained). The acting is amazing, at least as far as they really pulled off the dark humor (I think most people will miss the fact this is supposed to be funny, but you can tell the violence is exaggerated on purpose). I really liked it, if for no other reason than that every time I thought it couldn't get weirder, I was wrong.

If you watch the opening scene and don't mind what you see, watch this film. I was uncertain at the beginning because the use of video quality made it seem all too real. But after the initial shock faded, I really few in love with this family and wanted to know what was going on. Not sure I understand it, but that just leaves me wanting to see it again. So, yeah, if you're into bizarre films or Miike (or both), put this on the top of your list!

Fmovies: This was the fourth Miike film I've seen (Audition, Ichi, Gozu...well 5th if you count his short from Three Extremes) and I think this was by far the most bizarre and disturbing. I'm not squeamish or easily affected by movies so it didn't really disturb me but I can see where it would be disturbing to the average viewer. Miike did manage to hit upon almost every taboo in the books. I'll admit that I did feel somewhat dirty because I got turned on by the opening scene...but hey, it's a just a movie.

Overall I think it was a unique take on the reality TV craze and voyeourism in general. While I didn't like it as much as his other movies that I've seen it's definitely worth checking out.

I rented Visitor Q on DVD because I've seen Takashi Miike's name in the newspapers recently. I wanted to get a taste of what this guy was about before I saw any of his new movies. And you know what? When it comes to the criminally insane, Takashi Miike is KING!

Visitor Q is not something that i was ready for. At the very base, it is the story of a dysfunctional family trying to come together. But on the surface, I couldn't even begin to explain how INSANE this movie is.

I know I liked it because I was glued from beginning to end, and I was severely punished and rewarded at the same time.

This movie probably contains 5-10 fetishes in it, none of them which excite me in the least. However, I gathered that this movie was a huge metaphor for the need of a family to stick together and maintain closeness. Hopefully, you'll be able to hold back your vomit to discover this.

A definite 7/10

Visitor Q fmovies. Title: Visitor Q

Director: Takashi Miike

Review:

Jeez, I don't know where the heck to begin with this one. Well I guess it could be talking about Miike and how he is known for his ultra violent yakuza films or his love for shocking the heck out of his audience. But I could also talk about how he doesn't just shock for the sake of shocking. There's some context and a message that accompanies the shocking imagery. Such was the case with Visitor Q a very strange journey, but ultimately a very shocking, entertaining and thought provoking one.

The story is about this incredibly dysfunctional family in which everyone is living in their own little world. There's no unity...no love. Heck, when the movie starts out you think they are all different stories, then, slowly you start to realize that this people are all related and living in the same house hold. The mothers a heroin addict, the kid gets beat up at school by bullies, so he takes it out on his mother by violently hitting her, the fathers a failed reporter who is trying to come to grips with his premature ejaculation problem and the daughter, well shes a whore (literally!). So as you can see, this family is all over the place. In comes a strange visitor who suddenly starts to live with them, observing them from afar. Not talking much, just observing at the insanity of the everyday lives of this four crazy people.

The thing about this movie is that, yes it is very shocking with the images. In fact, I don't think you will ever see a movie as crazy as this one. I'm sure of it. Not even in your wildest craziest horniest dreams will you see the crazy things that you will see on Visitor Q. But you see, the film is not only about the shock value, for Miike makes sure that there is substance to the story, because it really touches upon some important social themes. It talks about the importance of family and love, about the role of the father as protector of the house hold, about the need of motherly love and about bullies getting whats coming to them. I think that many of the themes explored on this film are very relevant for the Japanese culture and I'm sure Miike is just venting all those frustrations out through this artistic outlet, but Ill be damned if all this social commentary isn't relevant to any other culture.

Then there's the Visitor Q. He is just someone who starts to co exist with the family and I saw him as maybe God coming down to earth and seeing this family quietly acting as only an observer, seeing what he has created and what his creation has turned into. He is almost emotionless...though he will let the family members know when they are doing something wrong by banging it into their head. Literally! Anyhows, I'm sure many people will have their own interpretation as to who the visitor is and what he represents...so Ill leave that up to you.

All in all I thought this movie was hugely entertaining, just because of the fact that I couldn't believe some of the things that were happening on the screen as I watched. Some of the things are so amusing that you cant help but laugh. At the same time, just like when you watch a film by Lynch or Cronenberg...you know there's some deep commentary on the human condition in there somewhere. So you watch...watch and interpret. Watch and try and figure it out. Amazed and shocked as you learn.

Is it a horror movie? I don't know, Its as much a horror movie as some might consider Mullholand Drive or Lost Highway a hor

What is amazing with Miike Takashi's cinema is its ability to surprise you. This film is no exception.

Wery aware of its medium (a DV camera) Miike uses this cheap look to touch the viewer more deeply. The credibility comes from this disturbing proximity of the image (It looks like your holiday film). Recurrent use of subjective perspective, emphasis this. But, instead of falling into a dogma-like movie, Miike pushes the plot to its most unacceptable extremities, sometimes flirting with the fantastic genre.

Miike plays with multi point of views, particularly during the opening scene, in which the girl takes photographs of her father before they sleep together. Desorienting the spectator.

What astonished me when I saw that movie, is the amount of humor (noir)that grows up during the film. Here, shocking situations (necrophilia, humiliations...) become really funny. And from an awful family relationship, the plot evolves to an objectively even worst situation, but subjectively a much better situation for the characters.

Miike plays here with conventional Hollywood vision about family and gives a much cynical and humorist meaning to unity! A really enjoyable film I would advise to open minded mature people.

Visitor Q is hard to deal with, but I think I'd call this a masterpiece. This is an update of Pier Paolo Pasolini's Teorema. It's often compared to Pasolini's Salò because of its shocking content, but, plot-wise, it's virtually a remake of the 1968 film, brilliantly updated and moved to modern Japan. Teorema is not Pasolini's best film, but I do consider it a great one. It is a very simple allegory. Miike expands the concept even further. A family is falling apart, and a stranger whom nobody seems to know moves into their home and starts knocking some sense into them (sometimes literally). There are some truly disturbing things in Visitor Q that few people of sound mind and body will want to sit through. Fortunately, I am not of sound mind or body. If you can take it, the film can be extremely funny, as well. And I think it actually captures something truthful not only about the decay of Japanese culture, but also the rest of the world. It just does this in the most extreme way possible. Most will probably judge that it goes too far. I thought it was amazing.