Namastey London (2007)

Namastey London, tells the tale of British-Indian young lady, named Jasmeet (Katrina Kaif), who is taken to India by her parents to marry a nice, Indian man, Arjun (Akshay Kumar). However, this marriage is in trouble from the get-go, due to the fact that Jasmeet (or Jazz as she likes to be called), is in love with another man. The movie is a mixture of mainly two other films, Hum Dil De Chuke Sanam,and Purab Aur Pachhim. However, despite the fact that this movie carries similarities to these other films, it has the ability to hold its own ground, and this is primarily due to four factors: the acting, the cinematography, the Indian patriotism, and the humor.

The majority of actors have done their jobs well. Akshay is relaxed and comfortable in his role, as usual. Rishi Kapoor, is a stand-out in his role of a very loving, yet traditional father. However, it is Katrina Kaif's acting which is the problem. Katrina looks beautiful, and her physical acting is well-done, but her voice and diction still need serious work. In this movie, she was allowed to do her own voice-over, despite the fact that her Hindi is poor. The director thought that since she plays a British girl, this would be fine. I disagree. Even NRI's can speak Hindi well to a certain extent, but Katrina's Hindi is horrendous, and after a couple minutes of the movie, becomes very annoying.

Fmovies: Jasmeet aka Jazz is a spoiled girl who in spite being born to an Indian couple considers herself a British. She doesn't consider her selves as an Indian until she was taken to her father's village by her father, Where she meets a man who changed her life forever.

The is overall quiet entertaining. It is also trying convey messages regarding the Indian cultures and values. It shows that celebration means not just to go out and have drinks with your friends. The background score is excellent. Salim-Suliaman did a good job. Songs are okay but not too impressive.

Akshay Kumar did well in his role as the 'Funjabi' boy. Katrina Kaif surprisingly delivered a good performance. She suited her role well. She had the British-Indian look and it is there in speech as well. She did have her moments. The movie actually belonged to Rishi Kapoor with his excellent performance. Others also did well.

Overall the movie is worth a watch. 8/10

It makes you feel good about your country. Endorses the family values which are fast disappearing in todays world. Reaffirms that if you love selflessly, without expecting any returns, you truly get what you set out to achieve. Brilliant performance by Akshay. He is very restrained yet very strong and emotive. The part where the Englishman from the erstwhile East India company rants about India being a nation of snake charmers and the answer that Akshay politely gives him would gladden any person's heart. Katarina looks ravishing and communicates very well with her eyes. Her Hindi has also improved tremendously. Rishi Kapoor brings in a whiff of fresh air from his yesteryear's. Watch it with your better half. It'll make you both fell good about yourself.

Namastey London fmovies. Namestey London is a refreshing film in that it gives centre-stage to a British woman of Indian origin, and does not portray her as a one-dimensional, rich-girl vixen, tempting the Bollywood hero away from his constant, truly Indian, girl-next-door. Instead the central character of Namastey London, Jasmeet 'Jazz' Malhotra, played by real British Asian Katrina Kaif, is being pressured into travelling to the Punjab to have an arranged marriage. Moreover, Jasmeet's Muslim friend Imran is in a similar position, a man with a white girlfriend who is deplored by his family.

Namesty London is an enjoyable film, with a quirky, engaging plot and characters. The cast is generally good, with comedian Nina Wadia fine as Jasmeet's mother, Javed Sheikh assured as Imran's dictatorial father, and Akshay Kumar suitably playing up to his zany character, but never overdoing it as Arjun, Jasmeet's arranged husband. But Rishi Kapoor deserves a special mention. His performance as Jasmeet's father is not only funny and delightful- he also manages to find real anxiety and confusion.

Unfortunately, with the exception of Kapoor, Namestey London as a whole attempts, but fails to achieve the deeper, more profound socio-political shades it seems to be aiming for, and it is with this that I take exception. Despite having a refreshing set-up and more than one-dimensional characters, Namastey London cannot quite shake off traditional, as well as superficial, Bollywood conventions about British people, whether Anglo-Saxon or of Asian extraction.

The first is the assumption that ethnic Indians raised in the west are more westernised than native Indians, fully absorbed into the dominant western culture, living the fast, modern, materialistic life- full to the brim with confidence, even arrogance. While some do, this is not a typical experience. Rather, it seems to me, native Indians can be more like this. Such Indians are likely to be wealthy, urbanised Indian residents. Go to a 'Café Coffee Day' in one of Bombay's more fashionable districts, in Bandstand for instance, overlooking the bay, and you may find young Indian women from wealthy backgrounds talking loudly, and self-consciously, about guys, jobs, fashion, and other girls, all in a vulgar way, as they try to imitate their image of westerners.

In my experience, no doubt informed by my being a British Asian, the majority of British Asians tend to have grown up in a fragmented cultural environment, divided between the dominant western culture outside the home, which has historically not been welcoming to them at times, and the insular, ossified, traditional culture that their parents stick to at home, trying to recreate an India which, rather ironically, is fading away.

I feel that the makers of Namestey London have tried to grasp this cultural fragmentation in Jasmeet 'Jazz' Malhotra's situation, not least in displaying her cultural fragmentation in her two names, the formal Jasmeet and her nickname outside the home, Jazz. She has a stern, backward-looking father and a forward-looking mother wishing for her daughter to become modern and westernised. I have no problem in understanding that people in real life have such backgrounds, except that I find Jasmeet's particular character, as explained by her family's circumstances which have produced her character's psychology, to be too simplistic and therefore unconvincing. 'Jazz' clearly comes across as the product of a preconceived, modern, urbanised In

Watching a movie after a year of it being released hardly gives you the kick when you see it when it's still hot in the theatres and everybody's going ga-ga about it. However, this is one movie that I watched twice in succession. Come to think of it and I bet you can hardly remember doing that yourself. And if you are one of those guys who look for perfection in a movie it's the closest you can get. The movie is mostly shot in London and has this customary beginning about NRI families who have trouble with their kids being brought up in a western society but don't get disheartened you ain't in for a shock. Also, don't go by the story of the movie which doesn't draw you to the movie but for once give in to your instincts about the movie being a success story at the box office and I can assure you that you are in for a treat. You might not be able to relate to it but given the performances it sure is going to tickle a nerve in your heart.

One of my favourite movies.. The chemistry between Akshay and Katrina is on point. It's one of those movies u can watch over and over again.