Phone Booth Poster

Phone Booth (2002)

Crime  
Rayting:   7.1/10 251.8K votes
Country: USA
Language: English | Swahili
Release date: 12 June 2003

Publicist Stuart Shepard finds himself trapped in a phone booth, pinned down by an extortionist's sniper rifle. Unable to leave or get help from the surrounding bystanders, Stuart negotiates with the caller that leads to a jaw dropping climax.

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User Reviews

michaelRokeefe 28 February 2004

Director Joel Schumacher preserves his reputation with a script by Larry Cohen about personal morals and hopefully the truth providing some kind of redemption. This is a white knuckle nerve wrecker about a self-serving publicist(Colin Farrell)making the mistake of his life by answering a public telephone. On the other end of the phone is a self empowered mad man(Kiefer Sutherland) inflicting demands on the fast talking, fast thinking publicity dealer who just happened to be walking by the phone booth he passes every day. The mystery voice on the phone demands the publicist to stay in the phone booth until he tells his wife(Radha Mitchell)and the TV watching public of his cheating, lying and making use of others. Of course behind the demanding voice is a sharpshooter that is not afraid to pull the trigger. The senior officer on the scene(Forest Whitaker)tries to make sense of the situation while fighting back thoughts of his own past personal problems. At least 90% of this thriller is made up of witty, threatening and revealing banter between Farrell and Sutherland. And talk about a clever twist to end this flick. Also of note in the cast are: Katie Holmes, Richard T. Jones and Paula Jai Parker. Think twice about answering that ringing phone.

springsunnywinter 21 June 2007

Fmovies: At first I thought the film was going to be just a normal thriller but it turned out to be a thousand times better than I expected. The film is truly original and was so dark & sinister that gives the tensive mood also it is emotionally & psychologically thrilling, the whole movie is charged with pulse pounding suspense and seems like it's really happening. It's amazing that how they managed to make an 80 minute movie with just a guy in a phone booth but the full credit goes to Colin Farrell and Larry Cohen the writer not Joel Schumacher because he is a crappy director. Joel Schumacher's films are rubbish especially The Number 23, Phone Booth was shot in 10 days with a budget of $10 million so it wasn't a hard job to make it, that's why Joel doesn't get any credit but the cast & crew did a fantastic job. I also really liked the raspberry coloured shirt Colin was wearing and it was an excellent choice of clothing because the viewers are going to watch him throughout the whole film. When I first saw the movie I fell in love with it and I bought it on DVD the next day and I've seen it about 20 times and I'm still not fed up with it. Phone Booth is and always will be Colin Farrell's best film! Overall it is simply one of my favourite films and I even argued over my friend because he didn't like it.

openeyes 8 February 2004

Stu Shepard is a press agent. By definition that means he is a liar. One day Stu tells one lie too many, and, as he stands in a phone booth, he finds himself at the mercy of a vicious but sardonic sniper who demands the truth from him.

"Phone Booth" is an absolutely terrific thriller. I was intrigued by the concept when I first heard about it: a film set almost entirely within the confines of a phone booth! Frankly, having little respect for director Joel Schumacher after his bloated Batman sequels and mindless Grisham adaptations, I didn't expect much, but I was pleasantly surprised. With every plot twist, I was on the edge of my seat wondering how the film makers were going to resolve the escalating situation without violating the internal perspective of the film. Schumacher and company always did so with great panache, but this film is more than a esoteric experiment in film making technique. It is a fast-paced, suspenseful thriller.

While much of the success of the film rests firmly on the shoulders of Colin Farrell, who plays wonderfully against the disembodied voice of Kiefer Sutherland, the real star of the movie is screenwriter Larry Cohen. Cohen, a crafty old veteran from the B-movie world, deserved an Oscar nomination for this inventive script which was so old that it was actually offered to Alfred Hitchcock. (I wish he would have tackled it!) Bravo, Mr. Cohen. Maybe it's time for me to start checking out your "Maniac Cop" films.

