Memoirs of a Geisha Poster

Memoirs of a Geisha (2005)

Drama  
Rayting:   7.4/10 138.6K votes
Country: USA
Language: English | Japanese
Release date: 6 April 2006

Nitta Sayuri reveals how she transcended her fishing village roots and became one of Japan's most celebrated geisha.

Movie Trailer

Where to Watch

  • Buy
  • Buy
  • Buy

User Reviews

Nazimova23 14 December 2005

This is the most unfairly maligned film of the year. Some critics took it upon themselves to be the defenders of Japanese culture (without fully researching their arguments) and, in the process, betrayed their own racism. "The film is inauthentic because the actresses do not wear matronly bouffants," one said. Riiiiiight. Matronly bouffants are a Western stereotype! But in any case, some of them do and some don't! THAT'S authenticity. I guess critics wouldn't know that writing reviews without seeing the film or walking out long before it's over (some, such as Jeff Wells, do).

Anyway, it's a fantastic film and more than deserving of multiple Academy award nominations - which it may not get thanks to the fact that so many people decided they wanted to use the film as the sacrificial lamb for a half-baked debate about international politics, rather consider that pan-Asian casting for major roles is NOTHING new (it's true of House of Flying Daggers, The Joy Luck Club and even Crouching Tiger) and that this film's production might represent international cooperation at its best.

Look out for Gong Li and Youki Kudoh in RICHLY developed supporting roles. The supporting males, while obviously not as well developed since they spend less time in the geisha quarters, still give incredible performances. Ken Watanabe was excellent, but I particularly enjoyed the performance of the actor playing Nobu. Oprah is right about the sets and costumes; they (amongst other things) make you want to savor every moment of the film. Some people have argued that the brilliant colors make it seem like some sort of Orientalist fantasy. Truth is that this would only be the case if we saw a departure from a more sedate West to a flamboyant East; instead, the film opens in a rather sedate part of Japan and then takes us to the more colorful geisha district (which introduces this fascinating paradox of great suffering in a milieu of tremendous beauty). We know from Chicago that it's simply Rob Marshall's aesthetic to make everything the height of beauty, even if it's a slum. God forbid ENTERTAINMENT CIRCLES should be presented as visually spectacular! The film is by turns funny, moving and, yes, thrilling. Gasps in the audience for the film's third act gave way to sniffles. Ziyi Zhang really managed any language difficulties well; her face has this ripple effect when she's emoting. It's stunning to behold. If I were voting for the Oscars, I'd definitely give her a nomination at the very least. And homegirl can dance, too! Her performance and the film itself are not boring at all; audience members laughed when she was trying to be funny and sighed when she was suffering. IMO, too much happens in the film for it to get boring; there's a strong balance between the rivalries, the details about geisha entertainment and the romance. In the final scene, it all comes full circle. I won't tell you how. See for yourself.

My #1 film of the year. Brokeback Mountain, Chronicles of Narnia, Howl's Moving Castle, King Kong and Grizzly Man aren't far behind.

kate_lee-movie 24 November 2005

Fmovies: Can a group of American men and Chinese actresses render the world of a Japanese geisha? The answer is yes, with stunning beauty Â… and regrettable flaws.

Truth be told, this movie was not as bad as its trailer led me to expect it to be. It had a story to tell (although it crumbles in the end),images to show, and material to present. There were ample displays of exquisite beauty -- the trailing tails of silk kimonos, the subtle allure of hand gestures, and the captivating scene of kabuki dance theater ...

On the other hand, the American director was not able to pull the Japanese out of Chinese actresses. (This movie was so crowded by famous Chinese idols that I found myself inadvertently searching for Joan Chen among the cast.) To be fair, all three main actors (Gong Li in particular) show strong performances that made me sympathetic to Rob Marshall's choices. However, they remain utterly Chinese throughout this movie. The look and accent are not the only problems. They lacked the kind of extreme femininity and excessive felicity of the delicately mechanical gesture and movements of traditional Japanese ladies you see in custom dramas of Japanese production. (Michelle Yeoh seems to be the only one trying a little bit of those, but it did not quite work for some reason.)

So, let me re-address the question: Can a group of American men and Chinese actresses render the world of a geisha? The answer, I guess, really depends on what you are looking for. If you would like a little bit of delight from an aesthetically pleasing picture with a dubious authenticity and realism, this movie delivers it. I would not say Rob Marshall failed completely. Memoirs of a Geisha is not the first, nor the last, movie that subjects another culture to the crude lens of American exoticism. It definitely is not the worst one.

xiayun 17 December 2005

Going into the film, I had worries with all the slamming critics have given, even though I didn't read all of them in details. However, I'm happy to say it turns out to be one of more satisfying movie experiences of the year.

First I echo the sentiment that the film is simply technically perfect. The retro-mood it created had me immensed in the world of geisha from beginning to the end. It's very 1930 Shanghai like. The music score isn't as haunting as the one in CTHD, but it is still masterfully composed and fits in the background very well. It's worth seeing for the big screen experience alone. The story also never dragged, as each of the three parts flowed nicely. I normally don't like voice-over, but here it really held the movie together and helped to move the story along.

