No Tears for the Dead Poster

No Tears for the Dead (2014)

Action  
Rayting:   6.8/10 5.8K votes
Country: South Korea
Language: Korean | English
Release date: 4 June 2014

A hit man traumatized from accidentally killing a young girl during a job is given the mission to eliminate her mother, and begins the ultimate fight to save her life.

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User Reviews

dhaufrect-1 3 May 2015

"No Tears for the Dead" is a modern day thriller set in Korea. It is partly in English and the rest is in Korean with subtitles. The film is from 2014 and it is currently on NetFlix Instant Download Streaming. It is written and directed by Jeong-beom Lee. The actors include Dong- gun Jang, Min-hee Kim, Brian Tee, Hee-won Kim, Jun Sung Kim, Jennifer Buttell, Yo-han Byeon, Alessandro Cuomo, Darell M. Davie, Anthony Diio, Christopher Hackney, Alexander Stephen Kabel, Dana Lee, Sung-wok Min, Kang Han Na, Tich Ting, Alex Wrath. The movie is about a hit man from America's mid-west who is of Korean decent. When he botches what was supposed to be his last job by killing an innocent kid, he is sent to Korea to fix what he screwed up by killing the kid's mother. It sounds a bit like a fish out of water story, but the movie only proves that the crime world is the crime world no matter what country you are from. Some of the criminals were speaking up to three different languages, but in the crime game there are only two languages in you really need to know Â…money and guns. I gave it a score of 6 stars. Dale Haufrect

rm-07254 10 June 2016

Fmovies: As more and more action movies come out these days, there seems to be a trend of the writers and directors asking themselves "Why not?" "why not have our hero be indestructible?" "Why not bend the laws of physics to make for a cool looking scene?" or "if it doesn't make sense, then why not force it to?"

When what they should have been asking all along is simply "why?" "Why is this scene going to make sense?" "Why is it that they are out for blood?" and "If we're going to force the script into something that it's not, just to make this one scene work, then why are we putting it in at all?"

This movie asks itself all of the right questions when setting you up for the next scene. You are never lost so that you have time to try and figure out what's going to happen next. And by following a simple two step process, this movie never loses itself in it's amazing practical blood and gritty action.

1:Therefore 2:But

No matter what happens throughout the movie, you can see that it follows these two steps. Which is becoming more and more rare these days. "The money has gone missing" Therefore "The bad guys try and find it using blackmail" but "he fights back" and so on and so forth.

My point being is that this movie is larger than life and is a heart breaker, and at the same time it's eye candy. I could not recommend this movie enough because it's patient with itself but it never forgets what it's there to do, entertain and strike emotion into your heart.

grandmastersik 26 September 2016

A simple plot: a hit-man accidentally kills a little girl and is then sent to put the mother out of her misery.

So, how can this possibly go wrong? After the explosive beginning, the pace drops off almost to the point of tedium as we're supposed to feel the agony of characters we never quite connect with. There's something about Triad bank accounts worth around $100 million thrown in to motivate the gangsters and throw some cops into the mix, but it's so poorly put together that - if it couldn't have been fixed via a couple of rewrites - really should have been taken out.

Fortunately, 40 minutes or so in, the action kicks off again and it's the excellence we all sat down to watch in the first place.

Now, I'm all for catering for genre fans, just as I'm all for making deep, meaningful thrillers, but unfortunately, the plotting doesn't quite have the plausibility or pacing to be the powerful action-thriller the director was hoping it would be and in the end, despite all the great action scenes, No Tears For the Dead left me feeling detached and out in the cold.

tenshi_ippikiookami 23 November 2016

No Tears for the Dead fmovies. Gon is a killer whose new mission is to get some data and then kill the woman that has it, a woman that happens to be the mother of a little child he killed by accident on his last mission. Of course, Gon grows a conscience and decides to betray his bosses and safe the woman.

"No Tears for the Dead" is not the most original movie in the basket. It is predictable, lame and you will see any plot development from a mile away. It doesn't help that the pace and direction are not very good, and the action scenes are shrouded in darkness making everything quite difficult (and boring) to follow. The acting ranges from B-movie level to okeish to I-don't-know-I-was-an-actor level, and the lead actor, Dong-gun Jang, fails miserably in bringing any charisma to Gon. Min-hee Kim as Mo-kyeong, the woman who may or may not have the data the triads are searching for, fares better, as does also Brian Tee with a paper-thin character that is just there to allow him to look cool.

