Not One Less Poster

Not One Less (1999)

Drama  
Rayting:   7.7/10 8.3K votes
Country: China
Language: Mandarin
Release date: 10 February 2000

In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13 year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each ...

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User Reviews

christopher-underwood 17 March 2008

I suppose 'heart warming' are the first words that come to mind but lest that put anyone off, I have to say that it is the way Mr Zhang involves us from the very beginning that is the reason for the film's success. Beautifully shot with some wonderful natural light, our first glimpse of the rural backwater is astonishing. Almost immediately though we are drawn into a drama involving a thirteen year old girl being put in charge of a school of youngsters. The usual teacher has to visit sick relatives for a month and he leaves the girl behind with specific instructions to keep the schoolchildren from leaving school. Hence the film's title. Of course one goes missing and she follows to the city to try and find him, which becomes the story of the film. It is fascinating to see and believe the degree of poverty in the village and wonder as the children do at the difficulty of surviving in either place. The young girl may be acting less out of altruism than self interest but our eyes do not leave her and her concerns are ours. Seemingly non professional cast do a magnificent job, which must in no small part be down to Zhang, but then nobody seems to put a foot wrong. Excellent.

lildovefeather 25 November 2005

Fmovies: This is also a well-received and well-applauded film in the international scene. Not surprising for it is a film directed by the same man who gave us Raise the Red Lantern, Hero, and Zhang Ziyi (via The Road Home, which I have yet to see) - Zhang Yimou.

Based on "There is a Sun in the Sky" by Shi Xiang Sheng, who also wrote the screenplay, the story tells about a young girl who actually represents China's poor and practically illiterate sector. Oh, but that's getting ahead of the story.

In the movie, Wei Min Zhi, young and barely out of her teens, is given the task to substitute for the very dedicated Teacher Gao at the Shiuxian Village's school in Beijing. Having big and understandable doubts, Teacher Gao still hands over the reins to her for a while as he is left with no choice. It being a job, Wei asks for payment. They argue until they both agree to a decision, that he will make sure she gets paid provided that in his absence, no student leaves schooling to work, not one less. Wei intends to keep this promise, a promise that eventually becomes threatened when one of the students runs away.

It is obvious that Not One Less is a movie intended to serve as an eye-opener and does not pretend to be anything else. It touches on issues such as poverty, child labor and illiteracy. It is realistic enough as who are we to say that a situation such as Wei?s does not exist? While you maybe amused by the story from time to time, you can?t help but feel pity for the characters. Imagine a 13-year-old kid forced by the need to earn and teach other kids almost her own age. I winced between chuckles as Wei struggled to find the right words for the only song she claimed she knew, the right answers to simple mathematics, and the right way to find the missing boy in the jungle called The City.

The story is told in quite a simple manner. No music, no flairs and, save for one - Li Fan Fan - no real celebrities. Read the credits and you?ll soon realize that none of the cast, whether main or not, were real actors. In fact, everyone used his/her own name! Wei Min Zhi was actually a student from Zhenlingbao Village Middle School. Trouble-maker Zhang Huike was actually also another student from another school. Teacher Gao (Gao Enman) was a real primary school teacher. Though the story was not based on a particular and actual person's life, the cast played their own roles, from the young runner-athlete to the village mayor to the TV anchor.

There is no great acting. I must say the better. Raw acting can sometimes make everything more believable. Watch it and you'll see what I mean. Heck, it's like seeing a familiar situation in my country's own backyard! A plus for Zhang Huike?s infectious smile. But even that, I missed the first time I saw him cry and in this particular scene:

Li Fan Fan: Do you like the city? Zhang Huike: Yes. Li Fan Fan: What is good about it? Zhang Huike: The city is beautiful and progressive. Much better than the countryside. Li Fan Fan: What?s the most lasting impression? Zhang Huike (pauses and the smile fades): That I had to beg for food. I will always remember that.

So if you feel you can break away from all the hi-tech, gory and adrenaline-rushing flicks, opt for a simple and realistic story. Here it is and don't expect any butt-kicking Wei Min Zhi anytime soon. Just isn't going to happen.

JuguAbraham 15 February 2007

Long after De Sica made "Bicycle thief" and Fellini his "La Strada," neo-realist traditions grab me like no other in cinema history. The Chinese film "Not one less" made half a century after the Italian masterpieces, underlines several aspects of neo-realist traditions—non-actors can transform into great actors provided you have an intelligent script and a talented director, poverty attracts anyone with a conscience, the candid camera is a marvelous tool, and human values exist to be appreciated irrespective of national boundaries. It truly deserved the Golden Lion at the Venice film festival.

