The Devil's Backbone (2001)

I have to certainly ask myself what the other people saw in this film. To me, this film suffers from a lack of interesting plot, laughable interaction amongst the characters and a mediocre and conventional approach to a ghost story. To me, there was absolutely nothing interesting or "frightening" about the ghost and the 'ambiance' was typical fare. The story concerns a child who is left at an orphanage in the middle of the desert in Spain during the Spanish Civil War and instead of analyzing his soul, which one would hope would happen, considering this is a foreign movie, we are merely given cliched storylines like "the ghost is here for a reason," or "there's a ghost in this building," and its really all empty. Nowhere do we get to understand the nature of the inner dimensions of the characters. There is the typical mean kid bully, the nice teacher and then the sexual young man who is having sex with the older matriarch in one of the most brainless events in the film. Most of the effects were done with a computer and that takes away any imagination. The war planes flying above, the explosion in the rectory and even the ghost itself were "enhanced" with digital imaging and it further ruins this attempt at life so we are basically left with a modicum of interest. What is lacking is something inherently interesting, or movable, so there is a ghost, so what? What does he mean to us? By the end, we are numbed by the excessive and irrelevant use of violence from one of the characters. It all fails in the end when this becomes just another good vs bad soap opera in the world film. The only commendable part was the beginning and the end, where the teacher is contemplating the nature of what a ghost is, other than that, this is blantantly unintelligent. Grade D-

Fmovies: Dull ghost story with half-hearted commentary on the Spanish Civil War. The whole thing seems to exist to prop up a few nifty special effects and a vague sense of atmosphere. I struggled to maintain interest... the characters are bland, the scares entirely absent (unless you have a weak stomach for mildly gory bits), the story feels slapped together from fragments of ideas. There's a reveal that I suppose is meant to be a surprise twist, but it's pretty obvious from the first act. It's just really hard to care about what's going on, and there's not much going on anyway. Carlos approaches the ghost and then gets scared and runs away. Creepy Eli Roth-looking dude does something nasty. Repeat, repeat, repeat. While the craftsmanship is somewhat impressive, it's an empty experience, free of passion, wisdom or thrills.

This is not just an incredibly effective ghost story, but a cinematic masterpiece. Like his "Cronos," Del Toro has created a rich horror fable that is driven by 3-dimensional characters involved in a fascinating plot that leads to a wholly satisfying ending. With many developments along the way that shock, move, and thrill. And of course the political allegory and reality of the film, the Spanish Civil War, all the orphan boys of noble Loyalist fighters fighting their own war against a truly horrifying fascist villain, the young and handsome Jacinto, who is not without a sad ghost in his own past that feeds his destructiveness.

Del Toro is one of the most intelligent and humane directors working today, not something usually said about auteur in the horror genre. I have not seen "Hellboy" but think less of his US endeavors than these two Spanish masterworks...

The Devil's Backbone fmovies. I'm a massive fan of the horror genre, but I don't like ghost stories. To me, ghost stories are a poor manifestation of the genre. It's not the idea of ghosts that's the problem, it's the way the stories are presented; often dull, slow moving and uninteresting, and those are things that do not make a good movie. However, there is an exception to every rule; and this film is the case with that one. The Devil's Backbone is a mesmerising and inventive addition to the ghost story tradition. The film moves slowly, but that is a definite advantage to it. The slow pace allows us to get to know, and even care for the characters before the horror starts, and this makes the horror all the more potent when it does start. The Devil's Backbone has been touted as 'the Spanish Sixth Sense', and although this is unfair as this is hardly a bad film; I can see where that notion is coming from. The main difference between the two, however, and the reason why this film works and Shyamalan's doesn't is that the parts between the horror here aren't boring, are well acted and serve a purpose in that they allow us to get to know the characters; Shyamalan got too caught up in trying to make his twist work and the drama in-between caught the brunt of that, rendering the film boring.

The film can't really be accurately described as a 'horror film', it's more of a drama come character study with horror elements. The horror elements are pronounced, as the ghost is the centrepiece of the story, but the film doesn't focus on them enough for it to be considered horror. Entwined within it's plot is a coming of age tale, a story of revenge and a nice little section on 'what is a ghost'. I like it when a film delves into it's subject material and attempts to give something of an explanation; Return of the Living Dead did it for zombies (albeit comically), and The Devil's Backbone does it here for ghosts. The coming of age side of the story is brought to life brilliantly by some sublime acting courtesy of the young cast. Entwined within the story are themes of the kids being thrust into a situation that requires them to grow up fast, and it also sees them dealing with themes of death and revenge.

