Twelve Monkeys (1995)

I had the privilege of seeing this film at a preview screening years ago, and outside the theater I was confronted by a camera crew from a local TV station looking for comments on the film. At the time, the only words that escaped my mouth were "Awesome. Just awesome." I like to think I can articulate myself a little better than that, but at the time I was somewhat incapable of doing so.

The story is intriguing and thought provoking, and the acting is first rate from all the principals. This film was the first one that Terry Gilliam directed that he didn't have a hand in the writing credit for. Back with Universal after his long, arduous battle with them over "Brazil", Terry had achieved what he wanted most; the "final cut". Terry is a master craftsman, and each shot is like a beautifully conceived painting that has been constructed carefully with determination and conviction. It is only justice that such an individual should be unfettered in his attempts to convey a concept. Unfortunately, limitations still exist in such arrangements.

The Universal Collector's Edition DVD of this film is simply amazing, although most of the bonus features aren't listed on the box. It contains among other things, a director/producer audio commentary and an informative and extremely interesting 90 minute documentary on the making of the film called "The Hamster Factor and Other Tales of 12 Monkeys". It tells of some of the creative pitfalls in filmmaking, including a test of mettle when preview screenings tested poorly, striking the team with feelings of self-doubt and despair. Fortunately, for all of us, they decided to change very little about the film and released it to an enormous success.

Fmovies: Twelve Monkeys is the kind of movie that gets much better with time. With each subsequent viewing, you start appreciating something new, understanding the story a little bit more, and linking new plots elements. I'm saying this because the settings and scenes are rather crude and unpleasant to assimilate, even though the final product is incredible.

The good. Tight logical story. Engrossing scenario that gets better with time. Excellent acting. Interesting treatment of a fairly common theme. Great details. Nice conception of the future.

The actors. Bruce Willis plays the dislocated and slightly unhinged hero to perfection. Great acting. Madeleine Stowe is just right as the unwilling but open-minded participant. Brad Pitt's mad interpretation is pure genius and an obvious precursor of his role in Fight Club (review still to come).

The bad. The whole flick will not please everybody for its gruesome take, the slow development, and the logical conclusion, which I must admit is as it should be. It is morally disappointing and a slightly simple considering the circumvolutions of the story itself.

The ugly. Nothing ugly there, but the rawness of it all.

The result. Watch it. Let a year go by. Watch it again.

There is a story (possibly apocryphal) about an exchange between Bruce Willis and Terry Gilliam at the start of Twelve Monkeys. Gilliam (allegedly) produced a long list (think about the aircraft one from the Fifth Element) and handed it to Butch Bruce. It was entitled "Things Bruce Willis Does When He Acts". It ended with a simple message saying: "please don't do any of the above in my movie".

There is a fact about this movie (definitely true). Gilliam didn't have a hand in the writing.

I would contend that these two factors played a huge role in creating the extraordinary (if not commercial) success that is The Twelve Monkeys.

Visually, the Twelve Monkeys is all that we have rightly come to expect from a Gilliam film. It is also full of Gilliamesque surrealism and general (but magnificent) strangeness. Gilliam delights in wrong-footing his audience. Although the ending of the Twelve Monkeys will surprise no one who has sat through the first real, Gilliam borrows heavily from Kafka in the clockwork, bureaucratic relentless movement of the characters towards their fate. It is this journey, and the character developments they undergo, which unsettles.

I love Gilliam films (Brazil, in particular). But they do all tend to suffer from the same weakness. He seems to have so many ideas, and so much enthusiasm, that his films almost invariably end up as a tangled mess (Brazil, in particular). I still maintain that Brazil is Gilliam's tour de force, but there's no denying that The Twelve Monkey's is a breath of fresh air in the tight-plotting department. Style, substance and form seem to merge in a way not usually seen from the ex-Python.

Whatever the truth of the rumour above, Gilliam also manages to get a first rate (and very atypical) performance out of the bald one. Bruce is excellent in this film, as are all the cast, particularly a suitably bonkers - and very scary - Brad Pitt.

It's been over a decade since this film was released. When I watched it again, I realised that it hadn't really aged. I had changed, of course. And this made me look at the film with fresh eyes. This seems to me to be a fitting tribute to a film that, partly at least, is about reflections in mirrors, altered perspectives and the absurd one-way journey through time that we all make. A first rate film. 8/10.

