Punch-Drunk Love (2002)

P.T. Anderson wanted to make an Adam Sandler film that deconstructed Sandler's popular, bipolar comedic persona. And he does it beautifully. Sandler's Barry is, as Laura Dern once said, "wild at heart and weird on top." He's a meek oddball who lives his boring life, submits to the whims of his overbearing sisters and does what he's told. All the while, he's burning up inside. And when he explodes, it's not pretty.

He's not the hilarious, club-wielding Happy Gilmore or the bum-rushing Waterboy. But his random acts of insanity are comedy of a curious kind. When he smashes the screen door, it's funny, shocking, frightening, and, ultimately, sad. If Barry tames his manic outbursts, can he save himself from implosion?

Enter Lena. She's pretty, unassuming and apparently loves caring for odd things. Lena ushers in a sweet, strange, poetic love story that forces Barry to become a man and put his pent-up passion to good use. And, so, "Punch Drunk Love" becomes a surprisingly wonderful romance. It's a movie about anger, love, loneliness, desperation and caring for odd things. And you should definitely watch it.

Fmovies: Paul Thomas Anderson created a poetic masterpiece with 'Punch-Drunk Love'. This film portrays the story of a man who escapes his misery in a -newly found- self esteem and with love.

It was an absolute joy to see Adam Sander in a role of such depth and complexity. Philip Seymour Hoffman adds a little bit of his unlimited talent to the show in a role that defined the ending of the movie.

'Punch-Drunk Love' is the best movie the Coen brothers never made. It is smart and rewarding. The pleasant surprise of 2002.

10/10

Adam Sandler is known for his wacky, flaky, and sometimes over the top style of comedy. With films like Billy Madison, Happy Gilmore, and Big Daddy under his belt, one would think that he would stick with what he's got. Sandler has shown us a new side of him with his performance in Paul Thomas Anderson's Punch Drunk Love.

Sandler plays Barry Egan, an ambitious man who owns and operates his own business. He sells his own plungers. One day after finishing a phone call with a food company, he walks outside to find a tiny piano someone dropped on the side of the road. He runs after it and puts it in his office. Then shortly after he meets Lena Leonard (Emily Watson) who needs help with her car. Being the nice guy he is, he complies.

Barry Egan is a great guy. He is nice and is trying his best to do well. With seven sisters, he faces the brunt of their vicious wrath that they unintentionally place upon him. With embarrassing stories of growing up and how they teased him, Barry has a little built up anger that he uses here and there, like his sister's sliding glass door. Barry means well, but man can he do damage.

When lonely one night, Barry calls a sex line for just someone to talk to. What he ends up getting himself into is a huge scandal with the operator of the sex line due to the fact that he gave his credit card number to them and everything they need to know to get money from him. On top of this, Barry has found a way to cheat the food company he talks to in the beginning. The deal is getting free frequent-flyer miles due to a deal the company has on all of their items...including individual pudding cups. Barry pounces on the opportunity by buying as many 25 cent cups as he can so he can fly anywhere for free.

With an interesting plot and a great performance by both Sandler and Watson, this film is bound to make an impact. Sandler's more dramatic side shows, giving us a glimpse at the real actor behind all of the goofy nonsense we have come to love over the years. It was really refreshing to see a comedian do a really good job acting in a serious role. It reminded me of Jim Carey is The Truman Show. Serious, yet still able to crack a joke, much like Sandler in this film.

Anderson is no newcomer when it comes to movies. He has written and directed a couple of gems. Boogie Nights and Magnolia are two he both wrote and directed and came out great. This movie is no different. It's unique style with interesting choices for music give the picture an edge.

If Sandler keeps landing roles like this, he could potentially put himself in position for an Oscar nomination, much like Bill Murray did with Lost in Translation. That's not to say he shouldn't make his regular comedies, but a nice blend would be great. Punch Drunk Love is a knockout!

Punch-Drunk Love fmovies. Paul Thomas Anderson's Punch-Drunk Love is a fascinating film. Perhaps 2002's best movie - and one of the best drama/romantic-comedies to ever hit the silver screen.

PT Anderson is an absolute genius. A talented and master film-maker. Boogie Nights and Magnolia, two of Anderson's previous films, were absolutely stunning. Boogie Nights, in particular, was a complete masterpiece. And Punch-Drunk Love is no exception, another great piece of film-making by what is quickly becoming one of the world's top Directors. I can't wait for whatever he does next.

Also, it's difficult to overstate the performance of Adam Sandler. I'm confident this will go down in history as his best work. Ironically, I thought I'd never see this movie because of Sandler starring in it. (I ONLY watched it because of my respect for PT Anderson - and I still waited 3 years to see it!). I enjoy most of Sandler's non-romantic comedies, but I couldn't even imagine him in a romantic movie, I thought he would be horrible. I couldn't have been more wrong. I wasn't prepared for such a great performance, as he stole the show from the opening scene. I can't remember ever being more surprised with the lead actor in a movie. He was simply great, a truly terrific performance.

On the flip side, Emily Watson, as the caring Lena, was wonderful as well. I've got the feeling we will be seeing much more of her, as she had a breakout performance here in PDL. I thought at first that she almost looked too beautiful to put up with the antics of someone like Sandler's character (as she would be in high demand with the males), but then we see the quirky side of her as well, and it all comes together. Great touch.

I recommend this movie to anyone over the age of 25. If you're a teenager who's hoping for a few laughs from Sandler, you're going to be gravely disappointed. Buy the movie, store it in your closet, and pull it out when you reach 30 - and you'll love it! And please, don't let "romantic comedy" scare you (as it does me). I almost REFUSE to watch romantic comedies, but this one is much different. Romance and comedy surely aren't the first things that come to mind when I think of this film. It's a drama full of tension and embarrassment. It's an uplifting, yet shocking movie. To the intellectual mind, I can't recommend it enough.

Thank you for reading!...

JD

I saw Punch Drunk Love at the Gothenburg film festival today and I was totally overwhelmed by it. I had really looked forward to it since I love Paul Thomas Anderson's earlier films. Magnolia is still among my top five favourite movies ever and my expectations were therefore almost too high. I must admit I was sceptical of Adam Sandler playing a serious part. But he makes fantastic interpretation of his character Barry Egan, a small business owner pushed around by his seven (!) sisters who's miserable life takes a turn when he meets love in Emily Watson's character. Watson makes a beautiful portrait of the mysterious and lonely Lena who falls in love with Barry.

The movie isn't just well acted, it's also magnificent to watch. The camerawork is exquisite and Anderson really shows of his visual talent. Every frame in the one and a half hour film could be frozen and displayed as a piece of art. But the most impressive thing in the film is still Adam Sandler. Every word, expression and nuance is perfect and genuine. If this doesn't deserve an Oscar nomination I don't now what will. His performance is superior to the last five winners.

Punch Drunk Love is the way a movie should be. It's the way you wish all movies were like and I wish I could hang it on my wall. The poster will have to do.

This is a great movie (my opinion) and here's why...it shows two characters falling in love and acting stupid. They don't have all the right things to say to each other; they get scared; they walk away and wish they had said something, anything other than what they did/didn't say; they get embarrassed, they giggle and snort...and the list goes on.

If you don't like this movie, it's OK. I think this is the kind of movie that is sorta just sitting there, waiting for the "right" people to see it and nod their heads and smile and say, yes, this is how it is. It's quiet and doesn't scream for people to pay attention to it; it's just there. It doesn't make any promises and it doesn't need to.

The storyline may veer from "real" life, but these two characters pretty much get it--what people do when they are very much "in love" with someone.