One thing you will instantly notice about this film is the fantastic cinematography. The film has a gritty style, but despite this it manages to come off looking crisp and clean. There are some shots that are incredibly beautiful. All shots with the ghost, which is one of the best crafted ever, come to mind immediately but also of note are the underwater sequences, the special effects and the capture of the location. The film is set in an orphanage somewhere the Spanish desert, and this location serves the movie magnificently. The fact that it's a day's walk away from the nearest town makes the film very isolated, which allows the horror more potency. Guillermo Del Toro is an obviously talented director. He has this film under his belt, along with Cronos (which I haven't yet seen, but have heard great things), but after that it's hit and miss. Blade 2 was a good film, and a refreshing one after the lackluster first part; but Mimic wasn't very good on the whole, despite some good moments. More recently he's gone on to direct Hellboy, which again I haven't seen but it looks like another fun film. I hope Del Toro makes a return to art soon, he has the talent and it would be a shame to lose him to 'decent' films.

"... As the road struck into the sierra we branched off to the right and climbed a narrow mule-track that wound round the mountain-side. The hills in that part of Spain are of a queer formation, horseshoe-shaped with flattish tops and very steep sides running down into immense ravines. On the higher slopes nothing grows except stunted shrubs and heath, with the white bones of the limestone sticking out everywhere. ..." - George Orwell, Homage to Catalonia, Chapter 2

It is unlikely that Mexican-director, Guillermo del Toro, will ever top this film, it is his greatest-achievement. While certainly a horror-film, it so-much-more, an allegory of the betrayals that led-to the rise-of-fascism in Spain. Most small-arms came-from Mexico, and Del Toro has said in-interviews that he lived-in a neighborhood populated by Republicans who had fled after-1939. Some have commented that the film takes-place after the fall of Republican Spain(the 1939 fall of Catalonia), but this is incorrect. The fall hasn't come-yet, and this free-fall state is the universe that the film inhabits. Taking-place in a Republican Orphanage for fallen-anarchists, Leftists, and Republican-politicians, the film is always in a state of anticipation and a kind-of limbo. All the Republican-caretakers can do is wait for the fall, and the repression that was surely-to-follow. Betrayed by the Catholic Church, the Soviet Union under-Stalin, political-infighting, and even the Western Democracies, Franco was given a blank-check to slaughter legitimate, democratic-forces by-1939. 2,000 Americans joined the "Abraham Lincoln Brigade" to fight Franco's forces, and a "United Front" of Leftists and Unionists from throughout-the-world had went to Spain to "fight the good-fight".

Meanwhile, the Roosevelt-administration banned all-sales of war-material (most-particularly, aircraft-engines and ammunition) to Republican-forces. Franco had many-allies, and would remain-in-power until his timely-death in November, 1975...Spain has been-celebrating ever-since. And-so, "The Devil's Backbone" can only be-about the ghosts of this period, particularly those Spaniards who were betrayed by politicians who shared so-much with Franco. The title, incidentally, comes-from a range-of-mountains where Republican-forces were bogged-down, then-defeated; it is referred-to as the Sierra de Alcubierre. Even George Orwell was there, and he wrote a book on his experiences fighting to save Republican Spain.

If "Devil's Backbone" says-anything, it is that "these were times that showed what people then were made-of." Dr. Cásares and Carmen represent the weakened-Republic, with her leg-missing, and he being-impotent. Then, there is Jacinto, once an orphan, now a caretaker of the orphanage--a betrayer, a criminal, and a murderer. Even-worse, though, is that amidst-the-chaos of the Civil War, the orphanage is haunted by the ghost of a former child-resident who may-have been murdered. The orphanage IS Spain, with its' fascist-bomb, unexploded in-the-courtyard, a direct-reference to the bombing of the Spanish-town, Guernica. Guernica was the first-incident of the bombing-of-civilians in modern-history, and was immortalized in a painting by-Pablo Picasso The deformed-fetus in the jar is the Spain-that-never-was, still-born, unnaturally. Dr. Cásares, then, is the legacy of Spanish Republicanism, a good-legacy that literally aids the living in the finale of the film. However, if I tell you anything-else this

...An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber."

Often compared to "The Sixth Sense (1999)" and "The Others (2001)", "The Devil's Backbone" is even a better film, the ultimate ghost story that goes beyond the genre and very successfully mixes horror, suspense, and coming of age during the war time story. Written and directed by Guillermo del Toro, the film takes place during the Spanish Civil War in an isolated boarding school for the orphans of the War where a new boy, Carlos encounters the ghost of a murdered child Santi whose body was never found and who warns Carlos that "Many of you will die". How did Santi die? Why does not he leave the school's courtyard, what is the tragedy he is trying to prevent? It is up to Carlos to find the answers to these and many more questions as well as to stand up to the school's bully, Jaime and to find out what is behind the violent hostility of the orphanage's nasty caretaker, Jacinto who himself was and orphan and had been a pupil in the school as a child. The movie is not just beautifully directed – it is very well written and provides the deep insight into each character, including school headmistress named Carmen (Marisa Paredes), kind and brave Professor Casares, vicious bully Jaime who would turn a lonely and scared boy and even the embodiment of evil, Jacinto with his own heartbreaking story. Along with "The Spirit of the Beehive", "Devil's Backbone" is a harrowing exploration of the war and its affect on childhood. It also brings to mind such classic as Bunuel's "Los Olvidados" – and this is the best praise I have for any movie. Highly recommended.