An action movie should at least have some cool action, and action scenes that make sense and are entertaining. "No Tears for the Dead" forgot the action rule-book home and offers neither of them.

totalovrdose 15 June 2015

Ironically, No Tears for the Dead, a film with themes concerning honor, power and greed, is strongly focused on mourning the deceased, conveyed emotionally through the plot, which concerns death and suicide. This subsequently reveals how simple it is to take a life, and how pointless it can often appear, while suggesting that the execution of an individual goes much deeper, the impact killing their closest friends and family who must suffer the pain, and the consequences, of their passing.

When we first meet Mo-Kyung (Kim Min-Hee), it is difficult to discern if she is aware of the tragic loss she has suffered, the professional climate she inhabits forcing her to work as she hides much of her pain, after having lost both her daughter, the adorable Yoo-Mi (Kang Ji-Woo) and husband, while the two were overseas. The use of contextualization over the duration of the feature layers the emotional depth over time, Ms. Min-Hee being responsible for one of the film's most poignantly incredible scenes, that is especially due to her exceptional talent.

However, she is not the only person suffering from this loss. Gon (Jang Dong-Gun), the hit-man responsible for inadvertently snatching away Yoo-Mi's life, a character who often appears stoic and emotionally impotent, is plagued by the trauma of his wrongdoing, while also suffering the pain of his past, the consequences of which inevitably formed his character's views and values. This pain only grows stronger as the narrative progresses, though the motivations that inspire this are largely conveyed visually, rather than being further scaffolded through dialogue, the feature, at one point, reducing this sub-plot to little more than a stereotypical cliché. Gon's inability to hide his regret is largely caused by the order he receives to terminate Mo-Kyung, to ensure she does not ask unwanted questions, in an attempt to shelter other antagonists involved in the corruption and money laundering schemes, including the vile John Lee (Kim Joon-Sung), from being apprehended by police.

Originally beginning in Los Angeles, before moving to South Korea, at least half the script is presented in English, and not only is this written in an exemplary fashion (which, unfortunately, isn't always the case with Asian movies - I'm looking at you The Viral Factor), the actors speak their lines of dialogue with educated professionalism.

As Gon fights his personal moral battles, those giving the orders begin to doubt his resolve, leading them to send his brother in arms, Charles (Brian Tee), and his proficient team, to complete his assignment, friendship and loyalty being major themes that begin to be contended. The battles that ensue are absolutely outstanding, not only being incredibly violent, sometimes hilariously so, but being intelligently thought out, as the characters attempt to out-think each other, rather than simply using brutality. In many of these instances, characters are horrifically wounded, and yet unrealistically survive, this tactic seemingly granting the plot further longevity, which may cause some viewer's to question the necessity of this action.

Occasionally, the directionality of the plot and character progression can become predictable, though that doesn't mean the film is not without its surprises. The characters, especially the villains, are capable of making dialogue reflective of black humor, though at the same time, enemies, despite exhibiting recognizable influences, can appear a little two-dimensional.

Desp

Fella_shibby 26 March 2017

Saw this recently on a rented dvd. It's an amazing action flick. The plot - A hit-man is traumatized after an accidental killing of a small girl. He is assigned by his contractors to then eliminate the young girl's mother, causing further conflict for the broken hit-man. Expectations were high as this is from the same director, Lee Jeong-beom who gav us The Man from Nowhere. Jang Dong-gun (My Way) gav a stunning performance as the haunted and complex hit-man. His action choreography is awesome. Action scenes are well executed. It's a high octane action flick. There is tons of blazing shootouts, brutal hand combat n some knife play. Most of the action is towards the second half of the film. The rooftop shoot-out is one of the best action sequence. Fans of Michael Mann n John Woo will love the gun action scenes. Fans of Heat, Miami vice, The Getaway (Steve Mcqueen one), Hard boiled, The Killer, Tombstone, etc will definitely enjoy this.

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