Swordfish (2001)

My head is still shaking in disbelief after knowing this movie has a rating higher than 4 here in IMDb. I'll take some time to get over that before I start writing my review.

[...]

Well, if you're into meaningless and completely made-up computer technical babble, this movie is a gem. With terms like "worm", "hydra", "512 bit encryption" and "DS3" used at random, you can't go wrong. If you take into account the countless times when hacking is portrayed as typing furiously in front of a flat screen filled with ad hoc graphics and perennial connection to any computer in the world, we're talking Oscar material here. From a wider point of view, this flick wallows in the vice of technology aesthetics. Well, I mean what some Hollywood mentally handicapped men understand as technology aesthetics.

If you don't enjoy technical crap, you can try it with lame characters and dialog ("I'm not here to suck your d**k", anyone?). John Travolta's character, aside from dressing like s***, is unbelievable, awfully portrayed and speaks an unintelligible ideology. Halle Berry is there to show us her breasts and nothing else. Hugh Jackman is a hacker (enough said) that seems to be made of wood, except for the "hack-it-right-now-or-someone-dies" sequences, in which he spills his guts out in embarrassing overacting. All in all, this is one of the most cringe-inducing movies I've seen in my life. Every cliché is there (why the f**k every loner/loser lives in a caravan?). Every script line is either wannabe-cool or plain stupid.

To add some aggravation, the movie opens with a John Travolta's monologue in which he digresses about the unrealistic nature of Hollywood films. Yes, some screenwriter lost a marvelous opportunity of shutting the f**k up.

I use to write longer reviews, but anybody with a brain will probably know what I'm talking about in the paragraphs above, and that there's not much left to say.

A future embarrassment for everyone involved. Granted.

RATING: 1.1

Fmovies: I think this is one of the better action movies of the year. It has some pretty good action scenes and an interesting story. I mean its not close to reality or anything like that but its fun fun. I think the acting is good aswell. The matrix has set a new standard when it comes to the action genra and i think we are going to see alot more of matrix inspired action scenes. There is one pretty cool scene just in the begining of the movie(im not giving any thing more away) so see it in theaters or on a home movie theater system. Go See!

Here's a film I really liked the first time, and was totally turned off on the second viewing as the Hollywood bias machine was in high gear again, and you can guess in what director (left or right). Anyway, two things remained the same: John Travolta as "Gabriel Shear" was riveting as an anti-terrorist terrorist. The explosion scene where people are flying sideways is awesome, particularly in the sound department if you have surround system. Oh, and yes, Halle Berry and her figure was on display in this film and quite a sight. Wowzer!

Some of this script is a takeoff on Dog Day Afternoon, which Travolta's character re-enacts a role from that famous '70s film. "Shear" talks about that movie during the film.

I almost got discouraged watching this in the first half hour because there is so much computer terminology that I was lost. However, if you find yourself in a similar spot, take heart because that that ends after that first 30 minutes and is no longer a problem.

Credibility and bias aside, it's still a fun movie for at least one viewing, with that early bomb scene most memorable.

Swordfish fmovies. Swordfish was one of my anxiously awaited summer flicks. And after seeing it a couple hours ago, I am not at all disappointed. It's been awhile since I've seen a truly enjoyable, mature action movie. With the slew of PG-13 action movies of recent years, it's refreshing to see one that at least acknowledges that many intense situations do involve language, sex, and mixed character reactions - it wasn't just another black and white, good and bad movie where the good guy does only good things and the bad guy has only evil intentions. The good guy (Jackman) didn't always do the right thing, and the bad guy (Travolta) could hardly be accused of sinister motives.

The film starts off with a bang ... literally. A big-time action sequence to get out attention, then a flashback to show how the climax of the film came to pass. The out-of-order editing was actually effective and interesting, rather than seeming like yet another failed attempt to mimic Pulp Fiction and those other movies that brought attention to the idea of showing a film out of chronological order.

