The Assassin (2015)

There is absolutely no denying that The Assassin is one of the most beautiful looking films ever made for every frame of it qualifies as a masterwork of breathtaking photography. But there is also no denying that it is an insufferably boring film for just being able to sit through this picture is no mere achievement in itself.

Set in 8th century China during the Tang Dynasty, The Assassin follows Nie Yinniang; an exceptionally skilled assassin who was raised by a nun from the age of ten and kills on her command. But when she fails to perform her duties on one occasion, she is tasked with a ruthless mission that requires her to kill the man she was once betrothed to.

Directed by Hou Hsiao-Hsien, The Assassin may give the impression of a martial arts movie but in actuality, it is more a period piece than anything else. Hou's direction is impressive when it comes to staging the shots, choosing the locations & capturing every image in an aesthetic, artistic & intimate manner but as far as story goes, this is cinema on a standstill.

The plot relies on minimal dialogues and is visually narrated. And although there is nothing wrong with that method, the immensely slow pace at which its events unfold is going to infuriate many. Nothing happens in the movie for the most part as camera simply pans from one end to another and whatever little action does exist, it's all very short-lived & scattered all over.

From the technical standpoint, The Assassin is virtually flawless. Throughout its runtime, the images retain its sharpness, clarity & piercing quality. Cinematography is truly a highlight for every moment is expertly staged, beautifully shot & the colour composition is wonderful. The camera may appear static but it's almost always in motion, the lighting is ideal, and I've got nothing but praise for this particular aspect.

Even the costumes, make-up & production design exhibit a meticulous amount of research that went into the period it tries to bring alive on the screen. Coming to the performances, the only one worth a mention is Shu Qi who plays the eponymous assassin in an incredibly calm, composed & balanced manner and manages to express her character's inner turmoil really well plus she's finely supported by the rest of the cast.

On an overall scale, The Assassin deserves full marks for its mind-blowing cinematography alone but the stillness of its plot, lack of action, tranquillising pace & lifeless characters turn it into an excruciating viewing experience. While I'm certain that there's an audience for this kind of storytelling, I'm equally sure that I'm not one of them. All in all, it is difficult to not fall in love with its imagery but its sleep-inducing narration that goes on for eternity ultimately destroys it for me.

P.S. On an unrelated note, this could actually cure my insomnia!

Fmovies: I consider myself a person who usually does not have a hard time understanding what is going on in movies - even the ones that require some thought from the viewer :) But during this movie, I almost never knew what was going on. It sounds absurd when I say it - but in many of the later scenes of the movie, I really did not know who the characters were or what they were trying to accomplish.

The pace of the movie is extremely slow, that could have been acceptable if it was made in a good way - which unfortunately is not the case.

The action sequences are well done and I cant fault the acting, but that does not save this terrible movie.

Hou Hsiao-Hsien is one of those directors the mere mention of whose name sends filmsnobs into paroxysms of pleasure. 'The Assassin' is the first of his films that I myself have seen, and I've got to say I have mixed feelings.

I was attracted to the film by the set designs featured in the trailer, and these are fantastic: lush, richly-detailed, lavish reproductions of nobles' palaces and peasants' hovels. The costumes are similarly splendid. The natural scenery is spectacular also, with Hou taking full advantage of the endless steep wooded hillsides of his Far Eastern filming locations.

But oh, the pace of the film is slow. Far too often, Hou allows his camera to linger, unmoving, on a particular subject that is doing nothing - certainly not adding anything to the story. This may be because of the sparse nature of the plot - a young woman in ninth century China, raised from childhood to be an assassin, is sent back to her native Weibo to assassinate her cousin, the region's governor. Once there she gets caught up in some palace intrigue, but it's all sketched out very lightly and, to be honest, for some of the time I was having trouble staying awake.

But those sets *are* gorgeous...

