The Searchers Poster

The Searchers (1956)

Adventure | Western 
Rayting:   8.0/10 80.9K votes
Country: USA
Language: English | Navajo
Release date: 26 May 1956

An American Civil War veteran embarks on a journey to rescue his niece from the Comanches.

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sngjudge 24 July 2000

OK. First of all, I have seen quite a few movies in my time, and the complexity of this film makes this one of the top 5 movies of all time. Steven Spielberg said (in an early 90's interview) that this movie was possibly the greatest of all times, due to the depth of the character studies. The interplay between Ethan & Martha (his brother's wife)is subtle, yet screams of an undying, yet unfulfilled love that has endured for several years. You have to see the scene where Ward Bond is left in the house eating doughnuts, and witnesses the final, tender goodbye, while looking straight ahead, coming to the realization of what it all means, and how hard it is for the two of them to keep it from everyone else.

It is true that the film was filmed in Utah with the story taking place in Texas, but that quickly becomes a moot point. There is not space to extol all the virtues of this movie The relationship of Ethan & Martin, Martin & Lori, and the raw emotion experienced by all members of the cast are worth the rental price. No cast member came back from making this movie the same way they were when they left. Watch the film, it gets inside you. Watch it again, and you'll find things you never saw before, no matter how many times you see it.

Until next time!

flaxies7 17 March 2005

Fmovies: Whenever I read critic's reviews of "The Searchers," I'm continually astounded by how they beat into the ground the racial aspect of the movie. Yes, it is undeniably an important theme in the plot, but no one ever touches on its more simple and beautiful qualities: the harshness of life in the Old West; the pioneer spirit so eloquently described by Ma Jorgensen. And most importantly, the fierce dedication to family shown by Ethan and even more so by the true hero of the film, Martin Pawley. As for the allegedly racist views of Ethan Edwards, go read the book, as Amos (the Ethan character in the book) had very real reasons to despise the Indians. People do ugly things to each other. Life is complex and viewpoints are often the results of one man's experience.

ma-cortes 15 September 2014

A true classic of the Western genre with powerful scenes and spectacular outdoors . The story that sweeps from the great Southwest to the Canadian border in VistaVision . This nice and well-paced Western contains adventure , interesting characters , romance , shootouts and spectacular fights . Action Western is pretty good , stylishly developed , a first-rate story and powerful told too ; including a solid main and support cast lead some eye-catching performances . It deals with a Civil War veteran , Ethan Edwards (John Wayne as an embittered Indian-hating , ex-Confederate soldier gives his best acting through a long career) along with Martin Pawley (Jeffrey Hunter was nearly 29 at the time of filming, although his character was supposed to be a teenager , though Robert Wagner auditioned for the character) and Brad Jorgensen (Harry Carey Jr) embark on a relentless journey , spanning several years , to rescue his niece (Natalie Wood as a grown-up girl and his youngest sister Lana Wood as a child, the latter starred a bit later on a similar film titled Greyeagle) who was abducted years earlier from an Indian tribe . As desperate relatives spend years searching for their loved beings kidnapped by Indians in this lengthy Western . As time goes on , we begin to wonder whether Ethan is out to save his niece or kill her .

This nice as well as superb Western contains thoughtful characters , full of wide open space and dramatic moments . Outdoors are pretty good and well photographed by Winton C. Hoch , story first-rate and powerful told too . Here John Ford and John Wayne reached the peak of their successful and long screen collaboration . Considering the part of Ethan Edwards to be the best character he ever portrayed on-screen and his favorite film role, John Wayne named a son Ethan Wayne in homage . Thought-provoking , insightful screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface . Over-the-top Western with trigger-taut drama , perfectly written by Frank S. Nugent who brings the story of the day the West will never forget from the 1954 novel by Alan Le May of the same name that was first serialized as a short story and first titled, "The Avenging Texans" , acknowledged similarities existed between the film's script and an actual Comanche kidnapping of Cynthia Ann Parker, a young white girl in Texas in 1836 . Marvelously shot Ford film with a lively look at the complex reintegration of captives . Ford's subsequent film ¨Two rode together¨ has a similar plot to ¨The searchers¨ though the Ford's vision about West is pretty cynical and less idealist . This classic and moving picture ranks as one of the main of John Ford's works , including settings , interpretations , cinematography all extraordinary . It contains Ford's usual themes as familiar feeling , a little bit enjoyable humor, friendship and sense of comradeship but also some cynicism and full of wide open spaces with breathtaking landscapes exceptionally filmed from Edmonton, Alberta, Canada , Durango , Mexico , Aspen , Gunnison , Colorado, Goosenecks State Park , Utah, and , of course , Monument Valley, Arizona . Sensitive and thrilling musical score by the classic composer Max Steiner , including wonderful songs . Ford gets to ensemble a magnificent supporting cast , plenty of familiar faces such as John Qualen , Olive Carey , Henry Brandon , Ken Curtis , Harry Carey Jr., film debut of Pippa Scott , Antonio Moreno , the role of a young cavalry officer, Lt. Greenhill, is play

29055 18 December 1998

The Searchers fmovies. John Ford's classic Western, has inspired many quest movies and tv series since its release. The film is a series of episodes linked by the 10 year quest for a niece stolen by Indians as a child. Wayne's Ethan Edwards, an embittered Confederate veteran shows only hatred for all redskins and is uncomprimising in his intended treatment of his niece when he finds her. Modern cinema audiences may find this uncomfortable, especially since western folklore has been reassessed over the last 20 years. But don't let this put you off. Ford's treatment is a modern allegory and Ethan can be forgiven his sins when, at the final denoument, one act of kindness gives us hope, and we feel Ethan has learned an important lesson. Tolerance. Everything about this film makes it a classic and perhaps the best in its genre. Ford's direction is as impeccable as ever, Frank Nugent's script and Winton Hoch's cinematography give us some of the classic images of the cinema. John Wayne, as ever, doesn't even need to act. He just sits tall in the saddle and perpetuates the myth.

