The Pelican Brief (1993)

Let me start to say that i never read the John Grisham's book this movie is based on, so i'm judging only the motion picture.

When "The Pelican Brief" came out in '93 it was a major box office hit everywhere, partly due to the casting of Julia Roberts as Darby Shaw (still riding on the "Pretty Woman" success which made her being cast in almost every greenlighted project around that time, from the average potboiler, "Sleeping with the Enemy" to the trite / corny, "Dying Young" and Spielberg's misstep, "Hook", all undeserved blockbusters...) and for being the second Grisham's work adapted to the big screen, after the vastly superior "The Firm" directed by Sidney Pollack and starring Tom Cruise, which opened earlier in that year with good reviews and millions earned at the box office.

The veteran Alan J. Pakula was a great director during the 70's, his political thrillers such as "The Parallax View" ('74) and "All the President's Men" ('76) or the crime / thriller "Klute" ('71) are among the best made in that decade, but in the 80's besides "Sophie's Choice" ('82) his career kind of tanked, only saved by the critical and box office success of "Presumed Innocent" ('90), starring Harrison Ford, that made Pakula a relevant name again and based on his skill directing those political thriller films, Warner Bros. offered him the chance to helm "The Pelican Brief", which he also produce and provided the screenplay.

The story itself, even if it was standard, became confusing since the start due to badly edited sequences and the lack of information that was given to the viewer about what is happening on screen and who are those people involved in that situations, with Pakula assuming that every moviegoer read the book. Scenes were randomly happening, characters appear and disappear without proper development or explanation and the way Darby uncovers the truth, surpassing the F.B.I., it's too far-fetched.

It didn't help that the pace is sluggish and the movie didn't involve, amaze or even dare, it's in fact dull and boring mostly of its length and feels like Pakula condensed half the book in some key scenes to get the storyline moving and the rest was just for showing the imposed by the Studio, Julia Roberts in every scene and camera angle possible and imaginary (and always with the same irritating expression).

A bored looking Denzel was cast in a role that asked for a rich white man, playing here second fiddle to a troubled protagonist (like he did in "Philadelphia" the very same year, but he was much better in that) and refused the interracial love affair with Roberts like the characters in the book, which was a good decision not because of the skin color, but for the lack of on-screen chemistry between the two.

The brilliant supporting cast are wasted here: the late great Sam Shepard was given almost nothing to do; John Heard & Stanley Tucci failed to leave an impression; Robert Culp played his part too goofy to be the President of United States and only Tony Goldwin (still in "Ghost" mode) showed some signs of being awake.

In short, "The Pelican Brief" is a lifeless film directed by an once big name director, far away from his glory days, that feels more like a Julia Roberts' vehicle than an exciting political thriller. It may be one of the worst Grisham&

Fmovies: I don't think that you have to be a conspiracy nut like me to enjoy this movie, but it sure helps. Sure the conspiracy was a little far fetched and hard to believe but that is what makes it fun,, Julia Roberts and Denzel Washington star as our two main leads,, countless other actors and actresses make this a great movie,, there are so many I can't even think to list them all, but they were great nonetheless. Supreme Court judges are getting offed by someone ,, and our junior law clerk,, played by Miss Roberts has to figure out who done it,,because she is writing a paper on it for class, Mr. Washington plays a local reporter for the newspaper, and eventually she contacts him,, brings him up to speed and the two team up and try to solve the murders of the Supreme Court Judges,, along the way they are almost blown up,, shot at , and numerous attempts on their lives,, as the bad guys who are responsible will stop at nothing to keep this from going public,, excellent crime thriller that really shouldn't be missed.

