Trash (2014)

Two fourteen year old boys find a wallet at a garbage dump with money and pictures with numbers on the back. Through a series of silly and highly unlikely events, the pair are chased by nasty police who are involved with corrupt politicians. Martin Sheen; who was the reason I watched this movie in the first place shows up as a priest with a small church near the dump. Rooney Mara is his assistant, and seems to be teaching English to the children while having difficulty with Portugese. This is a badly written story with competent acting. The kids are likable enough but even without a spoiler alert, you can figure out the ending without much effort. At least the scenery of Rio is interesting, but that is not enough to recommend this film.

Fmovies: I was recommended this movie on several occasions by some of my Brazilian friends, and was never able to find the time to watch it. I always prioritized other movies. Still, in the back of my mind, I really wanted to watch it. I finally did, and man I was disappointed. I was expecting something as gripping as City of God, as entertaining as Tropa de Elite, but no. Trash was definitely a lot worse than these two movies. I don't think there ever was enough tension in the movie and the characters felt a little amusing sometimes. At least that's my opinion. Not every movie can be a masterpiece, so I guess I'll judge this one as just another decent movie coming from Brazil, with the typical Favela kids vs Underworld Bosses + corrupt police. Decent. That's it.

I never thought that garbage can be so beautiful. Indeed, in this film it is. Stephen Daldry successful squeezes an incredible set design, visualization is absolutely fantastic. From the favelas of Brazil, to the beautiful landscapes, it all looks just stunning. The thing I like is also editing, the sequences are fast and dynamic and it is just right on. If we look at the movie more closely, we can see a close relationship between the boys, playfulness of the youth, hope in a brutal world. It is dominated by the playful dynamics among them, how they learn about the world through adolescence. Although the government is corrupt, and the police puts misery and poverty beneath the low, there is hope and the will to live. Mara and Sheen are acting as missionaries who help these children, living from the garbage, to a better future. Not bad acting, but the characters... Sheen as a priest, Mara as a assistant, it seems somewhat they are missing all the action. The best I can describe, sometimes I had the feeling watching them behind a bottle of glass. I must mention the script and story is short in depth and is weary predictable, not to mention the contradictory. But nonetheless it is a well made move, worth watching, and I give it a go.

Trash fmovies. I was very exciting waiting for the next Stephen Daldry's movie and, fortunately, my expectations was accomplish. The movie is wonderful! I already saw it three times!

the story of three boys who live in the garbage, based on the excellent book by Andy Mulligan, is an unparalleled purity, able to thrill all people around the world. Brazilian actors Wagner Moura, Selton Mello, Andre Ramiro, ze Dumont, Xavier Nelson are excellent! The young actors who play the main characters, and who had never acted before in his life, are more sensational find of Mr. Daldry!

The movie has it all ... action, suspense, comedy bits and a lot of sensitivity. Something that Daldry is a master at putting in his films.

Do not forget to see and review TRASH! A roller coaster of emotions!

With a title like Trash, it is hard not to expect things like garbage piles and generic black plastic bags to appear on screen. One might even think, why would anyone watch a film named Trash? After all, Hollywood films can be trashy and a title like Trash does seem like a boding sign. Yet do not be fooled, all you title-judging mother****ers, Trash is absolutely nothing like its namesake.

Directed by Stephen Daldry, Trash is a story about Raphael (Rickson Tev) and his chance discovery of a wallet belonging to José Angelo (Wagner Moura). Together with friends Gador (Eduardo Luis) and Rato (Gabriel Weinstein), Raphael embarks on a perilous journey to uncover the truth behind the wallet, unwittingly becoming victims to corrupted politician Santos and policeman Frederico (Selton Mello). Adapted from Andy Mulligan's young adult fiction novel, Trash has a story that seems almost like a fairytale - it is only in the lala-land of literature that fourteen-year-old trash-pickers can succeed in exposing the corrupted ways of political figures without getting themselves killed. That being said, the film succeeds in translating this highly unlikely situation from book to screen without making it seem too contrived.

