The Cake Eaters Poster

The Cake Eaters (2007)

Comedy | Romance 
Rayting:   6.4/10 6.9K votes
Country: USA
Language: English
Release date: 13 March 2009

Two families are brought together by the return of one family's son a reunion that conjures up old ghosts and issues that must be addressed.

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Rob-O-Cop 15 June 2009

Its been said this movie is a portrayal of reality and that its unresolved end and almost complete lack of meaning is the whole point cos "life is like that". You could think that, or you could also think that the director has made a movie that doesn't connect, delivers no meaning and because of that is ultimately pointless.

You see I'm not watching life, I'm watching a movie, and yes we like movies to be insightful and accurate, but this movie trundles out some well worn clichés and so pulling out the "its a slice of life" card just doesn't wash.

Yes Kristen Stewart delivers a believable performance as a 15 year old girl with a terminal illness. I'm assuming it's believable cos she looked pained and terminal but I've no idea if it was an accurate portrayal of the disease she was supposed to have.

They've also got a lead guy role with a funny name (beagle) and an assortment of slightly cliché small town characters and by the end of the movie you wonder, "yeah, and what, what's your point, what are you trying to say?" all that set up for no delivery.

Kirsten's character wanted to try sex and had no compassion for the guy she chooses to try it with, she doesn't care how he feels. Nice set up, but why?

The dads relationship, the other son's issues, what's your point? Was there one in the script and the director failed to convey it?

The comments here read like friends and fans of the director. There's a difference between subtlety and just plain vague. Parts of this movie were painted in obvious strokes so it would appear that was the directors style (and not one that I like), so why is there no point, maybe she didn't have one to begin with. Why fill your movie with cliché's like the dad and the elder son, the hussy grandma, the small town girlfriend that got left behind? If you're going to be subtle then be it.

imdbbl 31 October 2009

Fmovies: I love independent movies but to be honest I watched The Cake Eaters because of Kristin Stewart. I've seen quite a few of her movies in the last weeks and aside from that Twilight crap I've came to the conclusion that she's a great actress and her performance in this film is no exception.Here she plays Georgia Kaminski,a teenager that suffers from Friedreich's ataxia, a genetic disease that causes damage to the nervous system among other things.Her mother Elizabeth is overzealous and her grandmother, Marg, is her escape.She doesn't have that much time and wants to experience love before its too late. She meets Beagle,played by Aaron Stanford, a shy 20 year old who works in the school cafeteria,they quickly bond and become close and she decides to loose her virginity to him.Beagle is part of the The Kimbrough family.Easy is the patriarch and he's grieving over the recent loss of his wife,Guy is the older son who has been away from the family and just returned after learning that his mother had passed away, and Beagle is the youngest son. The film explores the lives of this two interconnected families. The Cake Eaters is independent film-making at his best,my only complaint is that the movie was too short. How many times do you hear that? Exactly, the movie was that good. I just feel like the story could have been explored more and it could had been taken to another level.I don't know why the director didn't push the envelope a little,he clearly knew what he was doing and the story had great potential; don't take me wrong,this is a very good movie, I just think with more running time it could have been a tremendous movie. Kristin Stewart's performance is truly incredible.When playing characters with these type of diseases, there's always a tendency to overact or go over the top but she played this role perfectly.The academy award nominee Bruce Dern who played Easy was great as well. A great piece of work that left me wanting more.

7.5/10

sum123 16 April 2009

It's been a while since I watched a movie and felt good for a while afterwards. Most movies nowadays make you feel romantic, awesome, thrilled, pumped up, etc etc, while you're watching it, inside the movie theatre or on your couch; but as soon as the movie ends, many leave you with a strange feeling of emptiness. "The Cake Eaters" was definitely a different experience for me. I can't say that I've learnt a lesson or a piece of wisdom from the movie, but I can definitely say that it left me with a good feeling after it ended. I definitely recommend it for rental and ownership, especially to watch with a loved one.

nikhil-bopanna 26 March 2009

The Cake Eaters fmovies. I have been waiting for this movie from a very long time. Wait is a worthwhile, and i thoroughly enjoyed this one. Mary Stuart Masterson has captured complete concentration from the audience. You can watch this movie if your feeling low or even good.

This movie is about love and relationship. If you are physically unfit, you are not going to loose out of love and its wonderfully portrayed by Kristen Stewart. Overall your heart will float in a sea of joy.

Kristen Stewart is amazing, she takes a through a journey of kind bigheartedness and love. She definitely has a bright future and a long career. The storyline is perfect which contains emotions and humor.

