RocknRolla Poster

RocknRolla (2008)

Action | Thriller 
Rayting:   7.3/10 237.1K votes
Country: UK | USA
Language: English | Russian
Release date: 23 October 2008

In London, a real estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player a drugged out rock 'n' roller presumed to be dead but very much alive has a multi million dollar prize fall into...

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User Reviews

MorganGrodecki 14 October 2008

Throughout his career, director Guy Ritchie (Snatch, Lock Stock and two Smokin' Barrels) has slowly gathered a cult-like following, ensuring that his movies, be they good or bad, will always earn a few dollars from loyal fans. With his 2006 release of Revolver, many of his avid followers found new 'stylistic' directors to drool over, the movie itself receiving mostly negative reviews as a majority of moviegoers claimed it to be 'all style and no substance'. His latest release, RocknRolla, shows Ritchie returning to his roots of gangster oriented, moronic villain centered, hit-man featuring fun. It's a welcome return.

RocknRolla is an ensemble piece, centering on many, many characters while remaining surprisingly capable of not focusing on any one member of the never-ending cast. Gerard Butler (300) plays a good-hearted crook for hire by the name of One-Two, a member in a group of 5 blood-to-bones friends, each of which doubles as a partner in crime. The main focus in the gangster-related circle of characters is Lenny Cole, a ruthless, old fashioned thug brought to life by Oscar-nominated Tom Wilkinson (Michael Clayton).

The movie truly begins 15 minutes or so after the rather unique opening credits, which in itself foreshadows Ritchie's stylistic thematic which circulates throughout the movie. The eclectically charged plot follows Lenny Cole and his cohorts as they meet and greet Uri, a seemingly reasonable Russian mobster, as the two speak real-estate business. Cole, a self-proclaimed "King of London", runs each and every aspect of London, and agrees to allow the Russians their building – for a small sum of 7 million Euros. Agreeing, Uri offers Lenny his favourite painting as a token of appreciation, a hopeful symbol that all will go well.

From this point on, viewers are treated to a mishmash of confusing twists, an infinite pallet of characters, and some of the most intelligent writing to hit Hollywood in years. The afore-mentioned painting is stolen from Cole, and a search ensues throughout the entire movie, eventually leading to Johnny Quid (Jamie Campbell), the lead singer of The Quidlickers, and step-son to none other than Lenny himself. Quid, also known as "The Rocknrolla", represents a solid contrast to his devilish step-father. Providing monologue after brilliant monologue, Quid becomes a character of classic cool, embodying olden day suave with modern day style, a true to time Rocknrolla.

As with every one of Ritchie's gifts to the silver screen, the subtle yet slick script throws the few negative aspects of the movie to the backburner, leaving only pure gold to shimmer and shine. With a never ending stream of British mannerisms combined with over-seas terminology, North American viewers are faced with a rather tricky dilemma: Sit through a movie that may require a small amount of effort to comprehend due to it's foreign tendencies, or instead rely on Dicaprio and Mr. Crowe to deliver yet another bland, meaningless CIA centered action movie in the form of now premiering Body Of Lies. Unfortunately for the masses that truly enjoy a movie with an intelligent script, box office numbers generally speak poorly for Guy Ritchie's films on our side of the pond, his movies usually making no more than a few hundred thousand dollars, only to become cult hits once released on DVD.

Viewers may be shocked to see Gerard Butler (best known for his overly masculine performance as King Leonidas in 300) hidden amongst an amazing yet unknow

garcialeo15 17 September 2009

Fmovies: Guy Ritchie's career has run red hot and ice cold over the yrs. Guy's unique European gangster movies know how to have fun. Really cool violence w/ really cool lines.

Guy Ritchie busted out w/ cult gangster faves Lock, Stock and Two Smoking Barrels and Snatch. Then Madonna drained his awesome storytelling w/ Swept Away. Then came weak Revolver. Madonna wrecked one of my fave directors.

I put off seeing RocknRolla and I regret it. Guy Ritchie is back! Every BLEEPING thing I love about his movies came back in a wave. Unforgettable characters, bad a** story, cool lines, and plenty of action to boot. He did get help from two BLEEPING great actors. Mark Strong "Archy" and Toby Kebbell "Johnny Quid"

If you gave up on Guy Ritchie come back. RocknRolla will win you over.

WalkThatTalk 7 September 2008

This is a typical Guy Ritchie film. With a wide range of characters and some very powerful performances to random shots making you wonder where the story is headed but just in time to converge in one final showdown leaving you with just word.. WOW!! I can't help but compare it to SNATCH..as they are similar in so many ways...but SNATCH was much more intense, funny and a better script.