Jason_Lee 30 April 2003

Phone Booth fmovies. Have you ever seen a movie that you would actually pay money to watch more than once? What if I told you that this film had a setting of only one main location, two main actors and three supporting cast members? While these elements don't make up what a classic movie sounds like on paper, add director Joel Schumacher (Bad Company, 8mm) into the mix, along with screenwriter Larry Cohen, who had this story handed down to him by Alfred Hitchcock himself about 30 years ago, and you have the perfect blend of blackmail, violence and extortion: Phone Booth. The story begins by showing a glimpse into the life of Stu Shepard (Daredevil's Colin Farrell). Stu is a New York hustler that people love to hate. He is egotistical, two-faced to everyone he knows and does what he can for personal gratification. He even fantasizes about cheating on his wife Kelly (Pitch Black's Radha Mitchell) and the object of that desire is Pamela McFadden (Dawson Creek's Katie Holmes). Pam is a young actress trying to get her first break, while Stu has been grooming her for the big time. To avoid having his calls to Pam appear on his cellular phone bill, Stu calls her from the lone phone booth left in the heart of NYC. However, things would be different on this day. Upon hanging up, he receives a call that would turn his whole world upside down. The caller (24's Kiefer Sutherland) is a sniper, who has been targeting high-profile underhanded suits, just like Stu. He has a few simple rules so that Stu does not meet the same fate that two others had before him: don't leave the booth, don't tell anyone who he's talking to, and most importantly, don't hang up. To prove his seriousness, the caller shoots and kills a pimp who tries to physically remove Stu from the booth for taking too much time with his call. This, as expected, does not help matters, and the fallen pimp's hookers now believe it was indeed Stu who committed the murder. Soon, the NYPD and numerous media outlets are covering this serious situation. Things become increasingly difficult for Stu Shepard as Kelly and Pam both show up. In the meantime, the caller continues to play various mind games, while the sympathetic NYPD Captain Ramey (Twilight Zone's Forest Whitaker) tries to solve the issue. During all of this, Stu tries to maintain his sanity and not risk any more lives. His lies no longer matter. As a result, he must now search his soul, discover himself and attempt to outsmart the caller, taking the game to a whole new level. The cinematography is outstanding. Schumacher uses the right angle for every shot, and manages to keep everyone's attention with quick pans and abrupt cuts. In the end, the 80-minute movie seems longer but not because it is boring. The biggest payoff comes with the twist ending that changes the film's outcome within sixty seconds. There was not one bad performance in Phone Booth. Farrell's ability to convert his Irish brogue to a Brooklyn drawl makes his performance as Bullseye in Daredevil look like a child's school play when compared to the Broadway-level of acting he manages here. While Mitchell and Holmes did not have lengthy parts, their roles added just enough to the story and they managed to perform up to the standards of their characters. Forest Whitaker was a surprisingly great addition to the cast and his role as a sympathetic cop is one that's not often seen, and should thus be welcomed. However, all of these actors are outshined by Kiefer Sutherland, who ends up being extremely creepy

rbverhoef 10 November 2003

Stu Shepard (Colin Farrell) uses a pay phone to call his mistress (Katie Holmes) and after he hung up the phone rings. He picks it up, of course, and learns that there is a sniper on the other side of the line. When he hangs up the sniper will shoot him, so he is told. Before he entered the booth we saw Stu talking on his cell phone as a PR-man, constantly lying to people. The sniper has observed Stu and thinks he deserves to die.

When the sniper demonstrates he is real by shooting a pimp near the booth the police arrives and thinks Stu is the shooter. Capt. Ramey (Forest Whitaker) slowly understands things are not as they seem.

Colin Farrell who is in almost every scene is great. First he looks so confident and slowly he becomes more and more desperate. The voice of the sniper (Kiefer Sutherland) is also perfect for the movie. It sounds calm but creepy, like a dangerous man who knows what he is doing.

The movie is not very long and here that is a very good thing. Scenes are not dragged to make the movie as long as most movies and therefor it doesn't get boring. It kept me on the edge of my seat. A very good thriller.

ccthemovieman-1 19 March 2006

I only looked at this because a friend loaned it to me so, at zero cost, what could I lose? Well, it was a lot better than I anticipated. Oddly, even though it's only 80 minutes long, I think this could have been better with about 10 minutes chopped off. It starts to repeat itself too much near the end. You have to remember, almost the whole film takes place within a phone booth!

Colin Farrell does a super job playing a sleazy guy held captive in the phone booth by a threatening sniper-caller. The story, although simple, holds your attention because there is great suspense, innovative camera-work, an involving story that hooks you in pretty fast and some great sound. I hope you have a surround sound system because the caller's (Keifer Sutherland) voice on the other end of the line is something to hear!

There is a big moral message in this film, too, about doing the right thing and paying for your sins, which Farrell sure did. It was really refreshing to hear that message, effectively told. Maybe some of us need a sniper to get the message across, but I hope not!

Are there holes in this story? Sure, but it's still good and has a cool ending. The only warning I would give readers here is the language: this is a very profane film with Farrell going overboard on the f-word. If that offends you, then stay out of this phone booth; otherwise, it's pretty entertaining

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