Aaron Stanford is equally good in his own way. A piece of work through which you will fell good for at least a day. Cheers!!!!

jaredmobarak 27 March 2008

Mary Stewart Masterson's film The Cake Eaters is a very well done piece of cinema. A slice of rural life in a sleepy town, we are privy to a period of turmoil and discovery for two families living there. The Kimbrough's have recently lost their matriarch and a second family is dealing with the hardships of raising a child with Friedriech's Ataxia. Both groups are thrust together with some chance meetings, helping each other get through the tough times and remember the good in living life. There is a lot of heart on display and subtlety in its portrayal. We see just enough of every story thread to understand the emotions going on inside the heads of all the characters—emotions that are very complicated and co-existing with their exact opposites: can love ever really exist separate from hate? The main catalyst for much of what occurs stems from the return of Guy Kimbrough, back from a three-year, self-imposed exile of rock n' roll life in NYC. It is an interesting welcome; one mixed with happiness at seeing him and disappointment in the fact that he abandoned them all when they needed him the most. Played by the screenwriter, Jayce Bartok, it is a role that bares similarities to the only other film I have seen him in, Suburbia. There he was a returning rockstar seeing how different he had become when re-connecting with old friends, here he is that same guy, only now with the realization that his dream is over. This is a one-way ticket back home to start over and hope to find what it was he lost in those years away. Needing to make amends with the father and brother he left, the girl he walked out on, and the mother he missed saying goodbye to, Bartok does well showing the sadness and regret along with the hope of rebirth.

His introduction back into the life of his brother has a very real effect on the younger Beagle. Played wonderfully by Aaron Stanford, (in a huge departure from his turn as Pyro in the X-Men films), he is reminded of how he had to put his life on hold to care for his parents, one dying and one unable to stay and watch. After meeting the granddaughter of his father's old friend/flame, he finds that he must start to live for himself. Although she is younger and afflicted with a debilitating muscular disease, the two find a bond and common ground with each other. They see someone like themselves, wanting to find a relationship and person to be with. The climax of their relationship is very strong and well played, allowing the audience to discover whether their connection was strictly of convenience or much more. Kristen Stewart is fantastic as the girl Georgia. The way she must control her body in order for the disease to be real is effective, but also her smile at the hand God dealt her is perfect. This young woman knows her fate and tries to overcome any feelings of sadness by just living.

The beauty of The Cake Eaters is that it unfolds very unassumingly, taking its story and its progression as naturally as possible. There are no twists and turns or bombastic moments to hit the audience over the head with. Instead we are allowed a glimpse into the world of this town, where flea markets, butcher shops, and outskirt motels are commonplace and well used. Each moment is completely authentic, from the acting to the relationships uncovered as the film goes on. Even some little moments shine above the rest like when Easy Kimbrough, (the always great Bruce Dern), is telling his girlfriend that he can't continue their relationship if it remains a secret. He is so heartfelt and she as w

jamesfilmore 7 September 2008

In this superbly rendered drama from Mary Stuart Masterson, two small-town families find their lives unexpectedly intertwined when the quiet, socially awkward Beagle Kimbrough (Aaron Stanford) invites the romantic attentions of Georgia Kaminski (Kristen Stewart), a young girl with a rare but terminal nervous disease who knows her window of opportunity is rapidly closing. Much to the chagrin of her domineering mother, and the chilly audits of her otherwise zesty grandmother, Georgia decides to follow her feelings to wherever it is they lead her. Meanwhile, Beagle's older brother Guy (Jayce Bartok), the wayward son, returns from a dead-end bid to become a musician and struggles to reconcile himself with estranged father Easy (Bruce Dern) the town butcher, whose wife (Guy and Beagle's mother) has recently passed away.

There are so many points in this movie where a less steady hand might have foundered the effort, either by overplaying the sentiment card, or by trying to hard to push the tragic undertones, but the film finds an immaculate balance, that golden middle-of-the-road equilibrium that just gets rarer the more time goes by. The characters are so genuine, their stories so real, that the film exacts an impact that is no less raw, and no less memorable, than the trials and tribulations of families we know in life.

The first scene offers a perfect illustration of everything that's right with the movie: Beagle and Easy sit across from each other at the breakfast table, Easy contemplating such bold measures as changing his breakfast cereal, Beagle listening, responding in monosyllables, almost without thinking, and from this one tiny encounter we glean the whole spectrum of what their relationship has become – perfunctory, habitual, and void of energy.

With writing this precise, and with performances so nuanced and natural that all of Hollywood's clichés are swept under the carpet without so much as a whimper, the stage is set for perfection.

Which is what this movie is – perfection.

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