The Assassin fmovies. Almost eight years after his last film, acclaimed auteur Hou Hsiao- Hsien was named best director in the last Cannes festival. This is a Tang Dynasty-inspired historical drama, taking place in the ninth- century China, with a woman called Nie Yinniang (Shu Qi) acting as the called Assassin. She is very capable with martial arts and knives and her last mission (ordered by her nun mentor) is to kill her beloved cousin. To be honest, I couldn't exactly follow the story, as the script was empty of meaning and character development. Hou is an absolute minimalist and fond of repeating patterns, giving its film a poetic premise. The cinematography is great (Ping Bin Lee/ In the Mood for Love) and only the visuals represent the bitter emotional complexes of the movie. The pace is sleepy, the actors do not have much to do and the director describes the whole story as if he was in a dreamy delirium: presenting to us multiple versions of the same scene, that seem to happen with no logic and in undefined time.

i'll start off by saying I like slow movies. I like movies that tell stories through cinematography, editing, sound design. I like to watch movie and feast in the details and bits that the movie carefully exposes. But this movie... I mean, I know there was a history in there, in the middle of the odd editing and weird characters and dialog. But did I care at all? Did I, at any point, looked for the meaning, the motivations? Well... I tried too. I started the movie with a piece of paper and a pen, taking notes, writing the names of characters, trying to make sense of this good- looking mess. But at 30 minutes, I just gave up. It's not the Mallick type of movie, where you don't know exactly what's going on, but you feel that it's okay, it's a subjective experience. The Assassin is like that pretentious friend that uses a colorful, bright, beautiful prose to talk about something you don't get it, and you don't want to get it. You admire its beauty, but... you just don't care. It's not a beauty that touches, it's a beauty that dares, but you just don't get anything. I don't like to say something is pretentious, but I wouldn't be able do find another word. The Assassin is neither style or substance. I don't see a reason to watch it again, or recommend it.

The camera lingers on a woman, sitting on a bed, partially obscured by silk sheets that blow gently in the wind. The sheets drift apart and for a moment you see her face, contemplative. In a word, this is this film in a nutshell - contemplative.

To dispense with any misunderstanding, perhaps brought about by the title, or the brief description and the intense looking protagonist on the cover art, this is not a martial arts action film. The story contained within is a twisted intrigue of politics intertwined with an ill-fated love story and a young woman in emotional turmoil. There are a handful of beautifully choreographed scenes of combat, but in between lie long partitions of setting, silent physical drama and awkward monologues.

Making use of some of the most spectacular scenery in cinema, parts of the film have the feel of a cultural documentary. It wouldn't be an exaggeration to think that probably a third of the movie is setting shots of forest, lakes, trees, mountains, hills, goats, people's faces while they do something with their hands off camera, people walking, more people walking, people dancing, buildings at night, buildings in the day, buildings at sunset, buildings at sunrise, grass, person walking in grass, unknown person standing in trees, person looking surprised, then walking away... It's boring, it's beautiful and features some impressive mastery of camera work, lavish costumes and sets that are beautiful but it's also tedious. If viewing a film of this kind for the first time, a person may find it difficult to follow, not because the story is complex but because the story is thinly exposited between lengthy shots that establish very little if anything at all. Subsequently it is easy to lose interest between the action scenes and get lost in the cultural documentary that parses several critical events.

There is an audience for this type of a film - who is looking for something without hollywood glitz, who's tired of the over-the-top melodrama of western politics, who want something beautiful and slow and most importantly is familiar with enough Chinese culture to be able to infer the significance of seemingly pointless scenes. For example, there is something deliberate in seeing a random woman you're sure you've never seen before, standing in a forest, doing nothing. Maybe there's some significance to her gait, because she's a well known actress, and that's supposed to reveal an important relationship to another character. Is that exciting to you? Then sit back and get ready to watch a lot of people who stand there and say nothing, or participate in mundane everyday life events without an explanation. If you can decipher such curious camera angles and what's not shown or even talked about, you too can infer the meaning of this film, which isn't that mind-blowing when you do, but it's fun to participate along the way. While you're doing so, try not to be distracted by the film ration spontaneously switching from 4:3 to 16:9, that just happens... or does it?