Twelve Monkeys fmovies. It is unfortunate that all big budget films cannot be as good as 12 MONKEYS. But alas is that not what makes these once in a while films so special? Obviously director Gilliam is a rare talent, a treasure. But even for him 12 Monkeys outshines nearly everything else he's ever done. (And that says a lot. Brazil after all is another incredible film.) But this movie has two things going for it that ale it rise to the very top of the top. #1 it features a stellar cast who all equally deliver fantastic performances. This is Bruce Willis at his peak -- before he sold out and went all Die Hard, when e still cared about being taken seriously as an actor. Same with Brad Pitt. Many attribute this film as the first time Pitt showed the world that he truly was an actor and not just another pretty face. (He further proved that point in Fight Club and many others through the years -- Money Ball, Tree of Life, et al.) and then there's Madeline Stowe. Besides the stellar acting though 12 Monkeys accomplished something even more important: it gave us the opportunity for future films such as Memento and Inception. 12 Monkeys not only featured a non-linear approach to time travel, it did so erratically boldly dynamically and unapologetically so, allowing future filmmakers, like the aforementioned referenced Nolan brothers, to feel safe stepping even further out on those limbs. 12 Monkeys opened that door and so many others. This is a film you can see over and over and still see something new in it AND be moved by. A classic by all standards.

Normally I try to avoid Sci-Fi movies as much as I can, because this just isn't a genre that really appeals to me. Light sabers, UFO's, aliens, time traveling... most of the time it's nothing for me. However, there is one movie in the genre that I'll always give a place in my list of top movies and that's this "Twelve Monkeys" I remember to be completely blown away by it the first time, but even now, after having it seen several times already, I'm still one of its biggest fans. Every time I see it, this movie seems to get better and better.

Somewhere in the distant future all people live underground because an unknown and lethal virus wiped out five billion people in 1996, leaving only 1 percent of the population alive. James Cole is one of them. He's a prisoner who lives in a small cage and who is chosen as a 'volunteer' to be sent back to in time to gather information about the origin of the epidemic. They believe it was spread by a mysterious group called 'The Twelve Monkeys' and need the virus before it mutated, so that scientists can study it. But their time traveling machine doesn't work perfectly yet and he is accidentally sent to 1990, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert...

What I like so much about this movie is the fact that it is never clear whether all what you are seeing is real or not. Is this just an illusion, created in the mind of a mentally ill man or is it real? Does he really come from the future and can he really travel through time? Was the population really wiped out by a virus, released by the army of The Twelve Monkeys? Those are all questions that will leave you wondering from the beginning until the end. If the makers of this movie had chosen to make it all more obvious, I'm sure that I would never have liked it as much as I did now. It's just that mysteriousness that keeps me interested time after time. But that's not the only good thing about this movie of course. The acting is amazing too. Normally I'm not too much a fan of Bruce Willis, but what he did in this movie was just astonishing. Together with Madeleine Stowe and Brad Pitt he should have won several awards for it, because together with the amazing story, they made this movie work so incredibly well.

Even after several viewings, I'm still a huge fan of this movie. Except for this movie, I have only seen one other Terry Gilliam movie and that's "Fear and Loathing in Las Vegas", which wasn't bad, but didn't really convince me either. However, it's this movie that really makes me look forward to his other work. I give it a 9/10, maybe even a 9.5/10.

A convict from the year 2035 is assigned a mission in order to win parole. He is sent back in time by a group of scientists to try and discover the source of a fatal plague that wiped out most of the human race. A plague which did not kill animals. In his travels he discovers mysterious graffiti announcing the arrival of the Army of the Twelve Monkeys.

Terry Gilliam has always been an interesting film director and visual stylist even when some of his movies are uneven. With 12 Monkeys he perhaps produces his most wholly satisfying work. It's a consistently compelling mystery within the framework of a time-travelling sci-fi narrative. It's a fairly complex story, so attention is demanded of the viewer. This is perhaps the chief strength of the film, however, as the labyrinthine narrative is one that benefits from multiple viewings. There are still some elements of ambiguity even at the end, so it's a film that actively encourages discussion.

There's a good cast too. Bruce Willis was on a bit of a run in the mid 90's and this is one of the great films he appeared in at the height of his powers. On the other hand, it's one of the first films where Brad Pitt was allowed to display his acting chops and show that he was a lot more than just a pretty face. While in visual terms, it's as interesting as you would expect from a Gilliam movie; although not as phantasmagorical as some of his more personal fantasy features. In 12 Monkeys he was a director for hire but it's not immediately obvious. Perhaps the distance this gave him actually helped instill some discipline that made the whole more cohesive on the whole. Whatever the case, this is an excellent sci-fi film with a compelling central mystery.