Jackman was great as computer hacker Stanley Jobson, devoted father who just happened to get brought down for computer-related felonies after hacking into and making public an FBI e-mail surveillance operation. Forbidden to even touch a computer for the rest of his days, he is lured back into the life by Travolta, who offers him $100,000 just to meet him (and take an interesting version of an initiation). Jackman is quickly becoming Hollywood A-list material, and with his performance in Swordfish, it's easy to see why. He can keep up with the smooth-talking, fast-moving Travolta as well as show enough emotion to make him seem like a real person and not just a run-of-the-mill action hero.

The plot of the film is fantastic. It's not just a typical heist film, or action plot where the hero has to save the hostages, blowing the hell out of the bad guys in the process. The plot is complex, interwoven, and has a point. The plot was crucial to keeping interest during the slow parts of the film. Starting out with an action sequence carries the danger of losing audience interest if not followed up by more and more action. Thankfully, the plot manages to retain interest during those points in the film where things aren't exploding and buses aren't flying through metropolitan airspace, suspended from a heavy loading chopper.

The best part about this film was the interractions between the characters. Stanley is a smart guy, and Gabriel's smarter. Just when Stanley (and the audience) thinks they have Gabriel in a tight spot, he'll surprise everyone with some improvised ingenuity. There are so many films in the action genre that result to dumbing down the smart villains, just so the hero of the story will look good when he comes up with a relatively weak solution to the complex plot. The villains often slip up or make some kind of fatal faux pas in judgment that allows the hero to triumph. There's none of that here. The hero and villain are both smart, and both stay that way until the very end.

This is a great summer movie. See it. See it twice or three times, even. If you're looking for high art or something that really speaks to you and changes the way you see the world, don't see it. But if you want to see a movie for the sake of entertainment and having a good time, Swordfish is the movie to go to. If Swordfish is any indication of the rest of this summer's big action b

This movie can be summed up as: lots of very cool action scenes (fans of both bullet time and explosions will really enjoy this), a lot of style, and a standard implausible plot. This movie is very entertaining if you like non-stop action in a cool high-tech environment.

The ingredients are pretty standard. There's a stylish kick-ass villain (Travolta) with a plan, being a high-tech bank robbery. This is all garnished with lots of weapons, technology, car chases and beautiful women. This movie really delivers on the action front, I don't think there's any 'quiet' scene that lasts more than 2 minutes. It also contains the now standard implausible hacking scenes, where getting into the computer system of a bank involves solving a kind of Rubik's cube on your computer screen. I hope you're not offended by product placement because a certain computer brand is quite prominent when IT hardware is involved in this movie. But it's by far not as obnoxious as in "I, Robot".

The filming is top-notch, unlike some other movies you can actually see what's happening in the action scenes (which is sometimes due to the amazing slow-down effects in some scenes). Unfortunately the entire plot becomes quite thin when the movie is stripped of all this action and style. However, it works. The ending is rather vague, as if room was left for a sequel without making it too painful if there wouldn't be one after all.

Overall I would say this is a pretty OK movie, but don't expect the best cinema ever.

What is the highest pressure job interview you've ever had?

Well, Stanley Jobson (Hugh Jackman) a convicted Hacker, fresh out of prison and desperate to see his daughter again, can beat you, i'll bet on it. He has to hack into the FBI Computers in a fairly public place, with a gun to his head and a beautiful woman performing an act of Felacio on him, and he has just one minute to do it. (A Great Scene, Not Explict, just cool)

Anyway, he is recruited by John Travolta to hack into a dormant DEA Fund worth 9.5 Billion Dollars to finance his terrorist activities.

Full of Slick Dialogue, cool Direction and the simply gorgeous Halle Berry, this turns out to be a very enjoyable Thriller, with some clever twists (some of which don't quite work) but are forgivable anyway.

Not a classic, but a good film none the less. 8/10