The Match Factory Girl (1990)

This is a downbeat story of a young woman, Iris, who works on an assembly line in a match stick factory in Finland. Iris' life would give testament to the truth of Thoreau's quote, "The mass of men lead lives of quiet desperation." She comes home from her tedious job to a dismal apartment that she shares with her mother and stepfather--both major losers. They take what little money Iris earns and berate her if she spends on herself.

While Iris is not unattractive, she presents such a sullen and drab appearance that she is ignored at community dances, until she buys a new red dress when she finally attracts the attention of a man. But don't plan on a happy ending to that one. Years of suppressed resentment can provoke dramatic acts of revenge.

At a little over an hour this movie could have played as an episode on "Alfred Hitchcock Presents." Except it has better production values and acting that most shows on that program. I thought the humorous twist in the final scene was particularly in the style of Hitchcock.

I enjoyed the establishing shots in the match factory. I have never given much thought about the process of creating match sticks and found the presentation of that interesting. So much complexity and machinery involved in producing such a simple product.

Fmovies: Throughout my exploration of brilliant Finnish filmmaker Aki Kaurismäki's "Proletariat Trilogy" I have noticed the repetition of several themes and stylistic choices, which include:

Dry, deadpan humor.

An often melancholic atmosphere.

Cinematography that is both colorful and grounded in reality

Realistic characters (meaning: characters that are highly flawed, often awkward-the type of people one ignores while taking a daily stroll, played by actors who are not glamorous or ugly).

Getting the audience to root for behaviors they otherwise would not be rooting for.

"The Match Factory Girl", an excellent film that may very well be his masterpiece, embodies all of these little traits, especially the final one. I refuse to spoil the surprises this film keeps in store for its viewers, but I will imply that the heroine definitely engages in some acts that would be villainous in almost any other movie. However, through the lens of Aki Kaurismäki anyone can be likable, and anything can be hilarious.

Although it is less predominant that in most of his other works, Aki Kaurismäki's sly sense of dry comedy lurks throughout this tragic drama. There were several instances in which I genuinely (and unexpectedly) burst with juvenile laughter at scenes that would often be considered too sad to be funny. I have compared certain Aki Kaurismäki films to the works of Wes Anderson, but now I must also compare him to the likes of Ingmar Bergman and Todd Solondz.

There is no denying that this film is both dark and comic, it is a sad, yet surprisingly entertaining little look at an unfortunate life.

Short, simple, almost completely free of dialogue, "The Match Factory Girl" is perhaps cinema at its purest form. How brave to create a film where the viewer is forced to watch the poor heroine spiral down further and further into wretchedness, all the way to the bottom, with a wry smile and deadpan detachment all the way. But just because the movie's tone is cold and standoffish doesn't mean it's unaffecting. I saw this movie over 5 years ago and the memory of it still ties my heart in a knot.

The Match Factory Girl fmovies. I saw this film many years ago at a local university-run cinema, and I thought it was the most brilliant comedy I had ever seen. The timing of the actors and the pacing of the scenes lent a weird feel to the movie. It was like the elements of a tragedy were being presented with a certain comic flair. Of course, I was the only one in the theater laughing, so I could be wrong, but it struck me as a completely flat comedy, with the story itself not giving out the usual comic clues. I claim either total admiration for Aki Kaurismaki or ignorance. In either case, it was very compelling.

Where to begin telling about this film? Throwing imaginary roses to Kaurismäki who has yet again showed all what a fantastic creator of films he really is?.

No one can as he describe Finnish culture in such a deep and sensitive, yet rough, way. He touches the string of our culture, our way of thinking and behaving in this special "silent" way as only he masters. In his films talking isn't done by words only but surely there's plenty of communication!

This film is beyond doubt my personal favorite (also the lastest film by Kaurismäki, Mies Ilman Menneisyyttä, is totally fabulous!!) because there's not much dialogue (which we Finns aren't too keen of somehow) but there's plenty of meaning, plenty of human tragedy (which we also seem to be fond of!) and also a hint from Kaurismäki himself that certain things maybe could be different but all in all everything comes down to the quetion of culture and indeed Finnish culture is different from most other cultures especially in Scandinavia.

Finns are often perceived as totally without oral skills almost not being able to talk however this is a fatal mistake to believe in. Finns just don't say anything if it's not necessary!! Why babble with no reason, why chat if it's not necessary..that's also why such a thing as the international wellknown concept of smalltalk is practically unknown here in Finland. It makes most Finns feel uneasy to talk if there's nothing real to talk about. But don't make the conclusion that Finns don't have feelings (even very deep ones!) and thoughts; that would be a fatal mistake. Finns are in everso many ways such a serious people that for most foreigners it looks like there's some sort of national depression going on but on the other hand when Finns party then they really party...

Life here in Finland is simple although also hypermodern; it's two "worlds" living side by side and exactly this fact can be difficult for anyone from outside Finland to comprehend because it seems so weird, almost even awkward. What makes a Finn happy...well, a little wooden house by the lake to go to in the summer, your own sauna (which there's plenty of here), a long and everlasting relationship and a cosy home...nothing fancy is high on the list of finnish "dreams of happiness"..maybe it sounded as I would generalize but sometimes it's necessary to make your point of view clear to "foreigners" who've never visited Finland.

The film itself shows a lot of how Finland still is...what things are all about; it contains strong emotions although it might not seem so at first. To some the film might even seem boring but beyond all those visible things there's a whole world of unsaid and in this particular film also undone things. In a stange way it contains as well the deepest seriousness as humour even though it is quite invisible to the eye. And however strange it may sound the film contains also love and deep passion; the scene where "Satumaa" is being played (just before Iris is picked up by the police) says it all! That's concequence, justice, love and real passion all in one small scene.

Maybe one needs to be a Finn (or a true Fennofile) to get something real out of watching this film but indeed it is worthwhile and if you're gonna buy it do please buy it on DVD because if you like it (and you definately will) a VHS won't last for that many replays...

So watch it and get wiser on Finnish cu

But a masterful minimalist portrait of a woman taking one of the few options open to her. "Iiris" is a Dickensian heroine: beset with a brute of a step father, loving a wealthy cad who turns cold when she expects warmth, and reaching out to a distant brother who loves her but cannot provide the family she seeks. Overall her world is so bleak, cold and mean that the universal comment I heard after the movie screened was "Thank God I'm not Finnish!". This is a 20th century telling of the tale of the Little Match Girl so the end fits modern sensabilities.

The humor of this comedy is easy to miss as you watch it play out, but on retrospect it comes through loud and strong.

My personal highlight of the movie was the use of song and music to propel the action. Not having a clue about Finnish pop music, I'm sure I'm missing some elements, but the subtle themes come across quite well.