Premium Rush Poster

Premium Rush (2012)

Action | Thriller 
Rayting:   6.5/10 110.4K votes
Country: USA
Language: English | Mandarin
Release date: 24 August 2012

In Manhattan, a bike messenger picks up an envelope that attracts the interest of a dirty cop, who pursues the cyclist throughout the city.

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User Reviews

zetes 26 August 2012

Now this is how to make an action flick! A small one, mind you, but it's one of the most fun pictures to come out this summer. Joseph Gordon-Levitt stars as a bicycle messenger in Manhattan who lands the unfortunate job of delivering a small slip of paper worth a ton of money. Corrupt cop Michael Shannon, trying to pay off a Chinatown gambling debt, gets wind of the item and attempts to relieve JGL of it. Unfortunately for Shannon, JGL is a pretty darn fast rider and great with stunts, and soon he has the help of his girlfriend (Dania Ramirez), who is also a bicycle messenger. It's just a simple chase movie, but it's perfectly edited and paced, with well-timed jumps back in time to explain the situation. The actors are all fine (I also really liked JGL's professional and romantic rival, Wole Parks), but Shannon really steals the show. This is the perfect place for his style of menace. Well worth your time.

tony_cochrane 21 September 2012

Fmovies: I used to own a bike..then I bought a car..anyway. Basically guy on bike versus bad guy in car. With the whole love story slash you could a been somebody thrown in. I really enjoyed this movie. It's definitely leaving the brain at the door, but in a nice way. There are no major action scenes. Acting, storyline, action, ending..I literally can't fault any of this. The director kept it very realistic; with a hint of... dare I say eighties ..we can do it nostalgia.

For the movie buffs I'd say, Gleaming the cube mixed with Taxi (original french version..we all known US version was rubbish). Adrenalin sports guy takes on the system. Watch it.

tr91 9 October 2013

I have just watched 'Premium Rush' and I have to say I'm very impressed with it. This isn't your huge blockbuster but it is something different and keeps you on the edge of your seat.

I liked the plot and it was very clever how we saw flashbacks of various things, twists and turns, going in back in time and seeing a different perspective. This really linked the film together nicely.

The action is just thrilling and something different. The chases are fast paced and frantic, it is absolute chaos on the roads. There is some great stunts, its far fetched but its crazily fast. Definitely a film for all the adrenaline junkies out there.

One part of the film that I really liked was, when Wilee was in danger of potentially crashing the bicycle, we see how his mind works. We see 3 potential routes he can take to avoid injury so he can decide the best way to go. Some of these parts are cleverly thought out and also quite funny in parts.

The acting was up to scratch, there was a few characters who added something different. Joseph Gordon-Levitt and Dania Ramirez played a very likable pair.

Overall this is a good action thriller type film, suspense builds and the movie is just fast paced. I really enjoyed it, much better than expected. Would recommend it to anyone and I would certainly watch it again. 85 minutes of carnage.

9/10.

stephensmith84 3 January 2013

Premium Rush fmovies. When all's said and done, neither Gordon-Levitt nor Michael Shannon will point to this as their best work. Fortunately for the viewer, that doesn't matter in the slightest.

Premium Rush is exactly as advertised. A chase movie that's high on adrenaline, with a cast that blend well together. Whilst the story is entirely forgettable, there's enough to catch the eye that it's easy to overlook that. The rush hour traffic in New York City offers up a plethora of near misses, brutal impacts and plenty of colour.

The supporting cast don't detract from Gordon-Levitt's and Shannon's spotlight, with Wolé Parks's hyper competitive Manny a particular highlight. The action is diverse and fast paced, with no set pieces feeling gratuitous or overlong.

The storytelling structure is perfectly fine. There's some contemporary visuals including route planning graphics and slow motion escape paths, which further the excitement.

The good guy's and bad guy's are clearly defined, with Shannon's desperate detective appropriately compelling. A solid 6/10 for me, and I struggle to picture an audience who wouldn't get at least a few kicks out of this.

TheMovieMark 24 August 2012

I'll be honest – when I first saw the trailer for Premium Rush I was a bit skeptical. I scoffed at the idea of a thriller built around the premise of a bike messenger delivering an important envelope on time. But you know what? This is one of those rare late summer releases that comes out of nowhere and entertains you way more than you could have expected.

There's no pretense here. No delusions of grandeur. No misguided Academy aspirations. Premium Rush is a film that recognizes the boundaries of its skin and is completely comfortable in it. It's simply a fun, fast, and intense 90-minute ride that's equal parts tension and comic relief.

