Near Dark (1987)

Near Dark is a different kind of vampire flick, if put on a more realistic scare, with an interesting run through of story. Smitten Caleb, a farm boy (Pasdar, a good and versatile actor) falls for lovely Mae (Wright at her most sexiest). As misfortune would have it, she part of a troupe of vampires, and when Caleb is bitten, he starts to undergo a real malady, where he's kidnapped by lead vampire Henrickson, and co, as being a liability. Also being subjected to daylight, after his attack, his flesh starts to sear, where most of the film, he stays this way, looking very much like someone who needs a fix. Near Dark was made by a few people responsible for the 86 cult flick, The Hitcher, but this one is definitely no Hitcher. It's written by Eric "Hitcher" Red, whose writes brilliant description, which is better than his dialogue. It is a smart film, but really doesn't grab me that much, playing off more as a B grade. The actors are good, notably Pasdar, Wright, young Joshua Miller, such a naturally talented kid actor, who brings so much to his roles, if this and River's Edge are any indication. Of course, wild actor Paxton, too, is the other notable performance, typically as another loose cannon, but a funny scene stealing one. I like Kathryn Bigelow's movies, but this falls short of her others. It has some nasty violence, as well as a lot of bloodsucking. One of the best things about is the music by Tangerine Dream. I agree this an overrated film, completely. What I can't understand, is how Wright and Pasdar were fixed up, so they were immune to getting burnt up from sunlight. What did his father, Loy (Future Cop, Thomerson) do. Definitely not without interest. You give it your 90 minutes in court. I have a feeling, you could be another one who over rates it.

Fmovies: Released in the shadow of the higher budget and more audacious comic fantasy masterpiece 'The Lost Boys', Near Dark doesn't quite get the recognition it deserves within the horror genre. Although it's not as great as the aforementioned cult classic, Near Dark has it's own niche within the vampire sub-genre for being such an original take on it. The rules of vampire horror have been reinvented, changed or discarded completely and the result is something to behold. This allows Katherine Bigelow to do whatever she wants with the premise, and this makes for a very thrilling movie as we're lead to believe that absolutely anything can happen, which continually keeps the audience on the edge of their seats. The story, which takes in various elements of common vampire folklore such as the transition from human to inhuman, follows Caleb Colton; a young farm boy that is taken in by a beautiful young woman (and you wouldn't blame him when you see herÂ…), and soon finds himself battling with some strange ailment that makes him allergic to sunlight, shortly before being picked up by a rag-tag band of vampires that inhabit an old pick up truck. We then follow Caleb as he comes to terms with his situation and attempts to fit in with the pack...

For this movie, Katherine Bigelow recruited three of the support players from her then husband's fabulous 'Aliens'. Bill Paxton, Lance Henriksen and Janette Goldstein bring life to the movie's core as the three major players of the vampire nomads. Bill Paxton in particular is fantastic as usual as Severen; the most pronounced member of the group. Bill is an actor that tends to get support roles that almost carry the film, and that's exactly the case here. That's not to say that Near Dark is only Paxton's movie, as Adrian Pasdar and the incredible Jenny Wright do well in the lead roles, as do the rest of the support players. But when the movie is over, it's Bill Paxton that sticks in your mind the most. The cinematography on show in Near Dark is superb and a delight for the eyes – as well as the brain, because Near Dark breathes a continual atmosphere of intrigue from the way it's beautifully shot. The music by Tangerine Dream is right on cue as well, and it brings a surreal, trippy sensation to the proceedings, which emphasises the dream-like state that our hero has been put into.

Near Dark is a vampire movie free of the usual clichés and one that makes it's own rules, which makes it must see for the vampire fan. I wouldn't recommend this movie to people who are new to the vampire movie from the off, however, as it's one that needs to be viewed after you've got used to the genre staples in order to fully appreciate it, but once you have got used to it; this isn't a movie you'll want to miss.

I hunted this film for ages and then it came out on DVD, so I had to buy it. Originally, it was purely due to the cast. I thought it would be good though and I was not let down, in fact, my expectations were well exceeded. Near Dark is my favourite vampire film and I am proud to be part of the cult following this film has gathered years since its release.

The camera work is great, Bigelow does a really great job in the director's chair and always does her best to make a film look as visually impressive as possible; it's hard to believe this was a low budget movie. The screenplay for the film is excellent and very original. Near Dark is very different to other vampire films and it really is refreshing to watch something so different. Where most vampire films bathe in Gothic undertones and romanticise themselves, Near Dark is much more subtle, even to the point where the word 'vampire' is not included within the picture. I can see why Kathryn Bigelow and James Cameron ended up married briefly as they both have similar integrity when it comes to film making.

The casting of the movie is its best point. The Aliens trio of Paxton, Goldstein and Henriksen were brilliant in this. Paxton and Henriksen are two of my favourite actors and I believe this is the best character Paxton has ever played, even Hudson does not compare to the mighty Severen! These three actors all excel at playing ruthless characters and do a great job at making Near Dark as entertaining as possible. In the midst of all the carnage, Adrian Pasdar and Jenny Wright do very well in bringing Near Dark down to earth. The chemistry between the two is very good and the characters are effective as they provide contrast between the other main characters.

