The Missing (2003)

God, how this film touched me. I saw something in Ms. Blanchett that I have never seen before; she actually became the character from the book and I was moved. After seeing the movie I tracked the book down ( it was difficult believe it or not ) and finished it in six hours. I am wondering why the screen writers changed the final scenes. Don't get me wrong, Ron Howard makes good to great movies ( this is a solid film from the historical point of view as well ) but I am left with more questions for him than I feel I will ever get answers.

Fmovies: "The Missing", starring Cate Blanchett and Tommy Lee Jones, is one of those movies that will come and go without getting noticed by audiences let alone any of the award programs. That's a shame because it's a tightly plotted film with interesting, sympathetic characters in a Western setting, but minus most of the tired Western genre devices.

In "The Missing", Cate Blanchett plays Maggie Gilkeson, a tough, frontier doctor / rancher with two young daughters (played by Evan Rachel Wood and Jenna Boyd), and a farmhand / love interest (Aaron Eckhart) named Brake, who also acts as her family's dedicated protector.

Unexpectedly, her father (Tommy Lee Jones) comes back into her life after abandoning his family years before to live with the Indians. His attempts to make amends for his past mistakes are rebuffed until rogue Indians attack Gilkeson's family and kidnap one of her daughters. Reluctantly, she asks her father to use his hunting & tracking skills to follow the Indians and recover her daughter.

The story in "The Missing" works along two tracks. While following and clashing with the rogue Indians provides ample suspense, action, and peril, the emotional drama between Gilkeson and her father keeps the movie interesting, dynamic, and makes us care about these peoples. For a Western, the film lacks all of the cardboard cutout characters. There are no gunslingers (in the tradition of Clint Eastwood's spaghetti Westerns) in "The Missing". The characters are flawed and emotionally vulnerable in their own believable, endearing way.

As a film, "The Missing" also provides a rare, balanced view of Native Americans during the mid 19th century. They are portrayed as neither doe-eyed victims (as in "Dances With Wolves"), nor are they mindless savages (as in almost any John Wayne Western). I will note that Chidin (Eric Schweig), the primary "bad guy" Indian, seems to go a little over the top at times, but this is forgivable given the film's many other strengths.

Suffice it to say that all of the acting is solid. We probably won't see any 'best actor' or 'best actress' nominations, but you never do with Westerns. Blanchett continues to expand her repertoire ranging from eccentric British Queen ("Elizabeth") to destructive bar trash ("Shipping News") with this role. Meanwhile, Tommy Lee Jones continues to be typecast as "the guy who hunts people" which started years ago with "The Fugitive" and hasn't varied much since.

In the end, one of the things I liked best about "The Missing" is the genuine danger for all of the major characters. The film establishes early on that bad things can and will happen to the characters we like the most. As a result, it's impossible to guess who will make it to the end of the story and that means you have real suspense (an increasingly rare occurrence in suspense films).

So, go see "The Missing" while everyone else is piling into the better-marketed blockbusters. You know you'll get both a good seat and a good movie without a lot of fuss.

Cate Blanchett has been surviving just fine on her own, but when some indians kill her boyfriend and kidnap her eldest daughter (she has one other, who's quite good), she is forced to ask her strange and estranged father (Tommy Lee Jones) for help.

Ron Howard finally made that western he's been dreaming of since he was a kiddie putting together home movies of men on horses riding into town (which you can find on The Missing DVD) - and i hope it surpasses his wildest dreams.

Its widescreen wild-west vistas make this one of the most beautiful films to come out of Hollywood in years. Cinematography is superb, to say the least.

And its suspense is perfect. I wasn't bored one minute - it is regulated by violent outbursts from the indians at unexpected intervals. As soon as we're about to wonder why we were so scared of the indians, we are reassured why.

Virtually constant camera movement and hand-held work take us into the world of The Missing, and make it really come alive. Ron Howard really knows what he's doing.

10/10. A beautiful, suspenseful, outstanding film.

Parent's Warning: its quite violent. Many graphic deaths, many more where the violence is strongly suggested. Make sure your audience is over, say, 16.

The Missing fmovies. Set in the year of 1885 Maggie Gilkeson (Cate Blanchett) is a doctor who along with her two daughters, Lilly and Dot and friend Brake Baldwin, happily live on a ranch in New Mexico. Until, one day a ghost from Maggie's past appears who, turns out to be her estranged father, Samuel Jones (Tommy Lee Jones). But Maggie does not wish to see her father after a troubled childhood so she sends him on his way and hopes to get on with her life without him. However, when her eldest daughter Lilly (Evan Rachel Wood) is kidnapped by a rebel group of ex-soldiers led by a witch doctor, Maggie has no choice but to ask her father to help track down the kidnappers and find her daughter.

Full of continuous epic action 'The Missing' is a film that does not show many faults and has everything you want to see in a first rate film, from tension to suspense with loads of great drama, tremendous acting and even witchcraft.

