Phantom of the Paradise (1974)

I am bewildered that viewers today think this film is a rip off or they don't see that it is a comedy....in fact I think it is easily as much a cult comedy as ROCKY HORROR, albeit unappreciated and undiscovered. Dismissed in its day it ended up as a double feature with Rocky Horror and then played endlessly across Australia in the 1970s. It is a very funny film and anyone with a sense of humor can see that it is as silly as it is scary. The cinema in Sydney where it opened in 1974 was the 2200 seat Regent and looked just like the theater in the film. The film was forgotten the theater demolished and now everyone moans. .....yeesh.PHANTOM is great fun and has hilarious songs and satire. Just enjoy it. PHANTOM was filmed in the Majestic Theater in San Antonio Texas, and is famed Architect John Eberson's first 'atmospheric' theater with stars and sky as a ceiling.

Fmovies: Talented underground creators. How great it is to be in their worlds! that's when we get them at the height of their more uncontrolled and pure creativity. unmanipulated, wild. The outcome of what they do when they work within the underground is hardly the best work they produce, but it's often their more passionate creations, and practically always indicates what they will master when they "grow up".

Here we have a film that exists in 3 levels (at least 3 that matter to me):

• this is a film within a social and cultural context. The kind of music we hear here (not the multiple parodies, but the music that is intended to be "good") was a reaction to the 60', or the next step of the evolution. Within the same underground spirit that created this film, there was a growing tendency to extend and invent forms that would accommodate the fantasies of new musicians. That's what today we know as progressive rock. This film would pave the way for Tommy, for Live at Pompei, and for The Wall.

• Paul Williams, great mind, great talent. Much of what works here is his vision, from the mood even to some roots of the story. His parodies are great, but his real stuff is good enough. I enjoyed getting to know him better, and it Is funny that he comes to perform the guy who steals his own music.

• de Palma, who was my first interest when coming to this. The fact is i didn't know so well what to expect, and i ended up appreciating more the other levels than this one of the director. Apparently by this time he had clarified what he wanted to explore, but he was far from mastering any of his enormous visual skills, or this film was such a collective work that he just couldn't make his personal statement so well. Anyway we have here eventually the first split screen of his career (i'm not absolutely sure of this), something he would take all his careers with incredible results. Other than that, we don'te have his magical camera eye yet.

The story matters only for the fact that we have a battle between creative and money grower, something that all the people involved here might know pretty well back in those days.

Jennifer Harper has a pretty face, and illuminates the set when she sings.

My opinion: 4/5

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The powerful and awarded producer of records and owner of the successful label Death Records, Swan (Paul Williams), steals the Faust cantata composed by the unknown and naive composer Winslow Leach (William Finley) for the grand-opening of his rock-palace, The Paradise. When Winslow bothers Swan trying to meet him to produce his album, he is framed by Swan and sentenced to life in Sing Sing. Winslow escapes from the prison and is accidentally disfigured by the record press of the Death Record. He haunts The Paradise and finds Swan, who proposes a thick contract to Winslow to be signed with his blood. In accordance with the deal with the evil producer, the composer could finish the cantata he was composing for his muse and passion, the singer Phoenix (Jessica Harper), to sing in the theater. However, Swan double-crosses Winslow again, and he finds the dark secret of his contract.

The kitsch "Phantom of the Paradise" is a super-cult of my generation, with a tragic love story that blends "The Phantom of the Opera", "Faust" and "The Picture of Dorian Gray". I do not know how many times I have heard the delightful soundtrack of this movie on CD and watched this film on VHS, and today I have just seen it again on DVD for the first time, thirty-three years after the original release and still enjoying and singing the songs together with Phoenix, Beef and the Juicy Fruits. My family also loves this movie and the songs of this underrated masterpiece. The awesome composer of the some of the most important classic songs of The Carpenters, Paul Williams, fits perfectly to the role of the evil Swan, with his blond hair and dark heart. I do not recall seeing William Finley in another movie, at least in a remarkable role. However, the debut of the talented Jessica Harper was stunning, with a top-notch performance and an awesome voice. I could bet at that time that she would become a sensation as actress and singer, but unfortunately I just recall her in "Suspiria", "Love and Death" and "Tales from the Crypt". Brian De Palma pays homage to Alfred Hitchcock with the shower scene of Beef. My vote is ten.

Title (Brazil): "O Fantasma do Paraíso" ("The Phantom of the Paradise")

On 18 January 2011, I saw this film again.

Phantom of the Paradise fmovies. For the time this movie was made it compares to anything made these days. I only wish it was available to purchase, I have to look more. I can't believe the number of people that I ask about it who have never heard of the movie. I own the soundtrack on vinyl and I still pull it out from time to time and listen to it. Jessica Harper has an incredible voice as Pheonix, and when she sings Old Souls, I still get goosebumps. Should there be anyone out there read this and know where I may be able to obtain a copy of the movie, could you please post and I will check back. Musicals are not usually one of my favorite types of movies, but I would highly recommend Phantom of the Paradise to anyone. Paul Williams is an awesome actor and his role of Swan, well, I don't think it would have been the same had another actor taken it. Again if anyone knows where I could obtain a copy of this movie, please write. Thank you

This is probably one of those ones that most people either love or hate, so there isn't that much point in trying to sell it to anyone. I've been hugely attached to it since it came out. I don't think I'm alone in saying that it's "my" answer to Rocky Horror (which to me is simply "entertaining" - which is no insult). A lot of people seem to really dislike Paul Williams. But, love him or hate him, he threw himself completely into the role of Swan. To me, Swan is one of the best comical or semi-comical villains ever (it took me a long while to think of it, but I wonder whether his use of the word "Excellent" in one scene might have inspired Mr. Burns' line on The Simpsons). Everyone else was very good in it, obviously Gerritt Graham as Beef, and George Memmoli as Philbin. I wish , in the first place, that there were FEWER tongue-in-cheek horror films (or whatever you want to call them), and in the second place, that they were as original as this one.

A composer has his music stolen by a big-time record producer and vows his revenge. Things get more complicated after he gets sent to jail and apparently commits suicide in the river...

Howard Maxford feels the film is "dated", and that is the best criticism one can make of the film. The songs do not hold one's attention well. The plot in general is decent, but the music -- a central focus of the movie -- is just average.

Brian de Palma, the director of "Carrie" and "Black Dahlia", is in charge here. He makes a visually appealing film, with angles and colors that call to mind Stanley Kubrick's "2001" and "A Clockwork Orange", as well as Dario Argento's "Suspiria" (which star Jessica Harper would appear in after this film).

Gerrit Graham ("TerrorVision") as Beef is great, and a nice send-up of glam rock. The critics had called the film "funny" and "hilarious", but both are exaggerations. The humor is very subtle, with this being a musical first, horror film second and comedy third.

The references to Dorian Gray are awesome, and unspoken. There are also cues from Poe and previous "Phantom" films. Some have said there is even an homage to Orson Welles' "Touch of Evil" (and I believe them, but I have not seen the film yet). Sissy Spacek is credited as a "set dresser"... you decide what that means.