Time of the Gypsies Poster

Time of the Gypsies (1988)

Comedy | Drama 
Rayting:   8.3/10 27.1K votes
Country: UK | Italy
Language: Romany | Serbo-Croatian
Release date: 22 June 1990

In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick cash world of petty crime, which threatens to destroy him and those he loves.

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User Reviews

spewky 23 November 2001

Surreal, amazing and absorbing, there are not enough words to explain how great this movie is. I watched it late night on ITV in London from 2am to 4am only to catch a train the next day to Kent, but i don't regreat one moment of it. Am not even going to bother telling you what the film is about, because it really is one of those stories thats best kept to oneslf. Its like a good memory you keep to yourself. I have not seen any of the other Emir Kusturica films, but i will highly recommend this movie for all those that love fantasy, film and a good story.

Dom za vesanje: Approved

smokeyjoe 11 August 2003

Fmovies: A hauntingly beautiful, tragic, and ultimately spiritual movie. This is "magic realism" put to the highest use. The music is very moving. Definitely not for the usual American-Hollywood audience, but I mean that as a compliment. It has value as a documentary of the Rom lifestyle in Europe and elsewhere. There's considerable irony in the fact that Yugoslavia descended into ethnic genocide and disintegrated since this movie was made -- raising the question of what precisely is this "civilization" that feels so threatened by Gypsies.

DukeEman 21 January 2002

When I see a Kusturica film, I see the magic of Fellini but with a sinister edge. His characters may be crude and immorally incorrect, but interesting enough as an observation piece that represents the madness of life. All this done through an epic journey taken by the young and shy Perhan, who discovers the crudeness of live that alters his whole believes and existence. The film plays like an opera, but without the soap, making it another Kusturica masterpiece that mixes the real with the bizarre.

sven-siegmund 1 November 2006

Time of the Gypsies fmovies. This is the kind of movie I cannot forget. Well, to be honest, the reason why I watched it was to see my girlfriend, who suggested to watch it at her's. I wasn't really impressed by the movie and I thought it'd be another of those I'd forget about. And I wouldn't comment on it if there wouldn't be something special to it. I just keep thinking about it again and again, and I get the feeling it wasn't so boring as I thought. That's exactly what I find interesting. There are movies which you think are bad, and forget about them. There are movies where you see they are great and you never forget them. And there are movies which you think they haven't impressed you at all, but after some time you still think about them and you keep remembering them whether you like it or not. And eventually you find that they were quite good just the way they was. And so is this movie. What it wants to tell you is not the story it tells - a story which you may find uninteresting, longish, alien, of no matter to you. This film wants to give you an impression of the Gypsy way of life. And after seeing it and thinking about it, you feel like understanding the Gypsies somewhat more.

sparkability 29 April 2001

I'm glad I was bored on a Friday night and decided to browse the foreign film section. I randomly picked Time of the Gypsies, and now it is my favorite. The soundtrack, as well as the movie, is amazing. This film is unique in almost every aspect. It was moving without being too gushy or fake--I highly recommend seeing it. The other commentees have said pretty much everything else about this film in an nicely eloquent way, so I feel I need not elaborate. :)

the red duchess 9 April 2001

'Time of the Gypsies' is a big, full movie.

It is full in the way a magic realism novel is full, with its intergenerational cast of characters; its vivid sense of place, the weather and community life, where private is always public, where joy and tragedy are inextricable; where magic, dream and delusion are indistinguishable.

It is full in the Fellini sense, with its grand, often hallucinatory, set pieces; its profusion of grotesques; its bursting compression of many plots; its general noisiness.

It is one film containing many simultaneous films (a gangster film; a surreal road movie; a romantic comedy; a rites-of-passage; a Christian allegory).

It somehow feels a little thin, like a tapestry of chunks from a massive novel. It is certainly a prime example of retrospective dating - at the time it seemed a masterpiece; over a decade on, it's pastiche Kusturica.

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