The Curse of the Were-Rabbit Poster

The Curse of the Were-Rabbit (2005)

Animation | Comedy | Fantasy
Rayting:   7.5/10 126.2K votes
Country: UK | USA
Language: English
Release date: 12 October 2005

Wallace and his loyal dog, Gromit, set out to discover the mystery behind the garden sabotage that plagues their village and threatens the annual giant vegetable growing contest.

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TheMovieMark 7 October 2005

What-ho! This one is jolly good. I say jolly good, ol' chap. Or should I say "ol' bean"? My mastery of British terminology is a little dusty. Anyway, my biker boots and I walked into this screening with no prior viewing experience of Wallace and Gromit. I'm happy to say that my boots and I walked out pleased to have made their acquaintance.

While not as adult-accessible as Toy Story, W & G still manages to be clever enough to provide the grown ups with a little humor that will most definitely soar over the heads of the young 'uns who are too busy guffawing at the Were-rabbit's belches to have any clue that something is amiss. I highly suggest that you pay close attention any time you see books or words on the screen because there are quick glimpses of puns that you'll miss if you aren't paying attention. My favorite is a book of monsters that refers to the Loch Ness Monster as "tourist trappus." If you've ever been known to say, "I can really relate to Kevin Federline," or if you're just illiterate then not only will you miss out on these jokes, but you probably should be spending your time learning to read instead of going to movies. Consider this a public service announcement.

The most impressive aspect about W & G is its clay animation. Thanks to the tedious process, it took FIVE YEARS to finish the film! According to the press notes, there were some days when the optimum goal was to merely accomplish 10 seconds of completed film. Folks, I sometimes have trouble finding the motivation to finish responding to a handful of emails or adding captions to pictures for my reviews (a point that is proved by a lack of pictures in this review); so I can't even imagine having the required patience for that.

I really like the rough, hands-on quality of the claymation figures. The fact that you can see fingerprints in the clay is a nice, personal touch. How can you not be impressed with clay characters that show more expression and emotion than Paul Walker and Keanu Reeves combined? The Curse of the Were-rabbit is, as director Nick Park calls it, the world's first vegetarian horror movie that should entertain both kids and adults alike. Relying on (and as a male who prides himself in his shaggy-haired, cool-bearded masculinity I hesitate to use this word) cute and (oh man, I probably shouldn't use this word either) lovable characters rather than outdated M.C. Hammer references, W & G is proof that DreamWorks can create entertaining animation when it chooses cleverness over the cheap joke.

Chrysanthepop 13 February 2009

Fmovies: 'Wallace & Gromit in The Curse of the Were-Rabbit' is one of the funniest and most delightful films of all time. I've always loved Aardman's claymation and their movies. I adore Nick Park's previous short movies of Wallace and Gromit. Gromit is definitely one of my favourite movie characters. Coming back to this movie, the story definitely follows the horror movie trend and pays homage to movies like 'King Kong' and 'Jaws' (just to name a few). The quirkiness and humour is superbly in tune. It has a very British humour. The characters are strong and hilarious.

The colourful set designs, props and claymation are remarkable detailed. The music brings an overall energetic feel. The cinematography is great. The voice casting that includes Peter Sallis, Helena Bonham Carter and Ralph Fiennes is excellent.

This is Aardman's first feature film in 5 years since the hilarious and adventurous 'Chicken Run' so perhaps one will have to wait 5 more years before the next movie (as the making does take a considerable amount of time). It has been longer since Wallace and Gromit appeared on screen and it was just awesome to see them back with a new mission. Wallace being the inventer and Gromit as his loyal friend and support, these two form a fabulous duo and I believe any new adventure with them would be worth the wait.

george.schmidt 10 October 2005

WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT (2005) **** (Voices: Peter Salis, Ralph Fiennes Helena Bonham Carter)

Fantastic Feats of Clay: Wallace & Gromit Save the Day! Crackin' Good Entertainment!

Nick Park, the creator of the animated team of Wallace & Gromit, is a genius. His painstaking art in the form of Plasitcine claymation is a unique process involving literally thousands of hours (it takes roughly an 8 hour work day to contribute 3 minutes of action to a film; this foray into feature length storytelling took 5 years!) in making his lovable master & loyal dog team take form is finally on the big screen in the duo's first full-length motion picture and it's cracklin' good (to coin a phrase from Wallace's usual reply to all things good!)

Park, who co-directed with Steve Box and co-wrote with Mark Burton and Bob Baker, sends up the horror genre in this rollickingly funny and swift paced action comedy with the geeky inventive Wallace (voiced by British vet thespian Salis) and his mute yet loyal (and sharper-minded) mutt Gromit (all furrowing eyebrows and mouth-less insouciance) have devised a service to their community: pest control ("Anti-Pesto" as they are known) for the upcoming Giant Vegetable Festival that has the entire town in the mood for all things vegetative a gigante and the biggest pesk are troublesome rabbits eating the crunchy goods. Wallace's inventive mind has created a vacuum container that is quick, efficient, and more importantly harmless to the cute vermin that plague the estate of Lady Campanula Tottington (voiced by Bonham Carter, making a fast-break to be the first lady of stop-motion animation what with her earlier turn in "Corpse Bride" a few weeks ago), who is housing the competition and is a love interest for the nerdy Wallace.

