The Killing Fields (1984)

I first saw The Killing Fields when it came out. I recall watching it on the big screen and being totally enthralled and impressed. Everything about it has the ring of reality, with a gripping sense of the brutality and evil of war. I think the sequence in which the journalists are arrested by the Khmer Rouge is one of the greatest moments in film history. The brilliant soundtrack that sets the mood as are they held hostage, while Prahn pleads and bargains for their lives, is perfect. You feel as though you are right there with these men as they experience desperation amid the shocking violence of war. The palpable mood of gut-wrenching fear and tension that the actors project goes far beyond the standard Hollywood fare. This movie is a subtle collage of sound, sights, and emotion that is very rare. The cast is uniformly excellent, and in technical terms the direction,cinematography,editing, soundtrack, sets and screenplay are as good as it gets. It should have won Best Picture as far as I am concerned. Haing S. Ngor deserved his Oscar, and Sam Waterston should have won Best Actor too. This is an incredible story and an incredible movie. Too bad they don't make more like it. I've seen it many times over the years and it gets better with time. It's a masterpiece.

Fmovies: The Killing Fields is one of the most influential films of the 20th century. Its provocative and dangerous subject matter stresses the importance of communication and the freedom to communicate. Based on the Khmer Rouge occupation and genocide of Cambodia in the 1970's, the film tells the story of two men, catapulted into chaos and peril.

The movie is first and foremost, a historical account. The events are based off the true story of Dith Pran and Sydney Schanberg. Given that I had not known much about the Cambodian genocide of the 1970's prior to seeing this film, I must herald the piece as a successful feat of cinematography that served as both informational as well as inspirational. The film is believable, realistic, and heart wrenching. I immediately felt for the two main characters as they quickly exchanged trust and fell victim to the powers of political violence. While it is slightly romanticized, The Killing Fields still manages to produce a message with real life implications.

Oh, this brings me back alright. It was the last days of 1984, and earnest college students like me had much to talk about. Wasn't it wonderful that Walter Mondale had chosen a strong woman like Geraldine Ferraro to be his running mate, and wouldn't the Democrats sweep the Northeast at least for that brave move? Does buying a Coke at the local convenience store signal support for the apartheid government in South Africa? Did anyone else see that amazing film about the human price of American involvement in Southeast Asia?

It's nearly 20 years later, and I've managed to shake the ill effects of my youthful liberalism easily enough in most cases. This film, however, packs the kind of punch that isn't explained away by political trendiness.

"The Killing Fields" is a great film that tries and succeeds in capturing much of the carnage and tragedy of Cambodia as the radicalized Khmer Rouge and the U.S.-backed regime of Lon Nol controlling Phnom Penh clash in a fight to the death to be/not be the next domino in the Communist rollover in Southeast Asia. By particularizing the conflict to that of the true-life relationship of two men, New York Times reporter Syndey Schanberg and his Cambodian apprentice and aide-de-camp, Dith Pran, the film forces a level of empathy that is at once uncomfortable and absorbing. It is possible to walk away from this film hating the manipulation, the America-bashing, the easy liberal guilt. But it's impossible to walk away from the human experience borne witness to before the movie's done, if one has any pretense of being human, and that's its great strength.

Oh, it's polemical alright. We hear comments about how the Khmer Rouge's excesses were the direct result of Nixon's secret bombing campaign. (U.S. Counsel: "After what the Khmer Rouge have been through, I don't think they'll be exactly affectionate toward Westerners." Schanberg: "Maybe we underestimated the anger $7 billion in bombing would unleash.") It makes its point, absolves Pol Pot and condemns Kissinger with the same broad brush, and it feels a bit jaded and hollow for that, but I don't know. Schanberg betrays the attitudes of a knee-jerk liberal, and I outgrew that, and maybe I feel superior for that, but Schanberg had AK-47s pointed at his head by 12-year-old brainwashed boys, and I didn't, so shut up already, know what I mean?

The performances are incredible in their verisimilitude, particularly the leads. Sam Waterson burns with righteous anger as Schanberg, and I like his performance for what it is and how he creates that extra level of tension, but he's a butterfly compared to the condor that's Dr. Haing S. Ngor, one of the Academy's most obscure best supporting actor recipients (there was even a joke about it in an episode of "The Simpsons") but someone who didn't just walk the walk. He relived his experience surviving a holocaust that was, per square mile, even more savage than the Holocaust itself. The fact he won a Best Supporting Actor award (Waterson instead was nominated for Best Actor, and lost to F. Murray Abraham for "Amadeus") is one of those perversities of film history, given he carries more of the film than Waterson (who slinks to the background two-thirds of the way in) but also that he personalizes the story in a way that makes the incomprehensible immediate and involving.

We lost Ngor to a senseless murder a few years ago, and have little left to explain what w

The Killing Fields fmovies. I've read only 20 comments so far, and it was surprising to learn that some viewers (namely 'gregory.messine' and 'RBarse', both of US of A ) think it's set in Vietnam. Come on lads, I've heard that education in America is not great but I didn't expect it to be so bad. Have you ever opened an atlas. Maybe the sound in your theater didn't work or sth. THIS FILM IS ABOUT A WAR IN CAMBODIA. Cambodia is a neighbour of Vietnam. It's set in 1973-79, just after the Vietnam War!!!!!

Anyway, back to movie. It's brilliant, not too sentimental, not too cold. The acting is simply marvellous (to be honest I didn't know any of the actors except for Malkovich), cinematography is a touch of genius. Some people complained about the score. Well I can agree, that the lyrics of "Imagine" in the context sound like a Khmer Rouge anthem, but the rest is beautiful (Oldfield did a good job).The scene when Schanberg watches some TV programme about the Cambodian War while listening to Puccini's opera is so moving, just like the sight of thousands of Cambodians being "evacuated" by the Khmer out of Phnom Pehn.

9/10

I can't put my finger on exactly what it is about this film that gets to me so much, but it is THE most haunting, emotional film experience... and I've only ever seen it on video.

Excellent performances from Waterston, Ngor and Malkovich. A brilliant score by Mike Oldfield. Scenes of high emotion, tension, drama, horror and even one or two pieces of light relief (well, it has got Australia's Graham Kennedy of comedy fame).

The stand-out scenes for mine are those in the French Embassy; I can never watch the final scene from this sequence with a dry eye.

An excellent film and the soundtrack is not a bad investment either.

First of all I love this genre of movie; I'm not a huge fan of action or fantasy or romance movies, I have so-called "comedies" but I love genuine FILM, as in FILM not MOVIE; art as opposed to enterprise.

This film, The Killing Fields, is one of the defining films in it's class; based on the true story of an American journalist (one Sydney Schanberg) working in Cambodia and his guide/interpreter; a Cambodian named Dith Pran. When the Khmer Rouge (probably one of the most vicious and barbaric regimes in history) takes power the Westerners flee. The enterprising American, however, remains behind with his faithful guide (who sends his family off to America). This turns out to be a bad decision; through a series of misadventures Dith Pran cannot escape Cambodia and must remain behind while his friend flees. The movie weaves a wonderful tale of adventure, misadventure, loss, suffering, death, and reunion (in no particular order).

This movie is so beautiful and touching (and so very graphic) that one cannot help but be affected by it; a must-see, one of the defining movies on the subject of war as well as loss and certainly the most evocative film about the Khmer Rouge and the Viet Nam War in Cambodia. A beautiful film about war and tragedy but filled with hope throughout...