There are many things to look out for in Trash, like the superb editing and the wonderful cinematography by Adriano Goldman. From the mountains of trash piles to the grimy stilt houses, Goldman did a great job of capturing the decrepit beauty of these common wastelands. Chase scenes in particular, were edited well with great rhythm. Daldry's use of the boys' to-camera inserts would also be greatly appreciated by viewers who have read the novel. Seen through the to- camera inserts, the boys' frank statements better developed their characters, reflected the novel's multi-perspectives and doubled as a plot device later on in the film.

Although Tev, Luis and Weinstein can be rough around the edges with emotional scenes, their energy was infectious on screen. On the other hand, Rooney Mara and Martin Sheen paled in comparison, appearing more like decorative non-playable characters beside the boys. While Moura performed within expectation, the same cannot be said of Mello, who played the role of Frederico like an emotionless corpse. In fact, if you stare hard at the screen, you will soon come to the conclusion that even a dead grouper has eyes livelier than Mello's.

Acting aside, the only problem this reviewer has with Trash is Raphael's dogged pursuit for justice. When questioned about his actions, Raphael answered that he was doing so because "it is the right thing". In spite of that, it was the money left behind by José, and not the book accounting for Santos' corrupted dealings, that seemed to interest the boys. In this sense, the pursuit for justice seems more like an adventure for Raphael and his friends, rather than an act motivated by the decision to right a wrong. Then again, perhaps that was what made Trash so charming. In a world filled with dark, cynical views, the boys are a representation of what hope, perseverance and friendship can bring about.

"Anyone who touches that wallet; I want them dead."

Ever since his feature film debut in 2000, Billy Elliot, Stephen Daldry's movies have either been nominated for Best Picture or for Best Director. He followed up the success of Billy Elliot with The Hours, The Reader, and Extremely Loud Incredibly Close. His latest film, Trash, which takes place in Brazil and is almost entirely in Portuguese, ends his Oscar nomination streak (although it was nominated for the Bafta Awards), but it does borrow some common themes from most of his past works. The lead characters are children and the story has an upbeat message despite the subject matter. The screenplay was adapted by Richard Curtis from Andy Mulligan's 2010 novel and some may find some plot similarities between this film and Meirelles's City of God, although Trash is much more upbeat and less raw. The three lead characters played by children are extremely charismatic and despite not being professional actors they carry the movie. Perhaps my greatest complaint is that given the subject matter the film doesn't seem raw enough. These characters live off the trash dump but the film looks too impeccable and clean. It's just a minor complaint because for the most part I was entertained with the story, but it doesn't come close to reaching the rawness of City of God.

The film opens with a man on the run from police authorities. Jose Angelo (Wagner Moura, who international audiences may recognize from Elite Squad) has hidden something and the police seem desperate to locate it. As they close in on him Jose spots a garbage truck and tosses his wallet towards it before he is captured. Frederico (Selton Mello) apprehends Jose and begins torturing him for information on what they are looking for. In the next scene we follow the waste truck as it is dumping the trash and several people gather around it looking for food or anything useful. A twelve year old kid named Raphael (Rickson Tevez) finds the wallet which contains some money and a special key. He holds on to it and tells his best friend Gardo (Eduardo Luis) about his discovery. They have no idea what the key opens so they decide to tell another of their friends about the mystery. Rato (Gabriel Weinstein), who lives in the sewers knows exactly what the key is for and he wants to split the findings with them so he joins the adventure. Things gets complicated however when Frederico arrives at the dumping site and offers a reward for anyone who finds the wallet. From that point on the kids don't only have to try to solve the mystery, but try to avoid being caught by the police in the process.

The plot involving the key may seem similar to Daldry's previous film, Extremely Loud Incredibly Close, which focuses on a kid trying to discover what the key opens across New York City, but in this case we discover it pretty early on in the film, but the discovery leads to more mystery and thrills. The three lead characters are much more charismatic and the film delivers several funny moments. It is an engaging thriller that gradually build the suspense, but unfortunately the ending is a bit far fetched and stretched out. Martin Sheen and Rooney Mara have supporting performances as he plays Father Julliard and she an English teacher named Olivia who is doing volunteer work. Both end up involved in the case when they decide to help the kids out in different ways. Despite these familiar faces, the true stars of the film are Tevez, Luis, and Weinstein who bring a lot of charisma and innocen