Men Behind the Sun (1988)

Watching 'Men Behind The Sun' is a very odd experience, because it's difficult to tell what exactly it is trying to achieve. On the surface it is presented as a supposedly serious expose of some of the little known war crimes committed by the Japanese in WW2. But it is made in such a trashy way (compounded by the badly dubbed copy I watched) that it comes across closer to an 'Ilsa, She-Wolf Of The SS' exploitation movie, minus the sex.

The reason this movie is so notorious is mainly because of a handful of scenes. One sequence, the frostbite experiment, is shocking, but obviously special effects, so gorehounds will treat it like a Romero or Fulci gore scene. However, two others, the autopsy scene, and the decompression chamber scene, appear to use real corpses. These are gruesome but strangely fascinating. What really pushes this movie over the edge though are the two scenes which involve animal abuse. One is very short but involves a horde of fleeing rats being burned alive. This scene is obviously real. The other is the notorious segment which involves a cat being eaten alive by rats. This appears to be real, and if it is, it's the most reprehensible thing I've ever seen in a movie. If it is faked it is one of the most convincing special effects I've ever watched, and even so, the cat is obviously highly distressed.

I must admit I still don't know what to think about this movie. If the film makers genuinely intended this to be a serious look at Japanese atrocities I would applaud it for bringing to attention a disgusting series of events that should not be forgotten. However, as I am dubious about their sincerity, I remain nonplussed. I can't really get all high and mighty about it, because after all I did watch the thing, and therefore I would feel like a hypocrite for having done so. All I can say is that if you want to see an extreme piece of film making and are not easily disturbed, 'Men Behind The Sun' is truly unforgettable.

Fmovies: (Please note that while the plot is not spoiled in my review, I describe some of the real-life atrocities depicted in the film and readers are advised to skip over the second paragraph if they may be disturbed by the content.)

This past Spring, I had the distinct privilege to view a film which, to the best of my knowledge, remains unreleased on any format in the United States. The film was Godfrey Ho's Men Behind the Sun, an incredibly disturbing and realistic account of horrors inflicted upon the people of China and Russia by the Japanese government during World War II. The film details the events that went on behind the walls of `Unit 731', a facility based in China that the Japanese government used to test biological warfare on living, human subjects.

These `experiments' included locking a man into a decompression chamber until his body expelled his organs; chaining a woman to ice in the freezing cold to see how long it would take before her arms fell off; and dissecting a living human boy. These unspeakable atrocities were not unlike the crimes committed in European concentration camps, yet they have not been given a fraction of the recognizance. I had only the vaguest notions of Chinese people being tortured during World War II, and even my fleeting knowledge is probably greater than that of most Americans; it is a subject that is simply not covered in conventional classroom environments.

I did not view Men Behind the Sun entirely by choice, as I was asked to screen it for a DVD review. Had I not seen this film, I would not likely have ever known about the tragedies which it depicts. And if I were to learn about it, it would most likely be through a documentary, a textbook, or a toned-down Hollywood reenactment. Fortunately, I learned about the subject matter through this film. Because it was made outside of Hollywood (it is a Hong Kong production) it did not have to pander to censors or mainstream audiences. As such, the violence in this movie is incredibly brutal and realistic. Many of the special effects were supposedly shot using medical cadavers as opposed to prosthetics, and having seen the film I would say that this was the case.

It has only the faintest semblance of a (presumably fictionalized) storyline, instead playing like a documentary and presenting the factual accounts as if they were happening before the viewer's eyes. The `story' is of a group of young Japanese boys who are sent to Unit 731 to train for enrolment in the Japanese army. There they are stripped of their innocence, brainwashed into dehumanizing the Chinese prisoners and molded into heartless killing machines. Their story parallels the gruesome experimentation of the generals on the Chinese and Russian victims, and is equally tragic and pessimistic. Characters and dialogue in this film are fairly incidental, but the imagery is not. Many of the film's scene compositions and setpieces are as strangely fascinating as they are horrific, merely adding to the queasy feeling provoked in the viewer. This, however, is director Godfrey Ho's intention. Once you embark upon the journey of viewing this film, there is no turning back. When the credits have rolled, the viewer is inevitably still staring at the screen in disbelief, its images certain to linger in the mind's eye for days. This only serves to prove that the film has successfully made its point, and will not be forgotten by the viewer.

The film is clearly advertised as an exploitation film, in spite of the fact that none

"Men Behind The Sun" belongs to a totally different category than "Cannibal Holocaust," to which everyone seems to measure up this movie. I haven't seen its other installments, but this first "Men Behind The Sun" is a genuine historical drama with a strong documentary feel, and the notorius torture/experiments scenes only emphasize the film's brooding purpose. Hell, I will go as far as to say that this has far more in common with "Schindler's List" than with the horror genre. Purely in terms of "disgust" aspect, I guess it doesn't surpass "Cannibal Holocaust," but because this movie deals with the actual historical events, it actually turned out to be way more disturbing, despite the "fake documentary" style used in "Cannibal Holocaust." This movie is not a video nasty despite its brutal content. This is very strong and disturbing stuff, but it should be seen.

