Miracle on 34th Street Poster

Miracle on 34th Street (1947)

Comedy | Family 
Rayting:   7.9/10 41.8K votes
Country: USA
Language: English | Dutch
Release date: 26 December 1947

When a nice old man who claims to be Santa Claus is institutionalized as insane, a young lawyer decides to defend him by arguing in court that he is the real thing.

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User Reviews

Coxer99 21 April 1999

A compelling and heartwarming tale that will make you believe over and over again. Edmund Gwynn's Kris Kringle is one of those rare gems you wish you could lock away in a safe and hold on to. It's like precious gold. Gwynn won Oscar gold, but the performance is well beyond Oscars. Like George Bailey, Kris Kringle is a symbol, not only of Christmas, but of America. George Seaton beautifully directs the humor, the happiness and the heart. Maureen O'Hara and young Natalie Wood add sentiment to the piece and are simply lovely in their doing so.

stardust106 11 December 2003

Fmovies: It's amazing to me when one single movie can brighten your spirits, Miracle On 34th Street is one such movie that has the ability to do just that. A viewer can't help but to wear a smile after watching, which is what makes for a great film. There was nothing bad about this film at all. The acting and the sets were very good. And the whole spirit of Christmas shone throughout the entire movie.

Like I said above, that acting in this movie was superb. Edmund Gwenn playing the role of Kris Kringle was marvelous. He seemed to be happy and jolly throughout the whole movie, all the qualities one thinks of when thinking about Santa, Edmund Gwenn embodied. He even made a believer out of me, well, not really, but close. Natalie Wood as Susan Walker had so much talent for someone her age. The emotion that she put into her role was so great that I kept forgetting that she was only a child. As for the sets, all of them were well done, but the set that stood out the most was definitely the courtroom scene. The detail that went into the making of that set was so good, it surpassed all the other sets in the movie by far.

Personally, I love Christmas movies and am really critical of what ones are good and what ones I'd have rather gouged my eyes out than have to watch. Luckily, Miracle On 34th Street was not one of those movies. The spirit of Christmas was portrayed really well, this was one movie that one couldn't help but feel warm and toasty after viewing. What is probably one of the greatest things about this movie is that it is one that the whole family can enjoy, and more importantly enjoy together. On a scale of 1- 10, Miracle On 34th Street is undeniably a 9, one movie that I wouldn't mind watching over and over again.

meggs212 8 December 2003

Miracle On 34Th Street was a great Christmas movie. The major conflict of the movie was whether or not Santa Claus really existed.

The movie begins with Kris Cringle (Edmund Gwen) walking by a store with a man setting up a display of reindeer and notices that they are not in order. Kris tells the man politely how to fix them in the right positions, but the man gives him a strange look and goes back to work. Kris Cringle believes himself to be Santa Claus although most everyone else thinks he is crazy. Even little Susan (Natalie Wood) thinks he is a fake and doesn't believe in any ‘fairytales'. Her mother, Doris Walker (Maureen O'Hara), taught her that to believe in ‘fairytales' is childish and impractical. Kris is later made a part of the Macy's parade when the Santa Claus that was supposed to be in the parade is found drunk. When asked if he had ever had any experience, Kris replied, `Many times.' Doris makes him the department store Santa Claus at Macy's where he tells many people that he is the real Santa Claus.

As more people find out about Kris Cringle calling himself ‘Santa Claus', they get upset saying that no such person really exists. Many people took it more literally and said that it would be impossible for reindeer to fly or for anyone to live in the North Pole. He is forced to take a mental examination and the doctor convinces Doris that Kris is mentally ill after he gets in a fight. Kris is arrested and taken to court and his lawyer is Mr. Gailey who starts to believe, along with Doris and Susan, the he actually is Santa Claus.

I thought that this was a really good holiday movie that focus on something that all of us as little kids went through- believing or not believing in Santa Claus. It even feels like I should believe in Santa after watching it. I thought that Edmund Gwen was a really good actor and perfect for his part. He played his role very innocently, which made him very believable as Santa Claus. Natalie Wood was a great actress who played very well the typical role of the cynical child. The acting and the plot was very well written. It was a very innocent movie that is entertaining for all types of audiences.

moonspinner55 22 November 2001

Miracle on 34th Street fmovies. A perfectly-cast Christmas confection that surpasses all expectations and really does make viewers laugh and tear up. Corny? Yes. Overacted? In some scenes, yes. Dated? Perhaps. But the message of belief, ultimately, is timeless and the silvery black and white cinematography is wonderful. And yes, there's Edmund Gwenn as the department store Santa who really is. A most deserving recipient of the Supporting Actor Oscar, Gwenn seems like an incredibly nice man--maybe because he never has to force kindliness; more than that, he has an innate happiness and twinkle that comes from within. He truly glows in this part. Maureen O'Hara, John Payne, Thelma Ritter (in a wonderful bit) and precocious Natalie Wood are also excellent in this classic fairy tale. It is a film without artifice. It glows, too. **** from ****

Snow Leopard 8 December 2004

Still among the most worthwhile of the familiar holiday movies, this classic version of "Miracle on 34th Street" has a combination of cast, story, and production that works well. Maureen O'Hara, young Natalie Wood, and Edmund Gwenn would probably have carried it pretty well by themselves, and they are joined by a very good supporting cast. The screenplay is nicely done, bringing out the fantasy elements of the story without letting it become trite.

Gwenn, who played many solid character roles, gets the chance here to play a role for which he was ideally suited, and it works very well. O'Hara and Wood make a good pair to balance him out. The supporting cast gets some very good moments of their own, especially Gene Lockhart and William Frawley, whose scenes are entertaining while also offering some occasionally pointed commentary.

The style of the production is well-suited to the material, offering an innocently upbeat story without overdoing it on sentimentality. For all that this style of the production and acting are out of fashion, they are able to capture a theme like this in a worthwhile way that is simply not possible with the kind of false "sophistication" that permeates so many present-day movies.

That's not to say that this is some kind of masterpiece, which it is not and did not try to be. Instead, it's a light, enjoyable, positive movie that does make a worthwhile point or two. That kind of feature will always find an appreciative audience somewhere.

telegonus 14 November 2001

The great Edmund Gwenn shines as Kris Kringle, an elderly, eccentric man who may or may not be the real Santa Claus. Little Natalie Wood thinks he is, though, and that's all that matters. This movie, written by Valentine Davies, has become, along with It's a Wonderful Life, a Christmas classic, and deservedly so. It is not, I imagine, in the same league as the Capra film (what is?), but it's an awfully good little movie in its own right; and while it presents its characters and issues pleasingly it does not push the envelope too much in any one direction, as one can respond to its whimsical little story any way one pleases.

Like so many films of the immediate postwar period it stresses the faith and wisdom of small children (as,--literally--opposed to adults); and its message is that children are perhaps wiser than we think. Considering the mess that grownups had made of the world in the previous two decades it must have been difficult for movie audiences of the time to disagree. Indeed, much of the mood of the postwar era was based at least partly on this premise, as children became central to our culture as never before. Their whims and wishes became paramount. Perhaps, in the end, too much so. One can see the start of all this in Miracle On 34th Street, whose gentle message still rings true today, every year, in the waning days of December.

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