Summer Poster

Summer (1986)

Drama  
Rayting:   7.8/10 7.3K votes
Country: France
Language: French | English
Release date: 3 September 1986

It's July, and Delphine has nowhere to go for the summer. She feels very bored and "empty", but this won't last; one day she accidently meets someone who seems to be totally made for her...

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marieinkpen 24 November 2009

ha ha. eric rohmer's films one probably loves or hates. 'too much' talk, too little 'action', and the talk is so self-obsessed bordering on banal. his films are almost slice-of-life except most normal people don't think and talk as deeply as this. delphine is lucky to have any friends at all since she is so whiney and self-obsessed and refuses to do anything that might make her feel any better and most people would be forgiven for walking out on this film within 20 minutes. but then it suddenly occurs that she is actually suffering from chronic depression - which doesn't make her behaviour any easier to deal with but it does make you realise that she does actually have a mental illness and she cant behave any differently. she desperately wants to connect with people but constantly pushes them away, is so lonely but cant find anyone worth trusting and letting in. and you realise at the end that she is not just snobbish and picky when she finally meets someone she CAN connect with and it changes her because HE is different. so ultimately it is a very beautiful and magical film but really just another fairy-tale because, let's face it, that kind of happy ending wouldn't happen in real life (and probably he will get sick of her intensity too. lighten up!)

a-fool 28 April 2001

Fmovies: Watching the film,we keenly feel the same inevasible loneliness as the heroine Delphine.While trivial conversations keep going and going(seems non-stop for ever),the loneliness become more and more intolerable.No one can,or is ready to,understand others(even being friends).Then Delphine's every attempt to communicate has to get dissolved in pretence and indifference from others.It's the common situation shared by everyone who still hold his/her dreams like Delphine.

Rohmer has considerable mercy to show the final appearing of "Le Rayon Vert".£¬It offers us some redeeming hope so that we can collect our confidence and faith in life to looke for "Rayon Vert" of ourselves.Maybe we will be still waiting in the final twilight of life,but our dreams will remain beautiful and vivid the same,right?

In the film,Rohmer shows more sympathy and affection on his characters than usual,much considerately as we see.Of course I just watched a few from him.This time I see none of the distinct irony(sometimes acrid) in formers.

btw,the actress Marie Riviere portrays "blue" Delphine perfectly.And I surprisedly find her also in "Writers",along with Rohmer. Expect more from them.

tonyribeiro 21 July 2004

I am a big fan of this director. I saw this film many years ago, and it made a great impression on me. It is one of the most hopeful movies I have ever seen. It think it captures how magical moments can intrude into our lives when we least expect them. This is an exceedingly quiet movie, but stay with it, it builds up to a wonderful catharsis. The lead actress gives a good depiction of a frustrated, melancholy woman trying to find her way out of difficult period in her life. To enjoy this movie, it helps greatly if you are fascinated by unusual astronomical phenomena, and French and Swedish women. . .and you must be willing to stick to a movie which has long moments when not much seems to be happening. I guess I really like the lead actress, she is superb!

Tithy 12 March 2006

Summer fmovies. This is one of the most beautiful movies in the whole world. We can see an extraordinary Marie Riviere playing Delphine in a simply but charming history about loneliness and life as we know it. This film teach us to not close our eyes to the real things and keep going to the future no matter how empty looks everything around us. This is an obligatory stop to every film addict in this planet because also has a great photography and an amazing screenplay, maybe the dialogs are not brilliant, however is made for captivate the sensitives souls; And there is a sequence when Delphine has a discussion about the meat that is just fabulous and is when you think, whoa! this is really a very impressive movie. Excellent.

dannyell 19 June 2002

Something new on the screen! The sun shines, the wind blows, the clouds scud but it never rains. The treetops shiver in the melancholy gusts, the people gasp and murmur and gesticulate, and tears run down our heroine's cheeks. Again and again her face contorts as her fragile boat grinds on the rocky bottom.

A frustrated secretary lives for love. When a chance encounter informs her of the green ray, she is enamoured, thinking that this controversial phenomenon will bring the psychic clarity she so needs. She has so little self-esteem that she identifies with everything around her, she is somehow somewhat egoless, a pair of eyes, a pair of ears, a tortured heart. Her frame is delicate, almost skeletal. Fear is eating her soul.

She cannot reciprocate the robust friendship of one group of people due to her delicate vegetarian outlook (which she paradoxically defends with great vigour and the most articulacy she summons in two hours on screen). But she is excluded also due to the delicacy she cannot control (her sea-sickness, her love-sickness...) Wherever she goes, in fact, she cannot make friends. The ski bums of the alps treat her with relaxed cool cordiality but she leaves immediately because, she says, "I know that place". The implication is that she thinks she's leaving because the place is decadent and full of one night stands but that the underlying reality is of her not being able to stomach any reminder of herself. She wants to be reborn with a childlike clarity in the last miraculous light of the dying sun. This emphasises a cycle of small deaths and rebirths - falling into and out of love, leaving home, coming back again, leaving again.

This film is deeply concerned with one person and may seem obsessive, but it's one way of looking at life and has of course many resonances for our self-obsessed selves. Of course we cannot escape from ourselves, though we can expand that self so that it is not so claustrophobic to live in.

anasu 24 April 2000

I'm a big Rohmer fan - loved the recent Tale series, especially Tale of Autumn and Tale of Winter. This is one of my favorite Rohmer films which I can see again and again. The main character (wonderfully played by Marie Riviere) is depressed, moody, lonely and annoying -- which describes most of us, doesn't it -- and she's transformed by love, but only after she undergoes a journey that takes her deeper into herself.

What is it about Eric Rohmer? His main characters are usually a pain, they talk incessantly about trivial things, and they're bored and depressed. But Rohmer draws you in, absorbs you -- and somehow everything becomes quite soulful and profound and the films resonate in your head for days. Rohmer has what Nabokov called "shamantzen" -- spellbinding power -- the power of great storytellers.

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