I feel I must talk about the bar scene. As soon as that music kicks in, you know some on screen magic is about to happen. This is where the Aliens cast members really shine. Paxton is spitting out more clichés than he is blood. Also, as a big Terminator fan, I had to notice the bar patron as the T-2 'You forgot to say please' guy. I think he should stay away from bars from now on! This is what the film builds up to and this is the turning point of the film from a mainly character piece to a nail biting thriller. This is one of the most enjoyable and memorable scenes you will ever see.

Near Dark is a fantastic film, sadly overlooked due to people drawing too many comparisons between this and Lost Boys. This is far superior to Lost Boys as this has far more substance and more than one memorable character. With gruesome imagery, streams of blood and Bill Paxton and Lance Henriksen, this is the ultimate vampire film.

Near Dark fmovies. This film is obviously stolen by Bill Paxton and although the plot is very simple there are some interesting points of discussion for example the whole blood transfusion scenario. It is an enjoyable vampire western, however the word vampire is never expressed in the film. It neglects all the vampire clichés, and is impressive for it's time. It's quite obvious that films such as From Dusk Til Dawn and The Forsaken have taken there inspiration from this movie. The best scene is by far the bar slaughter. For Kathryn Bigalow's first film it is a triumph and a film to be proud of. I think that anyone who hasn't seen this film should give it a look, because it cleverly combines comedy, drama, horror and gore, but for people who are slightly sickened by the site of blood and horrific killings, be wary of Severens' spur to the neck slaughter.

Near Dark is directed and written by Kathryn Bigelow with Eric Red also credited for the screenplay. It stars Adrian Pasdar, Jenny Wright, Lance Henriksen, Jenette Goldstein & Bill Paxton. The score is provided by Tangerine Dream and Adam Greenberg is the cinematographer.

A small Oklahoma town and Caleb Colton (Pasdar) meets Mae (Jenny Wright), an attractive young drifter. They chat, they flirt and just before sunrise she bites him on the neck before running away. Welcome to your new vampire family CalebÂ…Â…

It's now written in scripture that Bigelow's Vampire Western failed miserably at the box office and quickly vanished into the shadow of Joel Schumacher's popular Vampo piece, The Lost Boys. However, thanks to VHS interest, the film refused to shrivel up and blow away when the sun came up. Over the years the film has garnered a cult fan base and been reappraised by many of the front line critics to great reviews. So much so that now it's considered something of an enigmatic & poetic classic that's directed by a hugely talented female director.

With its core story the film offers nothing new to the vampire sub-genre. The blood as a drug/thirst motif was long ago penned by one Bram Stoker. But Near Dark is not interested in traditional vampire mythology, this is a modern spin where garlic, bats, crosses and stakes are neither needed or thought about. In fact the word vampire is never mentioned in the film. This is, all told, a film about the human side of the night dwellers, we hop inside their blacked out bus and hit the road; along with the confused and conflicted Caleb. What follows is touches of savagery and touches of ethereal beauty-beauty that comes not from Gothic touches, but from dusky Western surrounds. Photographer Greenberg blending oater stylings with moody horror atmospherics, his light work carrying a sexy sheen that dovetails smartly with the "family" and their life when the sun has gone from the sky. It's seductive, it's what Bigelow wanted and got, the mood created helps us to understand how easy it was for Caleb to be drawn to Mae in the first place.

That Bigelow chose to hire Greenberg {and to utilise him to the max} obviously aids the film no end. That she surrounded herself with quality character actors was something of a master stroke. This allowed her to focus on the tone and flow of the piece, safe in the knowledge that Messrs Henriksen (great character depth), Paxton (a bundle of film stealing energy) and Goldstein (savvy) were carrying the film safely to its Western style finale. Lest we forget the efforts of then unknowns Pasdar & Wright, both pretty and perky, for they too instill their characters with a warmth and tenderness that belies the blood shedding that surrounds their coupling. It's also noteworthy that we are not being asked to sympathise with the addiction plight of the "family," understand? Yes, but never sympathise. Even if the poetic noirish beauty of it all can lure you nervously into its seductive arms and make you feel at odds with your feelings.

Not many knew it at the time, but this was to be a hugely influential film. One that now still shows aspiring newcomers to the sub-genre how it should be done. 8/10

This is one of the best vampire flicks I've ever seen. These aren't your standard sharp fang having, flying, cool contact wearing, red cape sporting vampires. Rather these vampires look like nomads, leftovers from a roaming biker gang. They drive around in a trailer that has aluminum foil covering the windows to block out the sunlight. They drink blood. They spit out the bullets you shoot them with. They're a tad different than your classic vampire but different enough to keep them interesting. Fans of Cameron's Aliens take note, you have a triple score here with Lance Henriksen (Bishop), Jeanette Goldstein (Vasquez) and Bill Paxton (Hudson) teamed together again. Not too surprising being that Cameron and director Kathryn Bigelow have worked together several times on various films. Bill Paxton is hilarious in this, I have to say. Fans won't be disappointed. I really like this movie. It never gets old, the special effects/make up are pretty decent (nothing too fake looking) and the characters are more than one-dimensional, supported by satisfactory performances throughout. There's enough gore here to satisfy the modest gore-hound and it's entertaining throughout. Give this movie a shot if you're looking for something different. It's a hip vampire movie that works simply because it's not trying to be hip, you follow? Rating: **** out of *****.