A reluctant substitute teacher taking on a job that would fetch a doubtful "50 yuan" from a village mayor with questionable priorities transforms into a national hero in less than a month as she strives hard to ensure the number of her students do not dwindle until the regular teacher returns. Her resolutions transforms the economic state of the school, makes her students into socially responsible "young adults" and teaches a lesson to the wily mayor, a gatekeeper in the city TV station who goes by rules rather than by her discretion.

The brilliance of the film is that the film hooks the audience as a thriller would until the film ends. Yet there is no sex, no violence, no beautiful face, no delightful music or engaging camera angles—only reactions caught by candid camera (at least most of the time).

The most poignant comment was the young student's comment "I loved the city but it made me beg for food" For a contemporary Chinese film made under tight censorship—the film's director Yimou Zhang seems to offer layers of comment beyond the obvious story line. Did Teacher Wei do what she did for the sake of money or as a responsible teacher? Are you likely to forget propagandist songs but recall simple songs on family values? Are individual greatness (teacher Wei) more appreciated than group actions (school as a group, nation's need for good athletes overriding permission of the parents of potential athletes)? Is the richness of rural lifestyles discounted by rising urban materialism? Does it require an individual's actions to underline the demands of the rural poor? These are hidden questions for each viewer to answer.

I have only seen one other film of director Yimou Zhang and that is "Red Sorghum". "Not one less" towers over "Red Sorghum" in every department of film-making.

I saw this Chinese film on an Indian TV channel. I only wish more such international films get shown widely on TV throughout the world. It would raise the bar of what constitutes good cinema to many who currently have little idea of good cinema except those made in their own countries. Recent mainland Chinese films like "Peacock" and "Not one less" have established their world class credentials.

P.S. I was more than amused to find Ford and Coca-Cola financed the film in part, which is probably why the school kids in a remote Chinese village know about Coke and relish rationed drops of the liquid. Who was pulling whose leg here???

ccthemovieman-1 15 March 2006

Not One Less fmovies. There isn't much to this story, I but I still liked it. The lead character, played by Wei Minzhi, is supposed to be playing a 13-year-old girl and was really interesting to watch, as were the young students and some of the other people in this film.

Oddly, all these actors were amateurs, real-life students and people of varied professions. It's nicely filmed, too, despite the bleak background many times. I find the dialog of many Chinese films to be very pleasing. Yes, there is a lot of receptiveness, at least in the translations, but it's tolerable. There is very little profanity and plenty of good old-fashioned values and feelings of people, simply told. You don't find much of this is in modern-day movies of the Western World. The colors in here - the reds, yellows and oranges - are always a treat for the eyes and the Asian kids' faces are intriguing.

This film is very different from anything Western audiences are used to, but I recommend it for those who realize that fact and are okay with it.

nz man 13 June 2001

At the moment this art house gem of a film rates an IMDB 7.9, so obviously many of us film buffs love it. This film is innovative, delicate, and harshly authentic. If you enjoy international film festival flicks, you MUST see this film. Actually I believe this film should be required viewing for film students who aspire to be directors, cinematographers, etc.

However, if you prefer action, Hollywood formula flicks, car chases or even complex plots, then avoid this film. You will probably fall asleep or just be irritated.

If you watch this film with your heart, with a good dose of patience, you you will then understand the message. If tears do not come to you during the main character's emotional appeal, then you are probably not aligned with the spirit of this film.

Personally I was stunned by the deep impact this film had on me. Yes, it was indeed 'slow', but this allowed for the genuine portrayal of common hope and suffering. I have been a film buff for over 4 decades and this film stands out as refreshingly different. By the way, it is supposed to be a true story, and this added significantly to the film's realism. Also, it does seem that none of the people in the film were professional actors, which is amazing in spite of a sort of documentary feel at times. If you have an open heart and mind, see it!

Sharkey360 22 October 1999

Not One Less (English title) is a movie that concentrated on why are there so many Chinese children who quit school. Let's face the facts of life...poverty can ruin one's plan for the future, and this was evident in the film. You'll really see how hard life in mainland China is, even though this is a movie. The story is gripping and very realistic. You'll really feel the hardness of being in poverty and having to quit what you're doing. For the characters, Wei is a substitute school teacher who would go to extremes (high determination) from handling a class to walking around the city looking for a missing person.

I highly recommend watching this Chinese movie to any movie lover out there. This film is NOT a waste of time, it is simply VERY GOOD.

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