Mifune Poster

Mifune (1999)

Romance | Drama 
Rayting:   7.2/10 7.5K votes
Country: Denmark | Sweden
Language: Danish
Release date: 11 November 1999

Kresten's dad dies and he returns to the farm on Lolland to take care of things incl. his retarded brother. He employs a hooker as maid. He loses wife and job due to lies. The maid's kid brother moves in and they're a family of 4.

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benkou 13 March 2000

The third Dogme film, "Mifune" is the best film of the decade. Characters are nicely developed, and pictures are beautifully shot. I can't believe that it is shot without filters and only available light. Nice plot. Kresten's Toshiro Mifune is wonderful. I just want to say "Thank you for showing this wonderful piece" 10 of 10

meeshootkin 9 October 2006

Fmovies: Very emotional and romantic movie. Real love story, not a Cinderella fairy tale.

MSS is about small town people. The main hero has moved to the big city, succeeded in business and had married "the right" woman. But within a day he is forced to come back to his old house, to his ill-minded brother, to the problems and life of different scale. To the old samurai Toshiro Mifune, who lives in the cellar. But there he finally realizes how people from there are dear for him.

The main idea is "the life is not just roses, we have to overcome difficulties and always stay human to each other".

Lively actors performance and light atmosphere together with an exciting story make this movie a must-watch.

h-kooijman9 15 January 2005

I saw the film last night on TV, but have been wanting to rent it for the last 5 years, but never did. The story reminded me a bit of Rainman, but being a Dogma movie gave it it's special charm.Especially the isolation of the location on an island and the harshness of living on such an isolated farm were brought over very well by the dogma principle of using only natural light. I thought the acting of Iben Hjejle was fantastic as the prostitute who is on a crossroad in her life and has to find out which road to take. The other characters (except for Kresten's wife)are also played very believable. The only thing that bothers me is the overacting. Dogma pretends to be as close to reality as possible, but i cannot believe that in Denmark, when there is a small disagreement, everybody starts to scream at each other in such an overdone way. Still it remains a good, entertaining movie, so watch it!!

Mr. Fish-3 11 November 1999

Mifune fmovies. Mifune is a surprisingly easy film to watch, delightful in many respects and certainly original. The comedy is in many ways unique; nothing hits you in the cinema, but you still leave with a smile on your face. The acting is, in my view, superb, the locations fitting, and the plot; well, original and refreshing. If you need cheering up or it's a rainy day then I recommend this film. Very refreshing indeed.

starvin4megravy 5 February 2002

Terrific acting and mesmerising locations make this an easy movie to love. Denmark's hazy, almost dreamy summer light lends a touch of magic to this tale of a prodigal son's enforced return.

The main characters are exquisitely drawn. Berthelsen plays newlywed Copenhagen yuppie Kresten, who has denied the very existence of his family in far-off (or so he thought) Lolland. Rud, his retarded brother, is brought to us with great sensitivity and charm in a show-stealing performance by Jesper Asholt. Iben Hjejle sparkles as Liva, a city prostitute with steadily mounting problems, many of which can be traced directly to her brattish younger brother Bjarke, for whom she seems to have assumed parental responsibility.

Before long (and to nobody's great surprise), we see these two pairs of siblings brought crashing together by life's twists and turns. Kresten is summoned back to Lolland in the middle of his honeymoon by news of his father's death. He soon sees that Rud is incapable of looking after himself and is forced to stay on temporarily in Lolland.

His advertisement for a housekeeper attracts Liva's attention just as she finally wears out her welcome in Copenhagen. Bjarke lasts about five minutes in the big city without her, and soon follows her to Lolland.

The interplay between these makeshift cohabitees is wonderful, particularly Rud's relationships with Kresten and Bjarke. Endless summer evenings spent in Lolland's rural idyll with these four for company will soon have you believing in crop circles and cellar-dwelling samurai heroes.

On the back of some audacious tricks to get us this far, Kragh-Jacobsen delivers a transcendent hour or so in the middle of this film that reminds me of just why I love the cinema so much.

Having created this beautiful, shimmering landscape (both emotional and physical), and reminded us that love for your family - and perhaps, in a special way, your siblings - is its own reward, the movie finds it has nowhere particular left to go. There are supporting characters - some of them reasonably well-formed, others not - but once our quartet is established and the relationships between them start to blossom, any involvement from outsiders is unwelcome, unfulfilling and only likely to bring trouble.

It's no spoiler, for I mean it purely in structural terms, when I say that we are brought to a bumpy and unsatisfying ending to this ride through the lives of four people we soon grow to care a great deal about.

For me, though, despite its shortcomings, Mifune was a beautiful movie that I'm sure I'll watch again, many times.

steve.schonberger 25 March 2000

I didn't know much about this movie going in, but I got a very nice surprise. The Kresten plot -- a yuppie summoned home to deal with his redneck past by the death of his father -- could have been a dull family drama, but this movie was much better than that. It turns out that he has a number of things about his past that he's kept secret from the people in his city life -- his retarded brother, the badly run-down farm he grew up on, and more. Some of his story is serious, and much is played for humor, with good taste separating the drama and humor.

The Liva plot -- a woman escaping prostitution into an honest common job -- was completely opposite the Hollywood presentation of prostitution. (Hollywood either glamorizes it, uses it as an opportunity to add gratuitous sex before switching to the gratuitous violence.) Liva's prostitution pays fairly well, but it's clearly miserable, degrading, full of fear, and sometimes danger. The movie shows why she wants out with understated drama -- instead of rubbing her misery in our faces, it shows us hints of it, but leaves room for us to imagine just how bad it is for her.

When Liva escapes prostitution with a job as Kresten's housekeeper, the her part in the movie switches from drama to comedy, in the form of funny situations and events that feel natural, rather than contrived gag situations.

The acting was very good, particular Iben Hjejle's portrayal of Liva. Anders W. Berthelsen played Kresten well, and Emil Tarding's smaller role as Liva's young brother Bjarke was also very good.

I had never heard of the Dogme film series until after seeing this movie. The only one Dogme rule that really matters to the movie was that the plot must stick to real life and avoid superficial violence. That demanded a plot where the characters and story matter, and Søren Kragh-Jacobsen delivered. The simple camera work, natural lighting, minimal set dressing, etc., didn't improve the movie. But neither did the simple movie-making detract from the quality -- they deserve praise for doing so well within their rules of simplicity. One additional benefit of the movie-making simplicity rules was that it kept the budget low, so that more good movies like this could be made.

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