Ric-7 12 December 2000

About ten minutes into the film, there is a shot which begins with Captain Clayton (Ward Bond) slamming a door behind two children who were teasing two young lovers, Lucy and Brad. There follows a wordless interior shot, lasting maybe a minute, wherein Aunt Martha takes out Ethan's Confederate overcoat, tenderly caressing it before she hands it to Ethan. I noticed the sequence when I recently watched the film again, and I had to rewind and play it once more because I found it so stunning--all of the information and emotions conveyed without a word. I'd watched the film previously maybe a dozen times and had never noticed the power of this sequence.

Don't for a second tell me that Ethan is a stereotype, because there is so much more at work here. Obviously we are not supposed to sympathize with Ethan's prejudices, but notice that Ethan is not the only one who feels that way. Laurie (not at all disapprovingly) tells Martin that Aunt Martha would have preferred her daughter to be killed after being defiled. Interestingly, Martin is one-eighth Cherokee, which under the old racial percentages of the Confederacy would make him the equivalent of an octoroon, and therefore non-white. Martin's intended marriage to Laurie, on racial terms, would have been as taboo as Debbie marrying Scar: Laurie believes that death is preferable for Debbie, but she intends to do likewise with Martin. The contrast is that Debbie was abducted, whereas Laurie would willingly go. And note at the end that Laurie walks right by Debbie, as she heads for Martin.

The final shot is famous, but I noted the doorway theme throughout the film: the message of an open or closed door, whether the character enters the door or just looks in, at other times, the character is inside looking out. And all of this in a 50's western.

The movie is not perfect: I could have done without some of the comic relief. However, this is John Wayne's best work (The Shootist is a close second). Those who think this is the best film of all time have good reason to support their belief.

eibon09 19 November 2001

The Searchers(1956) has been reflected to death by many filmmakers in their own work with main ideas, situations, and plot as guide. Many elements of The Searchers(1956) influenced film directors ranging from Brian De Palma, George Lucus, Martin Scorsese, Paul Schrader, and Sergio Leone. There are scores of other movie makers whom I cannot list at the top of my head that were affected by this one film. Obvious film influences are Once Upon a Time in the West(1968), Obsession(1976), Taxi Driver(1976), Star Wars(1977), and Hardcore(1979). It shows that great works of cinema are also able to inspire many admirers and disciples. Only films(stories) by Akira Kurosawa has been reflected more often by film directors than The Searchers(1956).

John Wayne was legendary American film star and big box office draw by 1956. The Searchers(1956) lends creedence to John Wayne being an exceptional actor enforced by his multi-layered performance. In a career that spanned five decades, The Searchers(1956) is the efflorescence of John Wayne. John Wayne gives a complex/flawed portrait of a man looking for redemption and salvation. One fine moment that examplifies the multi-layerness of John Wayne's performance is the look on Ethan Edwards face as he feys over what will happen to his brother and family. The Searchers(1956) was to John Wayne's career what Treasure of the Sierra Madre(1948) was to Humphrey Bogart and Vertigo(1958) was to James Stewart.

Story is about drifting, trying find something which is self-meaningful. Ethan Edwards is such a drifter who is always in search of a purpose. The Searchers(1956) is really about drifting in the American Frontier and search for self-discovery. There were many drifters like Ethan Edwards in the Old West especially in the wake of the Civil War. The Cowboy drifter in the Old West is almost the equivalent of the Samurai ronin in Tokugawa Japan Era. These drifters were men who were on the go, had temporary employment, and always wondered about their existence in life.

Rare individualistic motion picture in the old studio system days when many Hollywood films were studio controlled. The Searchers(1956) defies the typical 1950s Hollywood film presentation because its a director's picture. Excells on a visual level with interesting camera placement. Camera framing also plays a psychological and visual role in representation of two conflicting worlds(Civilized West and Wild West). Helped by crisp and flawless editing that flows the plot along effortlessly. Shades of Homer's THE ODYSSEY are penetrated into the heart of the story with irony.

Deals with racial prejudice with honest and truthful gusto. Racial prejudice in The Searchers(1956) is filmed in terms of emotional and psychological depth. The racial prejudice of the protagonist echos the prejudice of many white people in the Old West felt towards native Americans. The relationship between Ethan Edwards and Martin Pawley is met by distrust, prejudice, and sarcasm. Only towards the end does Ethan Edwards begin to show some sign of acception and respect for Martin Pawley. Shows that people are willing to change if they are willing to confront the dark side of humanity.

John Ford was the one director who was able to channel the talents of John Wayne to full heights. He made it possible for John Wayne to become an American film star by casting him in Stagecoach(1939). The other major director John Wayne had great success with was Howard Hawks. The Searchers(1956) is the greatest film

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