The Aristocats (1970)

The AristoCats follows a rich feline and her three kittens, after their elderly owner willed all of her belongings to the cats, her butler Edgar plots to get rid of the felines.

This movie is hilarious. The characters are loveable, the dialogue is great and there some fun slapstick action scenes. The music is great! The song "Everybody Wants to be a Cat" will be stuck in your head for days!

The plot isn't very realistic (Is Disney ever "Realistic"?) But it's a lot if fun. The kids will definitely enjoy it!

The voice-acting is good too. You may recognize Sterling Holloway, known for voicing Winnie the Pooh and the Cheshire Cat. Here he lends his voice to the cats' mouse friend.

The AristoCats definitely deserves it's place among the Walt Disney Animated Studios canon.

Fmovies: The Aristocats is one of my favorite animated movies, but the comparisons between this movie and past Disney classics are reasonable. The dog napping plot of One Hundred and One Dalmatians is adapted to fit the catnapping plot of The Aristocats. O'Malley and Duchess are reconstructions of Lady and the Tramp at heart. But, as long as the end result is just as enjoyable as the past movies, why complain? No matter how the success was achieved, as long as it was achieved.

The plot is simple. Madame Adelaide Bonfamille is an old millionaires spinster in Paris, 1910. The only other people in her lonely life are her cat, Duchess, and her kittens, Toulouse, Marie and Berlioz, as well as the faithful butler, Edgar. When Madame's lawyer, Georges, comes over to make Madame's will, Edgar overhears her plans. She wants to leave all her belongings to her cats, and at the end of their lifespan, the vast sums of money will go to Edgar. Quite unreasonably, Edgar is infuriated, and drugs and catnaps the kittens and dumps them in the French countryside, miles from home. There they find Thomas O'Malley, an alley cat who helps them back home, mainly because of Duchess.

The characterization of O'Malley certainly doesn't seem to have been a problem. Voiced by Phil Harris (Baloo from The Jungle Book), he also acts like the lovable bear and even looks just like you would imagine Baloo to look like, were he transmogrified into a cat. His bunch of jazz cats, led by Scat Cat, are some of the more effective Disney cameo-players. My favorite was the long-haired, blonde English Cat (besides Scat Cat, the rest have no names but clearly distinct nationalities). Roquefort the house-mouse and Frou-Frou the horse have brief roles, but shine in these glimpses. Edgar isn't really the real Disney villain in that he is not evil...he is simply impatient. He is not cruel from the start--his only sin is impatience. If he hadn't known about the will, he would've taken care of the cats as if nothing had happened. One sees his point in a way--what would those cats DO with the money? Madame could have given her estate to Edgar, and the butler would never have abandoned the cats had they not been privileged more than himself. So I like Edgar, in some ways.

The story is a mix of other Disney classics. Besides Fantasia--which had NO plot--this was Disney's first shot at writing an original story for an animated feature, and even so they had to take shortcuts. Here are the main plot elements repeated: 1) Villain-pet naps-animals-for-personal-gain from One Hundred and One Dalmatians. 2) Pampered-pet-learns-of-life-on-streets-through-streetwise-friend from Lady and the Tramp. It also borrows a little bit from Chuck Jones and Abe Levitow's Gay Purr-ee (1962). The plot is berated for being too shallow, but I don't see how it can be with so many elements of faultless classics. Again, as in the first paragraph: If the audience enjoys a story, it doesn't matter how the story developed.

The animation, so often blasted for being lazy and flawed, can never be seen the same way by everyone. It's solely a matter of opinion. The animation isn't bad, like television cartoons: it's a different style, radically different from, say, Sleeping Beauty. If that great fairy tale were portrayed by such animation, it would be the greatest failure in history; the same way, the sketchy, loose, carefree style of The Aristocats is perfect to tell that kind of story with those characters. Sleeping Beauty needed to

Since cats have nine lives, I'll give you nine reasons to see this movie:

* The kittens Berlioz and Toulouse playing the piano together (so unbelievably cute!) * The car-chasing dogs Napoleon and Lafayette * Toulouse jumping like electrified every time he wants to be like a tough alley cat * Marie sighing romantically while alley cat O'Malley seduces her mom * Scat Cat and his jazz band, singing "ev'rybody wants to be a cat" * Stupid but proper and nice English geese Amelia and Abigail who make the cats walk like geese * O'Malley obtaining the "magic carpet" which puts the Cheshire cat to shame * Roquefort the brave mouse's journey to ask help from alley cats * Edgar the butler chase scenes and transition from a nice guy to an insane cat hater due to cat riddance plan gone bad

The Aristocats fmovies. The first Disney animated film without the strong involvement of Disney himself, this film suffers from the fact that the story is not particularly original or interesting (this is, I believe, the only animated Disney film since the 1940's which is NOT based on an earlier book or other work, but is rather an original story). As others have noted, the plot is essentially a cross between the romance in Lady and the Tramp and the kidnapping/journey home story in 101 Dalmatians.

But to overcome this flaw, the filmmakers have successfully used many of the better features of most of the Disney animated films of the previous 10-15 years: Phil Harris (from The Jungle Book) voicing one of the main characters, follows his duet with Louis Prima in the previous film with another here with Scatman Crothers. The quality visual look of this film is virtually carried over from "Dalmatians" (with some nice nods to French Impressionism, it appears), and the villain here (the butler) is strongly reminiscent of the henchmen in that film as well. (This is probably one of Disney's least memorable villains.) The main story goes back and forth between the cats, and the butler's ongoing difficulties with two rural hound dogs (with great voice work by Pat Buttram and George "Goober" Lindsey"). The various animal characters are similarly familiar to those who have seen "Tramp" and "Dalmatians." The cats' owner, while bearing a striking visual resemblance to the wicked stepmother in Sleeping Beauty, bears none of that character's nasty traits and comes across as very warm and generous.