As for the accents, the problem has definitely been exaggerated. I was expecting a lot of unpleasant broken English to be spoken, but they all sounded fine to good, not just from the most fluent Michelle Yeoh, but Ken Watanabe, Youki Kudoh (who plays Pumpkin) and other supporting casts. Gong Li had a few awkward lines at the beginning, and Ziyi had more and is the one who had to try the hardest, but both pulled off admirably and didn't hurt their performances in the process.

Talking about performances, I think almost all of them did well. It's much more of an ensemble piece, and I was especially impressed by the young Sayuri and Ken Watanabe.

The main problem I have is with character development. It is a Cinderella story at heart, but the good and evil are too clear-cut and lack dimension. I also want to see more ups and downs for the competition between Ziyi and Gong Li. Gong did all she could, but the script didn't allow her to be a worthy opponent. Except for some verbal back-and-forth between the two and a few dirty tricks from Gong, there was no reason to believe why she was the most famous geisha in Japan before Ziyi arrived.

In addition, the Mother character is over-the-top and didn't fit the emotional aspect the film quite well, although she did provide some comical moments. The big dance scene had excellent buildup, but the execution of the dance felt flat. It lasted only about 30 seconds, while doubling that and making it more mesmerizing would have made the whole middle act more effective.

These flaws didn't overshadow the fact that what was put on screen worked for me. Will I be willing to watch it again with friends? In a heartbeat. Will I recommend it to others? Definitely. With that in mind, I give the film an A-.

chaeyoung 31 December 2005

Memoirs of a Geisha fmovies. personally, i don't know what everyone was so anxious about before viewing this movie. i had heard a lot of praise about the cinematography and the depth and emotion of the storyline. who cares if the actors were of different race? i know a lot of people will take offense to that, but being an Asian-American myself, it didn't bother me too much, since it wasn't what i thought of while watching the movie. who has time to think of different dialects and someone being Chinese when a beautiful story of the life of a geisha is being told.

i thought maybe the movie would not live up to the book, but i felt the adaptation was done well. although some of the casting could have been done better, i got chills from mother, angry at hatsumomo, and grew respect for the character of mameha, just as i had from the book. the movie did a fine job establishing the highly disciplined world of a geisha, a world where many sacrifices are to be made.

all in all, the movie was fantastic, and if people could just look beyond the issue of worrying about the nationality of a character who is supposed to be Japanese (and to me, its not a huge issue) I'm sure you will enjoy the movie.

soupdragon37713 13 February 2006

I was initially dubious about going to see this film after I read a lot of mixed reviews. However, I am glad that I decided to just bite the bullet and go see it. This is one of the most visually stunning and entrancing films I have ever seen, with a wonderful storyline which had me clutching the edge of my seat in sheer frustration! I absolutely loved the love story that was central to the film, although I was a bit worried by the age gap. lol. It made me really want a snow cone though. I thought Zhang Ziyi was fantastic in the part of Sayuri, and she made the character very endearing and real. I am a big fan of Ken Watanabe, and it was good to see him in a part like this; the relationship was very believable and I thought they were both great. In fact, all the actors in this film did their characters justice and helped to make the film as beautiful and Oscar-worthy as it is. I just loved the story and all the sets that provided a wonderful backdrop for such an emotional, powerful tale. I recommend this to everyone! It's THAT good!

kyaroko 8 December 2005

I lived in Japan for 3 years and I loved the book, rich with visual imagery. I went to the see the movie with a good deal of trepidation, convinced that they were going to butcher it and sex it up to appeal to American audiences. Instead I sat spellbound in my seat as I watched the images that Arthur Golden has created in my mind with words years before, play themselves out on the screen in front of me. Every shot, ever scene, every tiny detail was just beautiful. I literally did not look away from the screen the entire time. The acting wasn't spectacular. I think they could have found somebody better to play Sayuri. The children were all wonderful. The stand-out actress by far was Gong Li as Hatsumomo. The villain had the best opportunities to show her skills as a thespian. The plot stuck very closely to the book. They eliminated the scenes that they needed to in the interest of time, but they didn't try to take any shortcuts or speed up the plot. I really felt like the story was played out beginning to end without sacrificing any of the meat. You'll read a lot of reviews in the coming weeks praising the gorgeous photography. Every word is true. Words like "lush" and "exquisite" only begin to do it justice. I've never had the experience of being transported to another time by a movie in quite this way.

Similar Movies

6.2
Jug Jugg Jeeyo

Jug Jugg Jeeyo 2022

9.0
Rocketry: The Nambi Effect

Rocketry: The Nambi Effect 2022

5.4
Deep Water

Deep Water 2022

6.0
Jayeshbhai Jordaar

Jayeshbhai Jordaar 2022

5.4
Spiderhead

Spiderhead 2022

5.0
Shamshera

Shamshera 2022

5.9
Samrat Prithviraj

Samrat Prithviraj 2022

7.0
Gangubai Kathiawadi

Gangubai Kathiawadi 2022


Share Post

Direct Link

Markdown Link (reddit comments)

HTML (website / blogs)

BBCode (message boards & forums)

Watch Movies Online | Privacy Policy
Fmovies.guru provides links to other sites on the internet and doesn't host any files itself.