The only fly-in-the-ointment is vainglorious, bombastic loud-mouth and jerk Victor Quartermaine (voiced by Fiennes, his first attempt in the animated arts coming across as a Patrick Stewart lunged braggard with hilarious results), a badly toupeed wearing macho moron who is plotting to marry Lady Tottington for her riches while he is a chief competitor to W&G's humane attempts by resorting to his trusty guns and nasty bulldog.

To add insult to injury the duo are facing a terrible plight in the form of a huge were-rabbit (the titular monster a nice nod to both Universal and Hammer horror flicks) that is terrorizing the village and devouring every veggie in sight. The two set out to trap and dispose of the creature but there is more than meets the eye as things progress.

Relentlessly funny and with such amazing elastic, and kinetic energy to his wonderful clay counterparts, Park and Box have created a truly magical and highly entertaining film with so much amazingly detailed production design to their little world that it may take more than one screening to absorb just how much effort in their blood, sweat and tears have gone into making this instant classic for children of all ages.

Wallace, the cheese loving balding inventor, could easily be Homer Simpson's UK cousin with his rotund body and constant knack for getting things wrong while attempting to do the right thing; his heart is in the right place but his head is in the clouds. His sweet crush for Lady Tottington (resembling a pre-plastic surgery Carol Burnett) who is a head taller than our hero will perhaps remind those of their first unrequited love with a smile of awkward admission. His

beccad90 23 October 2005

The Curse of the Were-Rabbit fmovies. When Wallace and Gromit burst onto the scene in their academy award winning short, "A Grand Day Out," they created a fresh new look at claymation. After two more shorts, Aardman's dynamic duo returned for this thoroughly enjoyable and entertaining movie. It has an excellent Voice cast, humorous jokes and good animation as only Aardman could do!

In this movie, Wallace and Gromit run "Anti-Pesto," a rabbit removal company. When word gets out about a "Were-Rabbit" eating all the vegetables in town, a frenzy ensues. Of course, Victor Quartermaine, the town's handsome, toupee-brandishing huntsman, wants to get his hands on the rabbit to impress the lovely Lady Tottington...but can our favorite Aardman duo save the day before chaos ensues?

The jokes, I should say, were hilarious. One point, the villain, Victor Quartermaine's, booty-crack was showing, prompting a character to cry out: "BEWARE...THE MOON!!!" Vintage Aardman!

The characters are crisp and hilarious. Our favorite Aardman team of Man and Dog entertains us as only they could do, earning them their second Oscar (remember "A Grand Day Out?"). Helena Bonham Carter was terrific as the lovely Lady Tottington, Wallace's love interest. Ralph Fiennes was especially funny and foreboding as the cunning, toupee wearing hunter Victor Quartermaine. But the one who really stole the show was the priest, whose antics proved to be some hilarious comic relief.

Hats off to Aardman for creating another Wallace and Gromit masterpiece!

oldman007 31 January 2006

I really refused to see this movie. I refused to go with the school and I refused to go with my parents. Just by looking at the trailer it looked stupid, to me anyway. One of my friends wanted to take me to the movies that day and he offered me 2 choices, "The Dukes Of Hazzard" or "Wallace And Gromit: The Curse Of The Were-Rabbit." It took me 17 minutes to decide. Time was running out. I had to choose. It came up on the screen "Few" as in a few tickets left. By the time we had to line up and get our ticket, only one of us could go in. I desperately wanted Nicholas to go in to see it. But he forced me. I crossed my arms and was very moody and disappointed that I was going in to see this childishness. I walked in, sat in the only seat that was available and prepared for the movie! must say I was very surprised that I sat through that MASTERPIECE! It was amazing. I don't know what I was complaining about. The Clay Animation was by far the most best i've ever seen in my life. The story was brilliant. About a rabbit disrupting and crashing a carnival that had been planned for over 500 years. Basically Anti Pest Control are protecting the people who are competing in the Vegetable Competition. Anti Pesto known as Wallace And Gromit (Who are in charge of this business) try to keep all the rabbits away from the Vegetable carnival. I wont say anymore. It's just too good to tell. I'll admit that the whole idea of a Were-Rabbit is ab-it unbelievable and ab-it childish, but Nick Park adds substance to it which what makes everyone love it. I mean, there wont be a 10 foot rabbit on the loose and there definitely wont be 8 foot werewolves as said in " Dog Soldiers." Then again, Were-Rabbits and WereWolves aren't actual creatures. But either way, it worked out very well.

The jokes also were more grown up. The kids wont get some of the jokes. It goes way above their heads. It had a lot of British jokes in there. If you love British humor, this is the movie for you.

I also loved the cast and the voices. Everything about the movie is so incredibly well done. The direction and pacing was absolutely...FANTASTIC! I recommend this to fans of the old Wallace And Gromit shorts (And no, I haven't seen them yet), and I recommend it to fans who liked "Shrek" and "Shrek 2 and most importantly, I recommend it to the people who love Clay Animation. Cracking good movie! 10/10

chickpeas_are_good 7 September 2005

A very enjoyable film. You can see there's much more subtlety in the characters with regard to facial expressions. The voice actors did a great job, and there are some great gags, some of which are not for children, but are not overt in their adult-ness. Much more empathy for the characters in this film than in Chicken Run. Fortunately, the film is still wonderfully British, so has not suffered from Dreamworks' influence on the production. It is also good to see something hand-crafted on the big screen instead of the raft of CG animated films that usually lack a strength of script; that you could see fingerprints in the plasticine in no way detracted from the quality of the production.

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