Ordinary People Poster

Ordinary People (1980)

Drama  
Rayting:   7.8/10 47.5K votes
Country: USA
Language: English
Release date: 12 March 1981

The accidental death of the older son of an affluent family deeply strains the relationships among the bitter mother, the good natured father, and the guilt ridden younger son.

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User Reviews

dataconflossmoor 29 September 2005

The setting for this movie is seemingly appropriate for characterizing frustrations...The North Shore!!...Chicago's sequestered citadel of professional and avaricious elitism...A three million dollar home, trips to Europe, your kids going off to the most expensive colleges in the country, remodeling your kitchen every couple of years, and, your work-less, socially active wife being a permanent fixture at Marshall Fields!! All of these trademarks of success are taken for granted, and, they are merely expectations for the ultimate definition of a quiet bedroom community!! Acquisition of status is no longer excitement, it is, in fact, a given...The only devastating misconception to this entire scenario is that people living in the North Shore are not superhuman, they are merely overburdened, socially, financially, physically, mentally and, as this film so brilliantly depicts, EMOTIONALLY!! There is a prevailing mentality of a mandated and bothersome agenda that all of the characters in this movie must adhere to!!...The Jarretts (Donald Sutherland, Mary Tyler Moore and Timothy Hutton) are a family who are shattered by perpetual tragedy and isolation, each one of them does not know what to do about the fact that the other son, Buck, has died, and Conrad (Timothy Hutton) has attempted to commit suicide!! So much of this film deals with how the misunderstanding of each other is the monster that will win out!!.. Perseverence is something that the mother thinks she can handle, but, in fact, she cannot!! The son, Conrad, lacks the necessary social stamina for the incredibly tedious task of sustaining! Finally, the father needs a bevy of facts to gather up in order for him to attain a pleasant resolve by which everyone in his family may live by!!.. This catastrophic dilemma is answered with social gatherings, vacations, an inordinate preoccupation with moral facades, and expensive therapy!! The bottom line is that a tragic undermining to every critical situation in this movie continuously prevails! Ultimately, this troublesome circumstance is such whereby Conrad and his parents need more time than this movie allows to heel all wounds even on a superficial level...Director, Robert Redford, has an incredible insight in this movie, and many white collar executive households share the exacerbations and misgivings of financial competition that this Lake Forest household had to endure!!..."Ordinary People" won for best picture in 1980, and, it is no wonder...The despondence the Jarretts faced was a horror story that could teach Stephen King a couple of tricks... The Mother feels as though she must create an illusion of contentment to the outside world, even if it is at the risk of neglecting her family's needs...Masquerading pretenses seems to have become her self-centered pet project...The father, while well intentioned, is meager and adolescent in his approach to coping with the household's turbulent consternation..It is almost as if he expects a resolution to his family's problems to be put in his stocking on Christmas morning...The son, Conrad, just resigns himself to misery and arctic desolation!! The overall predicament in this film has a frightening simplicity... The Jarret's aggregate plight is that they are alone, unhappy and confused!! Judd Hirsch is terrific as the shrink who feels sorry for this high school kid (Conrad). Conrad Jarrett is compelled to have therapy sessions with him,(Judd Hirsch). As a psychiatrist, he knows that he has to go through professionally therapeutic procedures to actually help him ou

