Now, Voyager (1942)

I am such a fan of Bette Davis, there is hardly a movie that she has made that I do not like. But this movie is great. I love her transformation from Aunt Charlotte to the worldly, travel worn, experienced woman of the world. I love the last line," Jerry, let's not ask for the moon, we have the stars". She should have won the Oscar for that performance, but Greer Garson won instead. This is definitely one that I will buy and add to my collection. I also liked her reaction to her brothers and sisters-in-laws, on her first night home after her return from her voyage abroad. This is her best performance, I was told that she had to fight for this role. The studio actually offered the role to others and did not consider her. I am glad that she got this role, can you imagine Ginger Rogers,Irene Dunne or even Norma Shrearer as Charlotte Vail? Nor can I. Thanks to the wisdom, of dumb luck of Warner Brothers Studios, this is and always will be a classic.

Fmovies: I think the "ugly duckling" storyline is so powerful because most of us have lived through it in one way or another; a first dance, a first kiss, a stumbling call on the phone. For most it happens in our teens; for Charlotte is just happened a little later. But because we have lived it, we can easily connect with what she is feeling...

The early scenes of Davis and Henreid together on the ship, as she takes her first tentative steps toward womanhood are remarkable and lovely and touching -- all without being smarmy or overly sentimental. That's a nice trick, and the Director pulled it off beautifully. As did the writers, who managed to keep things moving and keep a sense of humor throughout the dialog.

And while the cigarette shot is famous, I'll vote for the "transformation" shot of Bette when we see her for the first time aboard ship; that fluid tilt up from toe to top, with her "picture hat" tipped down over one eye.

Ron

"Now, Voyager, sail thou forth, to seek and find." By Walt Whitman:Leaves Of Grass/The Untold Want Are you tired of the same old Hollywood trash movies? Want to see a troupe of actors that can actually perform? Then do not miss this movie: "Now Voyager-1942 Black and White". It stars Betty Davis and all I can say is that once you see a real actress perform you will never be satisfied by the modern day actress. There is just no comparison. All the glitter, all the pomp, all the dresses, all the makeup, all the special effects, just don't compare.

And yet the story behind the movie is a simple view into the complex neurotic life of a young woman controlled by a matriarch who is self centered, demanding and totally unrelenting in her personal quest to demean her unwanted daughter. Betty Davis is the daughter that finds her own path and breaks free of the chains of guilt provided by her mother. Eventually she finds love (Paul Henreid) on a cruise ship.

Now, Voyager fmovies. In the 1942 screen adaptation of the 1941 bestseller by Olive Higgins-Prouty, Bette Davis and Paul Henreid provide excellent, subtle performances as Charlotte Vale (self-described Spinster Aunt) and J.D. (Jerry) Durrance, the married man she meets, befriends, and with whom she falls in love on a cruise following a transformative stay at the Vermont Sanatorium operated by Dr. Jaquith (Claude Rains). Reviewers often speak of the themes of self-sacrifice and relate it to the war, which would have been an attractive reason to make the film, but the reality was that the novel was a popular best-seller, Higgins-Prouty's earlier novel, Stella Dallas, was also a popular film (and later a radio series), and the studio stood to do well financially if the movie turned out well. Hal Wallis' deft hand as producer is seen here, especially in his choice of Orry Kelly as costume designer for Bette Davis. He and the studio worked within the limits of censors' requirements, which indicated that there could be no intimation that the two main characters had sex (which was implicit in the novel but never explicitly stated, where the behavior between the two in the love scenes were generally glossed over most of the time), and that they could not share the same blanket in the scene where they are in a hut on a Brazilian mountain, stranded. They also had to change locales for the story, because the novel had the sea voyage set in and around Italy, Gibralter, etc. In spite of any restrictions placed on the filmmakers and actors, the film followed the novel very closely, especially with respect to dialogue. The big point of contention has always been: who invented the two-cigarette lighting gesture that Paul Henreid became famous for later? According to some, George Brent and Bette Davis did something similar earlier in another film, and according to Paul Henreid and Bette Davis, there was a cigarette exchange ritual in the script which was sort of awkward, so they improvised based on Paul Henreid's experience with his wife on car trips. The latter seems likely, as there was a cigarette-exchange ritual in the novel (Jerry would give Charlotte a cigarette, lighting hers and then his own on one match, and then they would exchange cigarettes with each other so that Charlotte smoked the one that had been in Jerry's mouth and vice versa), which would have been slightly awkward in practice.