Some very fine performances from Gerard Butler from 300, Tom Wilkinson from Michael Clayton but what really surprised me was outstanding performance by Toby Kebbell. His subtle dialogue and crazy laughter really spells horror and magic at the same time. The story takes you through the world of mafia and spins all dramatic sequences with blood, deceit and loads of humor. The scene where Gerard and his gang escape from the two Russian militants... that scene made me laugh like crazy.

I just loved this movie and i can't wait to see the sequel.

lglagro 25 October 2008

RocknRolla fmovies. I just saw this film and I obviously loved it. I had been a huge fan of Guy Richie's "Snatch" and "Lock Stock and Two Smoking Barrels." Then he married Madonna and made a few bum movies, especially "Revolver." Well rest easy, Guy Richie Fans, the man who made the two great movies I listed above is back and funnier, more intense, and a better writer/director than ever. The first ten or twenty minutes of the movie are a little confusing, but as long as you follow the characters and events (which isn't hard to do since they're fantastic and well acted) you'll understand and enjoy "RocknRolla". I'll also add that the soundtrack is great.

tyranid_slayer 6 September 2008

While seeing the dark knight a trailer for a new guy ritchie film came up.

I wasn't particularly swayed too much by this trailer but considering the summer period was almost over and we film lovers now have to survive the cheap horror winter season, Rocknrolla seemed like a nice surprise.

So i saw it last night.

And, to the tell the truth, i absolutely loved it! Obviously apart from guy ritchies excellent direction it had some absolutely fantastic dialouge with some pin sharp conversations and trademark British humour.

The story revolves around several characters, each do something that affects another character within the story. Characters are The Wild Bunch with Gerard Butler, Thandie Newton the accountant, Tom Wilkinson the gangster.

I could say more but there are a lot.

The film to start i found was rather complicated but as time went on i got used to all the characters and they're relationships etc etc.

It's filled with some great top notch sequences but my favourite and the crowds favourite was "The Invincible Russians" Overall this is a great film and breaks the dead lock of cheesy cheap films we get around this time of year.

go see it now!

pyrocitor 7 September 2008

In a business as enormously subjective as the film industry, it would seem near impossible to attempt to remain individual and innovative, continually raising the bar, without the occasional stumble. Writer/director Guy Ritchie, who at first garnered countless approval for his vicious, hyper-stylized tales of dirty deeds in the British underground, had found the critical tides turning in recent years after the succession of universally panned Swept Away to widely baffling Revolver, begging the question as to whether Ritchie's cinematic genius had been limited to his initial films. However, fans of the unconventional filmmaker will be enthralled to hear that his latest project, RocknRolla proves a confident return to form, a snappy, stylish piece of work bristling with energy and acerbic wit - in short, classic Ritchie.

Returning to his defining genre, Ritchie crafts yet another convoluted myriad of intersecting story lines focusing on greed, deception, double-crossing and plenty of stupidity in the seedy underbelly of England. With viewers trusted to be familiar with his unique style, Ritchie uses his familiar story template to worm in social commentary amidst his trademark edge and humour, satirising the increasingly developed state of London and the enormous demand for real estate and location. But this is not the ordinary, romanticized London, as Ritchie's cinematic eye appears determined to capture every last dank, filthy gutter, every ounce of crime and corruption in a fashion akin to the least flattering cinematic depictions of New York. And yet, amidst the filth and edgy comedy, the occasional moment of raw humanity, flawed as it may be emerges from the fray of unanimously unsympathetic characters, whether it be the vulnerability of rocker Johnny Quid shuddering and rocking back and forth on a drug trip or the witty interplay between 'The Wild Bunch', a trio of hapless thieves. For a film so cynically detached, RocknRolla sure can hit the emotional gut-punch buttons for brief but unsettlingly crucial moments.

However, in the midst of his caustic reflection on his home town, Ritchie has mercifully left his sense of uproarious fun intact. After a relatively slow start, serving mostly to set up the convoluted array of characters and plot points (the central Maguffin this time being a 'lucky' Russian painting which goes missing) the film takes off at the frenzied pace those familiar with Ritchie's work would expect. Plunging into a fray of hilarious coincidences and situational comedy (watch for a priceless slow dance scene and one of the most hysterical sex scenes in many a year), double crosses, intimidation rants, philosophical monologues and the time worn Ritchie tradition of indestructible Russian hit men, it becomes clear that no matter how many similarities it may bear to past work, the delight of seeing a dynamic talent back on the top of his game cannot be understated. While the hyper-kinetic editing and camera-work and bold music cues of Snatch have been toned down and the casual violence is more removed, the cinematic flavour is unmistakable - Ritchie is back, and just as bombastically entertaining as ever.

As usual, Ritchie's cast rise to the occasion of matching the brilliance of their script and director. Gerard Butler brings an endearing charm to tough talking goofball thug One-Two, inevitably raising laughs whenever on screen and anchoring the film as one of the few likable characters. Tom Wilkinson takes on the role of resident British mobster with conside

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