Conrad-23 29 May 2000

Fmovies: This film, without a doubt, is the best dramatic film I have ever seen. It is truly an extraordinary film of humanity. To start out, the film begins in complete silence and gently flows into Pachalbel's "Canon in D". It has become my favorite movie and I can say with 100% certainty that it deserved every Oscar it received. I cannot truly articulate with words what this movie did to me when I first saw it. I had an epiphany-like experience. I was born in 1980 and didn't see this film until shortly after I turned 19. The events portrayed by Timothy Hutton, Mary Tyler Moore, Donald Sutherland, Judd Hirsch, Elizabeth McGovern, Dinah Manoff, and Fredric Lehne are just as powerful and relevant in society today as they were 20 years ago. Timothy Hutton's performance of Conrad Jarrett, an 18 yr-old suffering from depression after the tragic death of his older brother is extraordinary. Being the age Hutton was when he made the film, when I first saw it twenty years later, I related to the emotions on every note. Teenagers are rarely portrayed in film as realistically as in real life. In my opinion, Conrad Jarrett in "Ordinary People" is the best portrayal on film of a teenage boy going through the good times and the bad, but mostly the bad. Timothy Hutton is a truly amazing actor. Mary Tyler Moore also deserved all of the praise and nomination for a role that is literally the opposite of anything she had ever played before. The way she portrayed the cold, cruel, yet emotionally-hidden Beth Jarrett is outstanding. Donald Sutherland and Judd Hirsch also gave performances that made them truly believable as Calvin Jarrett and Dr. Berger. Sutherland should have received an Oscar nomination. Elizabeth McGovern and Dinah Manoff's small character roles as Jeannine Pratt and Karen are just as vivid as in the novel. Jeannine provides the excellent uplift in the story; while Karen provides the semblance of reality that things are not as they seem. Every line and every scene in this film is as detrimental to the overall underlying theme as it is in the novel by Judith Guest. The words "I love you" and "love" have an immense importance in this film. Kudos to Robert Redford, who shows that he is not only an excellent actor, but also a truly excellent director. The color scheme, music scheme, setting in Lake Forest, Illinois and that "perfect" home all provide the exact backdrop to the circumstances going on between these characters and within Conrad himself. This film relies solely on the realistic interaction between "ordinary" people living through "extraordinary" circumstances. This film had an amazing impact on me and I'm sure it will do the same for anyone else who sees it. If you do not leave this film having gained that underlying insight that this film gives, then you did not truly understand the purpose of the film. You don't have to suffer from depression or go through the loss of a loved one to understand the message delivered by this film. It's definitely more than just a "tissue" movie. Truly one of the best films ever made.

A 10 out of 10.

p-backus 16 February 2006

I saw this movie in a very old theatre in Maastricht, Netherlands. I was astonished by the beauty of the plot, the character played by Timothy Hutton and Donald Sutherland. The most impressive thing was at the end. Everybody left the theatre in complete silence. People were touched and had tears in their eyes. This movie moves people. It is a story so close to reality and so well played by the actors. One really hates Mary Tyler-Moore at the end for being a bitch first class, a mother with no feelings for her youngest son. Judd Hirsch is very funny in acting as a psychologist. He plays it so naturally as if he had seen one for several years. In my opinion Robert Redford directed his best movie ever in Ordinary People.

Wardman3 30 January 2005

Ordinary People fmovies. "Ordinary People" deserved its Oscar. There was such fierce competition in 1980 that winning the award was a real honor. The movie should have shared honors with "Coal Miner's Daughter".

Having said that, the reality of the movie is so heartbreaking and so real that you feel every emotion and understand the characters feelings, whether you liked them or not. Mary Tyler Moore's performance of Beth Jarrett is so powerful that you forget Moore's comedic repertoire and immerse yourself into her persona as a cold, distant wife that can not show emotion for her son. It is disturbing that Beth can not show Conrad love and it breaks your heart when you see the awkwardness as he tries so hard to get any love or recognition from her. Her breakdown scene at the golf course and the realization at the end of the movie that she is incapable of affectionate love are powerful performances.

Donald Sutherland's understated and beautiful performance is brilliant. His making up for Beth's shortcomings as an affectionate human being are so touching. He does all he can to keep the rest of his family together. Why he was not nominated for an Oscar is beyond comprehension.

Timothy Hutton absolutely shines as the troubled Conrad. All you want to do is hug him, love him, after his rejections from his own mother. The torture and pain he is in is portrayed so stunningly. His guilt over the death of his brother and subsequent depression are heartbreaking.

Growing up in suburban America, the film rings many a truth to the insights of what people perceive as a "normal family". The cocktail parties, the school activities, the socialization of Beth and her friends over the recognition of her son do happen in suburban America. Robert Redford recognized every real detail of the facades that people put up and the reality of what happens at home. They are poignantly and chillingly realized.