All in all, this is a truly excellent film with great production values, true to the novel on which it was based, and a wonderful ensemble cast.

"Now, Voyager" is arguably one of the best of all motion pictures by Bette Davis. As Charlotte Vale, a rich Bostonian smothered by a mother who had her late in life, Davis plays a frumpy, low-esteemed, near recluse of a woman. That is, until her cousin intervenes by bringing a psychiatrist, Dr. Jacquith (Claude Rains) into Miss Vale's life.

Miss Vale's cousin and shrink conspire to bring her out of the steel shell her domineering mother (Gladys Cooper) has encased her within. Their idea is to send her on a cruise with the doctor's advice to learn everything, do everything, engage everyone. The results are a remarkable transformation of a woman who believed she was an 'ugly duckling' into Miss Bette Davis as a sizzling hot beauty like she never was before or after in any other film.

How Miss Davis didn't view herself as a beauty or use her beauty to create her success as an actress is what "Now, Voyager," proves is most remarkable about her 66 year long acting career. If she had wanted to be a "bombshell," she could have, two snaps up. Davis didn't want to be a "movie star," or "glamor girl." She wanted to be a great actor and achieved her life's goal. Not only did she make her career using acting skill and shrewd business finesse, Bette Davis also made quite a few other people's acting careers work well for them by taking a back seat in films with her role having a weaker script. Thus, as co-actors they could collaborate to make out of an average screenplay a screen hit and a new acting star. Davis was so unselfish an actor that she was in the acting business to benefit the art. That's why she's my favorite actor of all time: she was so self-assured as an actor in a man's world (in the 20th century), that her ego didn't get in the way of making truly great movies with co-actors with whom she worked with as a team player. "Now, Voyage," is one such film. Clearly, she steals the show, but she takes Paul Heinried (love interest, Jerry) right next to her, conjoined at the hip. What a delight it must have been to work with a true artist who was a great expert at her craft.

Bogie & Bergman in "Casablanca," don't have one thing over Davis & Heinreid in "Now, Voyager," when it comes to the most intense, well acted, extremely well scripted romantic drama that has it all. Davis is glamorous beyond compare and Heinreid is a smooth, sensuous, suitor.

This is my favorite of all of her motion pictures (at least I believe I own and have seen them all). How anyone could say that Bette Davis wasn't a raving beauty after they saw her in this film is beyond me. Not only does "Jerry" fall madly in love with "Charlotte," so does audience after audience, generation after generation.

There's much more to this great story, but I'm not telling! Buy the DVD.

I first saw this wonderful film in the early 1960's on television - made in 1941 is seemed old fashioned, slightly stilted and truly from another time.

Later on in the seventies and eighties I'd watch the occasional late nite re-run on TV and it just seemed camp.

In the nineties I bought the video - something to keep. A little bit of cinema history.

Last week I bought "Now Voyager" on DVD and was completely blown away!

Perhaps it's because I know the story so well, but I was able to appreciate the movie on several different levels such as cinematography, direction and editing.

Bette Davis was always the prime reason for watching but I never realized what a fine naturalistic actor Claude Raines was. His scenes with Bette Davis exude intelligence and warmth.

I stopped to consider what a 2004 remake might look like - who could play the leads? Who would direct? What would the score be like?

With no disrespect to anyone in the movie industry, I don't think a remake would ever be possible.

The actors and technicians on this movie were truly masters of their craft.

I defy anyone who watches the first ten minutes not to be hooked until the closing credits.