The real strength of the film is the voice work; after first going toward the use of mostly familiar actors in The Jungle Book, the tactic is continued strongly here with Disney veterans Harris and Sterling Holloway from The Jungle Book, and Eva Gabor (who would do a very similar character in the later film The Rescuers), as well as Crothers and Nancy Kulp. All are excellent here, particularly Harris and Gabor in the leads. The character animation is as excellent as one would expect, showing a variety of emotions well.

Smaller children may be upset by a few brief episodes (an escape from the path of a speeding train, a near-drowning by one of the children), but these are not presented in a particularly frightening or dark manner and are over very quickly. Overall, there's very little of the type of more frightening scenes found in many other Disney classics.

One minor oddity is the way some visual aspects of 60's culture are depicted among the jazz-performing cats in supposedly 1910 Paris; one can't help but wonder why the story wasn't set solidly in the present, other than the great deal Paris had changed much of its appearance in the intervening time. It really would have made more sense that way.

The songs, while being pleasant and sometimes very enjoyably performed, are not particularly memorable. Nonetheless, the general energy applied here, the excellent voice work and fine animation all contribute to overcome the relatively few and minor weaknesses. Far from the greatness of classic "10"s such as Pinocchio or Aladdin, and not quite up to the "9"s one might give to Sleeping Beauty or 101 Dalmatians, this is probably a rather marginal 8 of 10; perhaps a 7.

The 20th animated Disney classic is often criticized by many people as "mediocre" or poor in quality, but it is a good movie.

Despite being extremely underrated, it is one of the funniest Disney classics. It is full of hilarious (some of them, hysterical) moments.

Edgar, the greedy butler, is the villain but a perfect comic relief. He's one of my favorite Disney villains because he is so funny.

Every scene with Edgar and the two stupid hound dogs Napoleon and Lafayette chasing him are among the most hilarious you'll ever see, especially the one when Edgar drives his motorcycle into the river and around the bridge, with the dogs chasing him. That is hysterical!

But the classic humor doesn't just come from Edgar or the hound dogs. Other characters have their moments as well.

About the quality subject, it isn't perfect, but remains on a high level. Even after Walt Disney's death those artists knew how to keep faithful to Walt's spirit and "The Aristocats" is one of those examples. They no longer make them like this!

As usual, legendary Disney actors voice the characters. In this case, we have Phil Harris, Sterling Holloway, Paul Winchell, Eva Gabor and Pat Buttram.

The characters are generally cool: Thomas O'Malley, Duchess and her 3 kittens, the mouse Roquefort, the alley cats, the English geese, the hound dogs and the horse. The human characters are included as well: the eccentric and kind retired Opera singer Madame Adelaide Bonfamille, the comic Madame's old lawyer Georges Hautecourt and Edgar himself!

About the soundtrack, it has some nice and catchy songs such as Thomas O'Malley's theme (but I can't remember its name), "Everybody Wants to be a Cat" and "The Aristocats" (sung by Maurice Chevalier), for example.

This movie takes place in Paris (France), in the year of 1910. A classic, often underestimated and forgotten, but worthy.

Animated version about a family of beloved Aristocats filled with humor , action , musical numbers , entertainment and fun . 1910 Paris , retired opera star Adelaide Bonfamille enjoys her wealthy life in her Paris villa with cat Duchess (voice by Eva Gabor) and three kitten : pianist Berlioz (Dean Clark voice) , painter Toulouse (Gary Dubin) sanctimonious Marie . When the loyal butler learns that Madame is planning to give her entire fortune to them he attempts to take them . As the butler Edgar overhears her will leaves everything to the cats until their death, he abducts to eliminate them . However, his plans are ruined when a pair of dogs named Lafayette and Napoleon give chase . Edgar abandons the cats in a field before heading back to Paris. With the help of a smooth talking tomcat (voice by Phil Harris) felines set to inherit a fortune from their owner try to make it back home after a jealous butler kidnaps them and leaves them in the country .

This amusing cartoon has great animated sequences well staged with stylish and vitality , adventure , romance , outstanding final and results to be pretty entertaining . There are great songs , enjoyable action sequences in countryside , including amusing ending confrontation at the climax of the film . An imaginative and jolly Disney adaptation being inspired by the true story of a Parisian family of cats, circa 1910, that inherited a fabulous fortune , including brilliant drawings and catching score by George Bruns .This was originally intended as a two-part, live-action installment of the TV series Disneyland (1954). Originally there was meant to be a direct-to-video sequel titled AristoCats II , it was intended for a 2007 release, but production got canceled back in 2006. The funny characters fascinating Visual Style and Humor in one of Disney's best of the 70s . This was the last animated feature to be approved by Walt Disney and the studio's first animated feature to be entirely completed after his death. It should be noted, however, that Disney had spent time working on the story for The rescuers (1977) , released seven years later , around the time Jungle Book (1967) entered production. This agreeable animation movie contains a lively and enjoyable musical score by George Bruns .

motion picture was well directed by Wolfgang Reitherman helped by Eric Larson , in fact this was the last film in which Larson worked as a supervising animator ; from then on he concentrated on training the younger animators that came to the studio during the seventies and eighties a good craftsman from Disney factory . Director Reitherman often animated fast action sequences or dances , and known for "re-using" animation from older films and placing them in newer films . He co-directed several Disney movies such as Aristocats , Jungle Book , 101 Dalmatians , Peter Pan , Cinderella , Dumbo , among others .