Definitely one of the most deserved Best Picture Oscars given. Please don't miss this one.

triple8 12 December 2004

I saw Ordinary People when I was very young and had a very difficult time with the storyline.However, even then I think I knew I was watching something simply remarkable. Even after all these years, it's impact has not lessened, which I guess is a mark of an incredible movie. The movie is among the most disturbing I've ever viewed and the performances, at least to me, are among the best. I can't imagine viewing this movie without feeling absolutely drained afterwards and I think I may have been a bit to young to fully appreciate it, but I can't imagine giving this anything but a 10, it was absolutely flawless in it's storytelling.

I do think though, that a certain element of maturity is needed to view this, there are few I know who have not been touched or upset by the story and if one is to young or just not in the right mood to handle the heaviness(as I wasn't at the time),they may not be able to fully appreciate it. I still know people who cannot sit through this and I understand why but I hope this movie will be viewed by many who can handle it, it's impact is fierce, all the performances are incredible and Mary Tyler Moore's performance is among the best of any female lead ever.

Movie-12 29 May 2001

As an aspiring screenwriter myself, I envy Alvin Sargent, the mastermind behind the script of the Academy Award winning 1980 drama "Ordinary People." Based on the equally as heartbreaking novel by Judith Guest, "Ordinary People" flawlessly captures all aspects of great cinema. The scenes have the perfect timing; the performances are vividly descriptive and entirely convincing; the direction is efficacious and focused. The filmmaker's never pretend that this movie is easy to watch, but they sure do produce an emotional and mental response from the viewer.

"Ordinary People" launched Timothy Hutton's career, rewarding him with an Oscar. It's too bad his career as an actor seems to be traveling downhill. Although his award was for best actor in a supporting role, he is truly the center of the movie. Hutton plays Conrad Jarrett, the son of Calvin (Donald Sutherland) and Beth (Mary Tyler Moore). The Jarretts are recovering over various recent disasters. They lost their first born son to an accident, for which Conrad blames himself. His grief eventually provokes a failed suicide attempt.

As the movie opens, we meet the family. We never witness Conrad's suicide attempt, the preceding family death, nor do we see anything than happens during his hospital stay. "Ordinary People" knows exactly where to start and what to show. It leaves a great deal to our imagination. It gives us freedom to put ourselves in the character's shoes. This is a realistic portrayal of a crippled family trying to mend with problems.

Several key characters also contribute to the rehabilitation of Conrad. Dr. Berger (Judd Hirsch), provides Conrad with psychological guidance; the high school swimming coach (E. Emmet Walsh) understands Conrad's condition, but still doesn't want the swim team to lose his talent; Jeannine (Elizabeth McGovern) befriends the struggling Conrad; Karen (Dinah Manoff) another similarly hospitalized with Conrad, gives him some added confidence.

"Ordinary People" took home Academy Awards for best picture, director, supporting actor, adapted screenplay, Mary Tyler Moore's deserving performance, and earned various other nominations, including the supporting performance by Judd Hirsch. It is clear why the film won so much praise by critics and audiences alike: we can clearly identify with the characters and their situation.

The characters are beautifully written. I cannot remember the last movie I saw that so vividly captures individual lifestyles and personal tragedies. Every character plays an important role in Conrad's life. His father feels his son's suicide attempt is due to his poor parenting. The materialistic mom finds it difficult to contend with difficulties and to forgive her son for what he did to her public image. Conrad's problems evolve into larger, more complex issues of love, compassion, forgiveness, and our personal differences.

The actors really deserve the crown here. If there was even one who did not live up to the great expectations, they would appear obvious and subtract from the film's emotional grasp. Timothy Hutton really portrays his character well. Every emotional aspect feels real, justified, and understood. Mary Tyler Moore portrays the film's potential villain believably as well. She makes is obvious that Beth would rather run from problems instead of dealing with them. After seeing Donald Sutherland in many recent film's that seem rather terse, I formed opinio

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