Men Behind the Sun fmovies. Watch Man Behind the Sun expecting something along the lines of a Chinese Ilsa movie and you might be in for a surprise: this film has none of the camp qualities to be found in most POW exploitation—it's pure cinematic harshness from start to finish with not a buxom leather-booted commandant in sight.

Set at the end of WWII, director T. F. Mous' harrowing tale centres on Camp 731, a medical centre where the Japanese attempt to perfect bacterial weapons, using Chinese prisoners as guinea pigs in their nasty experiments. Mous' objective is to reveal to the world how his people suffered at the hands of their enemy, and in this he totally succeeds; the atrocities that are depicted in Man Behind The Sun are completely sickening and disgustingly convincing.

From the moment that a woman's baby is smothered in snow by a soldier, to the depressing, downbeat finalé in which the camp is razed to the ground by a retreating Japanese army (after shooting and burning all prisoners), this unflinching portrayal of man's inhumanity to man is a total gut-wrencher and certainly not recommended viewing for the easily offended.

In this film, people are treated worse than animals and the 'experiments' they have to endure are shown in every nauseatingly graphic detail: a woman has her arms frozen and then dunked in hot water, allowing the flesh to be easily ripped from her bones; a prisoner is placed in a decompression chamber resulting in his intestines erupting from his body (a scene rumoured to use a real body, but which, according to the director, was actually achieved using special effects); a boy is tricked into being the subject of a live 'autopsy' (cast-iron stomach necessary for this bit—real autopsy footage was shot for this scene!!); and a group of prisoners are 'crucified' in a field and used for target practice by Japanese bombers.

On top of all this there are also two moments of animal cruelty that will have pet-lovers up in arms: a cat is thrown to hungry rats and is eaten alive (not sure if this was done with FX or not, but the cat doesn't look too thrilled), and a load of rats are also set on fire (now this is definitely real!!).

As you have probably gathered, Man Behind The Sun is hard going and should be watched with caution. However, it is a well made film that does what it set out do do—educate viewers about the horrors of war. It's a hard one to rate, because it is such a gruelling movie and can't really be described as entertaining, but I'll give it 8/10 for being so genuinely disturbing.

T.F.Mous' 1987 film "Man Behind the Sun" has to be one of the most disturbing and unpleasant movies ever made.It tells us about the atrocities committed by Japanese scientist during the Second World War in China.The acting is pretty good and I think that some of the actors did an outstanding job.The film offers also some of the most revolting gore I have ever seen.Some scenes are truly sickening for example a man is put into decompression chamber and the pressure is steadily increased until he shoots intestines out of his anus-actually Mous used a real corpse to make this scene.There is also incredibly graphic autopsy of a young mute boy-a real cadaver was used for this sequence as well.The scene where a real cat is attacked and consumed by literally thousands of starving rats is incredibly vile and unnecessary.Overall,"Man Behind the Sun" is pretty hard to find,but if you liked "Cannibal Holocaust" or "Bunman:The Untold Story",then give it a look.However fans of cute American horror should avoid it like the plague!

Man Behind the Sun is a worthy film, and readily smeared through its association with a number of schlock "sequels".

Given that most reviewers here can't read Chinese and are measuring the film by its disgust factor, it's easy to see why "Godfrey Ho" is wrongly credited with directing it, instead of just "parts" 2 and 3. The actual director, Mou Tun-fei (aka T.F. Mous) is alive and well and living in Taiwan at last report. He is also a committed Chinese nationalist, which helps to explain the genuine, almost uncontrollable anger in this film.

The "sequels" on the other hand are money-spinners. Anyone who has seen the original should know there was no scope for a sequel set in a camp that had already been destroyed at the conclusion of WWII. At best, "part" 2 is a remake, and a cheap, shabby one at that.

The film is also careful to note significant historical elements, such as how the US government protected some of the criminals portrayed in this film, partly in order to get hold of the scientific data produced at the expense of the lives of thousands of Chinese civilians. If you read books on the matter you will also discover that the vast majority of Japanese scientists implicated in these experiments went on to enjoy successful careers in Japanese universities.

There was no Simon Wiesenthal to chase up and prosecute these individuals, despite their conspicuous presence under a lengthy US administration, and to this day the two governments prefer not to talk about this particularly vile component of Japan's wartime legacy. "Stuff happens," eh Mr Rumsfeld?