Ringu (1998)

The journalist Reiko Asakawa (the gorgeous Nanako Matsushima) resolves to investigate the death of four teenagers who watched a videotape that might kill the viewer seven days after watching the film. The viewer would receive a telephone call and seven days later would die. She herself finds the videotape, watches the strange movie and becomes afraid of being killed. She prepares a copy for her ex-husband, who decides to help Reiko in her investigation, specially because their son has also watched the film.

This movie is great, with characters well-defined, excellent cast and direction and a screenplay focused on the story and not in special effects. An original horror movie, with a tight plot. Why Americans insist in spoiling excellent movies? It is amazing the quantity of (expensive) remakes of marvelous foreign movies that Hollywood spoils. Once I heard that American people would not like to read subtitles, but I refuse to believe in such non-sense. The American remake 'The Ring' is not a bad movie, and Naomi Watts is a great actress. But why the remake? The modifications introduced by the American screen writer and director changed a simple and terrifying plot into an expensive, complicated and non-resolved story. My vote is nine.

Title (Brazil): "Ring - O Chamado" ("Ring - The Call")

Fmovies: This is a superb horror film. There's something about this film which gets under your skin, into your nervous system, and then it turns out the lights and creeps maliciously into your brain. The film has few jump-out-of-your-seat moments, and minimal violence, but as the plot develops the atmosphere becomes almost unbearably sinister and unpleasant. The climax of this film is one of the most frightening scenes in the history of cinema, and is guaranteed to turn your bones to jelly and leave you a quivering dribbling psychological mess.

Forget the pointless Hollywood remake, go and see this film today! There are no cheap tricks here, no melodrama, just poker-faced top performances from the cast, and some genuinely unsettling dark ideas which will bubble away in your subconscious for years to come.

Rumours abound about a video tape that, once you watch it you have a week before you die. When a relative dies in a way that suggests she saw the video, journalist Reiko tracks down the tape and recklessly watches it. She finds she is under the curse and shows it to her ex-husband to get his help. When her son watches the tape Reiko and Ryuji race against time to discover the meaning behind the curse to be able to lift it.

I came to this only knowing the hype and the barest bits of the story. I knew it was meant to be scary and I wasn't disappointed. The plot is good in it's one word description but there are a few holes in it and something's aren't well explained. However it is a good story to follow as it is a form of a ghost hunt as they try to unravel the mystery. The whole thing has an air of uneasiness about it.

The film has some very scary moments – especially the ending which I won't even hint at. However for the most part it is just plain creepy – which is even worse. There's no blood or gore – just a real sense of being uncomfortable. The director has seen teen horrors before so he teases us – he has shots of people with doors just over their shoulder, or the TV lingering in the rear of the shot – knowing that we are conditioned to expect something to jump out – but then nothing does. Instead the scares come slowly and blatantly really not being shocking but just making your skin crawl.

The acting is superb all round although Sanada is a little stony at times but he gets better. The real star is the director who uses music and sound effects to get the eerie effect but also uses images that are weird to just creep out the whole film. I hope Hollywood directors learn what can be done with subtly rather than multimillion pound monsters or effects.

I have said before that Fire Walk With Me was one of the creepiest films I've seen. And that was for the same reason, just making me feel uncomfortable and unnerved. Here this little gem takes that to a whole new level.

Ringu fmovies. The storyline is based around an Urban legend that involves a piece of footage that causes the eventual death of anyone having watched it. A female news reporter, Reiko Asakawa , investigates this case after her niece is the latest victim of the alleged curse. From here on, the film follows the female lead's search for clues as she races against time to find salvation. Caught up in the events is former husband, Ryuji Takayama , who possesses latent psychic abilities which come in handy later on as things start to spring to light. The film is made in typical Japanese horror genre style that plays on the mind as well as including sudden shock effects. Fans of urban legend type horror will take delight in this offering from director Nakata Hideo and whilst the film does lack substance somewhat, it makes up in suspense and mystery. You are also made to sit on the edge of your seat by the film's soundtrack which is disturbingly quiet, subtle and sinister. The atmosphere is the key part of the film that makes it a horror masterpiece. The story is cleverly written to move at a rate which keeps the audience interested and finally end in a twist that sets itself up for a sequel.

Unlike some reviewers here, I'm happy to have seen Hollywood's 'The Ring' first. Now that I've seen both I would have to say that 'Ringu' is the better film (marginally).

The Hollywood version was quite an unsettling experience in it's own right and having seen it first I rather expected 'Ringu' would be a 'ruined' experience as I was already familiar with the overall story and, of course, THE scene. After all, when the scene finally occurs in 'The Ring' the unexpectedness of it very much increases the shock of it. I hadn't been truly frightened by a scene from a horror movie for a very long time so I was unequivocally impressed.

So when I got around to watching 'Ringu' my expectation was low. I assumed that the absence of surprise would diminish the experience greatly but, as it turns out, the difference in the styles (and some of the substance as well) was adequate enough to scare me all over again even though I thought I knew what to expect. Somehow I doubt that this would have been the case if I'd watched these movies in reverse order. I believe 'The Ring' would have been less enjoyable as it likely would have suffered from comparison.

The familiarity actually served as a primer for watching the original. I've found that reading subtitles often detracts from the complete enjoyment of a film as one's appreciation of the visual content usually suffers from the distraction. In this case though, I found it to be less of a problem. Of course it certainly doesn't hurt to have the ability to rewind and in instances where I was unable to finish reading the dialogue completely you can be sure that I made use of it.

The first difference that struck me was the teens found in the car. Like the girl in the closet in 'The Ring' their faces are frozen into grotesque masks, but the more terrifying aspect is that they have been 'gotten to' outside of their homes and all at the same time. This really drives home the realization that there may be no way to escape this thing. Safety in numbers? Nope. Don't go home? Nope, won't help.

'Ringu' is somewhat more detailed in providing background than is 'The Ring'. The demonic child is shown in a scene that was omitted from the copied version and it adds a little something extra to our understanding of this terrifying entity. Also, I found that the valiant attempt to lift the curse by trying to 'free' the spirit from the well was more intense and claustrophobic (not to mention yuckier) than the American film.

But what is it exactly that is so disquieting about both versions? Well, to begin with, the seemingly unrelated, disjointed and positively eerie imagery that is seen on the mysterious videotape really gets under the skin. The first time we see these we are troubled by the strangeness of them and thoroughly perplexed as to their meaning. We come to realize that a seed of uneasiness has been planted within us. The direction is masterful at nourishing this seed not only by showing short repeats of these images, but also by giving us incremental hints of what is still to come. We are briefly shown the well. Briefly again, the beginning of emergence. Briefly again, it's almost out. More and more I found myself getting cold shivers at each progression. The uneasiness is becoming dread.

But there's something else that frightens apart from the film's construction. Is it the ultimate realization tha

I watched The Ring before Ringu and was sorry that I did. Everybody thinks that the US always does things better. This is one example of how wrong those people are. Now, don't get me wrong, The Ring was a good flick. I enjoyed it very much, BUT, it really fell short of the original. So much was lost in the translation and in remaking it. If you have never seen The Ring, do yourself a favor and see Ringu first. It really shows how the Japanese can make good horror. The story is based on a novel written by Koji Suzuki entitled "Ringu". If you get the chance, you can pick this up over at Amazon, it's a very good read and shows you how the story was meant to be told. The Japanese film was a better adaptation of the movie. I give Ringu 8.5/10