Rather than potentially spoil any of the details, I'll let you watch the finer points of the plot unravel on screen. Multiple back-stories are told via time flashbacks, so some of the events might get lost in the translation if you're not paying close attention. What you need to know is that the essence of the film rests in following Joseph Gordon-Levitt's bike journey through the streets of Manhattan as he attempts to deliver his envelope with a scene-stealing Michael Shannon and an I-take-my-job-way-too-seriously bike cop hot on his tail.

You'll recoil and cringe as JGL weaves in and out of traffic, avoiding vehicles and pedestrians alike. You'll laugh as the aforementioned bike cop continually regroups and continues his quest. And you'll love to hate Mr. Shannon as he deftly demonstrates his character's impulse control issues.

I've always heard people say how good of an actor Michael Shannon is, but I've never really seen him in anything. I will definitely seek out more of his work after enjoying his performance in Premium Rush. His hypocritical diatribe on how disgusted he is by the lowering of today's standards had me laughing several minutes after he delivered it. I loved this guy!

I also enjoyed what I am branding the "alternate scenario cam" – whenever JGL finds himself in a tight situation, the camera shows him quickly calculating his possible routes and their potential outcomes, many of which end in hilarity and disaster for either Mr. Gordon-Levitt or an unsuspecting pedestrian.

Premium Rush keeps the pace tight and the audience engaged. The camera work forces us right in the middle of the traffic and the blaring car horns, allowing us to experience the tension both visibly and audibly.

The film's main drawback is its abundance of profanity and crass talk. The worst offenders are one f-bomb and more than 10 uses of G-d**n.

Premium Rush never takes itself too seriously, and neither should you. As long as you check your expectations at the theater door then I'm confident the majority of you will find that this film – much like its bike messenger protagonist- delivers.

Quinoa1984 25 August 2012

Premium Rush is a commercial film that sticks to being a 'B' movie with some A-movie assets - chiefly the actors Joseph Gordon-Levitt and Michael Shannon as the hero and opposition - and David Koepp does a very good job balancing those elements. It could have been just a straight to video title, but it's smart about being a little movie (that is, not quite as on the radar as a big summer tentpole), and has a script that can hold its story and juggle a few elements with more than just competency, that you can go for the ride without being insulted. And yes, it isn't just hyperbole saying it's a 'ride'; here, as in some TV shows (only here with better visual intentions than just quick- adrenaline-fixes), we see with big visual effects the scenarios our hero Wiley (yes, perhaps ironically named as he is really the Roadrunner) navigates the streets, his main route, and then when he's at a cross- walk and cars coming on all sides which of three paths he could take and if he'll die or not or kill others.

Sure, most of us (those of us walking or driving in a city, such as New York) don't like bike messengers, but it's in abstract or in the all-too personal. Koepp's cleverness is to look at a bike messenger on the street and go 'hmm, how about a movie about him and what he has to do, and then what if we throw in a crooked cop and a mob element and a woman wanting to reunite with her kid?' A lot of these elements on their own (and perhaps still the woman with the kid) could be under-cooked or just not very interesting. Altogether, they amount to something, rather that the elements can connect through Michael Shannon's cop Detective Monday (or "Officer Ackerman") who sets a lot of this into motion through his comically inept gambling addiction and inability to get money together - or a ticket from a bike messenger.

Some of this may just seem like 'screenwriting 101', with pieces like the woman with the son and the hero's conflicts (love interest, side- opponent in another bike messenger, the latter I didn't care for as it was too weak on its own and in the movie), but hey, in a first-level class there can be good work done! It's not even a 'turn off your brain' kind of suspense thriller either; Koepp has enough experience to inject, along with his co-writer, really funny or witty dialog, solid (albeit 'movie') character dynamics as people ride on their bikes and can speak on their blue-tooth phones. It's so good when watching the actors bicycling along, and some stunt doubles but who knows when they really use them it's so well integrated, it almost slows the movie down when they have to stop to fill in the spots of the story's quasi- MacGuffin object in the envelope.

But mostly, it's the acting that carries it through. Gordon-Levitt is an appealing lead, likable but has a tough attitude when he needs to, and of course you got to go with him. But without Shannon, frankly, I don't know if the movie would have been as successful, at least to the level it's at now. He's such a convincingly kooky-looking villain, brutal, nasty, but cartoonish in a big way (listen to his laugh, or chuckle, and it's a touch of Chucky the doll or something!) Even in a supposedly marginal Hollywood thrill-ride, Shannon brings his A-game.

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