Director Ron Howard does it yet again, creating a superb film which I think he can easily put into his best of list. The only real bad thing about this film is that it goes on a bit too long (which in all fairness couldn't really be helped) but despite that, it grips you and holds on tight both unpredictable and unforgettable with great performances from Tommy Lee Jones, who never ceases to amaze, Cate Blanchett who is as good as ever, Evan Rachel Wood Gives another super performance and I was particularly impressed with young Jenna Boyd.

* * * * * (5 stars)

Ron Howard did not intend to make a straight up Western movie. That's the first problem here. Howard didn't want The Missing to be identified with a specific genre. This is part Western, part period drama, part mystical thriller, part action movie. Using several genres to make this unique could have worked, if Howard had combined them all in one. But the problem is that he seemed to keep changing his mind every 25 minutes of screentime. At first it's a period drama about a family, then it's a western, then it's an action movie, then it's a mystical thriller. There was no consistency with what the story was supposed to be. To add to this, The Missing was too long. I have no problem with long movies. I don't mind movies that are 3:30 hours long, if every scene feels like it belongs and is relevant. But here, there are several scenes that could have been cut. And going back to my complaint about there not being a specific genre, I think it could have worked if it was only a period drama/action/western. But when it got into the mystical Indian witchcraft, I checked out. We had more than an hour and a half building this up as a legitimate and realistic dramatic film taking place in the western time period, and all of a sudden, it's a fantasy movie. If it had been about mystical Indian witchcraft from the start, those scenes would not have been out of place. But to spring it on the audience the way it was done, it was totally out of place.

I feel a little weird making my complaints about The Missing, because I actually did enjoy watching it, for the most part. I thought it built an interesting story and I was satisfied with how it concluded. Tommy Lee Jones is at his best since Rules Of Engagement. Cate Blanchett was without a doubt at her best since Elizabeth. And the dialogue is fantastic, as is the Cinematography. James Horner surprise me with his score. It was different from what I'm used to him doing. I loved the story and thought it was entertaining to watch. So why doesn't The Missing work as well as it could have? Simply because Ron Howard had a very ambitious idea about how to make a Western movie different and unique, but didn't spend quite enough time developing it. If Howard had taken an extra 6 months of pre-production, I'm convinced this could have been the brilliant movie that Howard probably had a vision for.

As a 'local' – Arizona – long-time US southwestern resident and historian, I have to bite my lip occasionally at many of the ridiculous reviews for this excellent Ron Howard film.

It's so easy to spot the ignorantÂ…

For all their emotion about this film, most reviewers' clichés, inaccurate statements, mistaken references, mis-understood, mis-referenced or mis-opted views of 'Western movies' (let alone, southwestern history, and general mis-direction of history en toto), grossly reveal the puerile, Hollywood brain-damage…

Pity … they could have learned a lot if they only KNEW. Not only is Ron Howard's effort well-directed, it's very historically accurate. Point-in-fact: his acting crew, notably Tommy Lee Jones, had to learn whole sentences/paragraphs in the Apache-ne-Athe(p/b)ascan derivative language (as well as their meanings), in not just short, 'indian' phrases as in most 'Western-style' films, but to those which accurately depict the spoken word of the time. None less than Elbys Huger, Berle Kanseah and Scott Rushforth did Howard employ as linguist-teachers for the actors for accuracy (please, do your research). In addition, western settlers at that time on the southern borders of New Mexico and Arizona were vilely subjected to early forms of terrorism in the southwest – including what you see on-screen. Those bands of Mescalero/Chiricahua natives were normally (though not totally) averse to kidnapping young, white females of European descent for slave-trading from western settlers (as well, married adult females). However, and in particular addition, rituals of northern-Sonoran Indians – Yaqui (there were other tribes) – vastly apart from Cochise's band of Chiricahua Apaches, were especially ruthless against 'whites', employing those very diatribes Eric Schwieg (aka, 'el brujo', 'Pesh Chidin') perpetrated against western immigrants. And, BTW, Schwieg was absolutely SUPERIOR in the role – the man surely deserved not only credibility, but Oscar consideration – he is that good; if you knew only a sliver of southwestern history, you'd know his portrayal is not only authentic, but well-portrayed (eastern-USers, Canadians, take note – you've no conscience of southwestern US history unless you've studied/lived it – mark my word, Pilgrim).

Re/ The Entertainment value: - TLJones: always a distinct pleasure, thank you Thomas – extraordinarily well-done, and one of your very best efforts – applauses; how-went the linguistics for the film? - Ms. Cate Blanchett: as well, extraordinary effort; you are, still, a gem-in-the making, and exceptionally well-suited for the part – truly, WELL DONE …you exemplified the character. Where did you learn about the southwest of the US??) - Jay Tavare: your portrayal of 'Kayitah' was exemplary and believable. Nice going! You have more Hollywood parts in your future – stay with it. - Steve Reevis: "Two Stone" – you should have been cast earlier in larger roles. Enjoyed you in 'Last of the Dogmen' - Even, Jenna: stay with it - in a few years you may think about changing your mind – maybe even now; you both have the energy – how badly do you want it??

9.5/10 -- believe it; or buy a history book and educate yourself about the REAL southwestern US