This is just a great 'whodunit' legal thriller. Gripping, intelligent, acting is superb, the story is well constructed and builds in this beautiful crescendo. It' a huge cast and everyone is perfectly suited for their role. It moves beautifully, it flows like a movie should flow. I can't find any real flaw worth sharing. Just isn't there. I think it sets up Denzel Washington to continue in his escalating career as a wonderful character actor, a huge movie star, a big talent. Tony Goldwyn, since GHOST has this tendency to play the 'bad guy' but what can I say, he's good in this film too. Robert Culp, I love his impossible character. Julia Roberts is wonderful as the young starry-eyed law student who stumbles upon things bigger than anything she ever imagined. I loved every moment of the film. I recommend it to anyone who enjoys good solid film making. It should be used in teaching film - how to construct a story, how to keep the story one step ahead of the audience, making it suspenseful and exciting without having to resort to unnecessary violence or sex to make a movie work. It almost breaks through 'formula' scripts as suggested by the pundits who often don't have their finger on the pulse of what audiences want. It's one of the few films that when ever on television draws me in again and again and again!

The Pelican Brief fmovies. John Grisham's bestseller becomes paranoia thriller directed capably by Alan J. Pakula. "Eager beaver" Louisiana law student Julia Roberts does some home research trying to connect the backgrounds of two Washington, D.C. Supreme Court Justices who were murdered; her theories regarding the two men--who wanted them dead and why--turns out to be scarily accurate. The brief manages to get into the hands of top Presidential aides, and soon a contract is put out on her life. Shady political business is mixed with detective yarn and a (semi) love story between Roberts and stalwart newspaper journalist Denzel Washington, who is excellent. Smoothly done commercial package, well-paced and entertaining, though exceptionally far-fetched (which parlays into the enjoyment factor). Roberts pouts too much, and her first meeting with Washington (talking in a weepy whisper) is awful, but there is chemistry between the two and they help gloss over the more nonsensical parts of the script (such as a chase through a parking garage--full of cars but no witnesses--and the ridiculous, fatuous way the writers explain Roberts' seemingly unending credit and cash flow--"I have the money my father left me"). The supporting cast is filled with recognizable character actors all playing two-faced sons-of-bitches, with the minor exception of John Lithgow doing a nicely benign turn as the editor at Washington's paper. *** from ****

Forget the plot holes. Forget the implausibility of the story. This is Grisham, the modern-day master of legal and political conspiracy and intrigue.

This movie centers on one thing: the chemistry between the on-screen duo of Julia Roberts and Denzel Washington. And they do not disappoint. Both give absolutely stellar performances, Washington as the reporter who desperately wants his story to see the light of day but is not afraid to let his compassion show through, and Roberts as a terrified law student engulfed in a situation where she is way over her head, trying simultaneously to survive and avenge the death of her lover. There is not one scene, not one bit of dialogue, verbal or non-verbal, that doesn't make be believe everything they say, and that is a testament to the acting abilities of Roberts and Washington, two of Hollywood's best.

For pretty much the entire second half of the movie, Denzel and Julia's characters work together to find proof of the conspiracy that resulted in the assassination of two Supreme Court judges, while at the same time dodging unscrupulous lawyers, heavies and an international hitman.

In their final scene together, when Darby is taking the FBI director's private plane out of the country, the bond that has grown between her and Gray is extremely noticeable. They deplane, and Gray shows Darby the headline exposing the conspiracy. Darby smiles, shakes Gray's hand, and proceeds to walk to the car that will take her to her new location.... but no, a handshake is just not enough, not after what they'd been through... so she goes back and gives Gray a huge hug, which he returns. The mutual respect is there for all to see. No words are spoken throughout the entire scene, they are not necessary.

Having read many of Grisham's books and seen all of the movies adapted from those books, I wondered how "The Pelican Brief" would stack up against all the others in the long run. In my opinion, it is still the best of the bunch.

My score: a solid 10.

Take any John Grisham novel and have it brought to screen, written and directed by Alan J. Pakula (Sophie's Choice, All the President's Men. To Kill a Mockingbird), and add Julia Roberts and Denzel Washington as the leads, and you have a movie that is worthy of 141 minutes of your life.

I love political films. You know that if you have read my reviews. Political thrillers are especially great. This one is well worth watching for the story, the directing, and, most especially, for the lead actors. I do not think that Washington and Roberts have ever disappointed me - OK, there was that License to Kill in 1984.

I won't synopsize - you can get that anywhere - but, I will say that you will not be disappointed. It's not a popcorn movie, you have to put some effort into watching it, but the rewards are great. And the chemistry between Roberts and Washington is fantastic!