Master and Commander: The Far Side of the World (2003)

I've watched this film probably close to ten times now since I first saw it in the cinema for a double header that included Tom Cruise's dreadful 'The Last Samourai'. I remember the impression it made on me. I also remember feeling embarrassed as a teenager buying a ticket for a movie with such a florid title as 'Master and Commander: Far Side of the World' and Russell Crowe on the poster looking like a butch sailor with an unbuttoned uniform staring wistfully off into the future. I cringed.

How wrong I was. Here is a film told with great precision and mastery by one of the great chameleon filmmakers Peter Weir; I say chameleon because he is a director who always puts his story and characters ahead of himself - his craft is efficient, with the goal being to remove all traces of there being a hand behind the wheel. Everything you need is there, in service to the film.

I've never had the adventure/buccaneer/sailor fantasy growing up, but this film certainly instilled it in me. It's a tremendous adventure, with sweeping battle sequences but is also unusually smart and literate for such a large scale picture. Despite its swashbuckling pretenses, the film allows all of the characters to breathe and come to life over the course of a strangely moving and evocative narrative. Each viewing of the film brings out more details under the surface.

It's a shame it didn't have a chance at a sequel, it deserved one so badly. Meanwhile Pirates of the Caribbean 9: coming to a theater near youÂ…. Seek this one out instead.

Fmovies: Normally, I do not begrudge someone their opinion about a movie, but when they cast aspersions about other reviewers here, I feel compelled to respond. One disgruntled reviewer of this film stated that she cannot understand how anyone could like this movie, let alone love it. Further, she claimed that we, the other reviewers, only believe what we are told to believe. Nothing could be further from the truth.

That someone would loathe what others have lauded is not surprising, really. I have to admit that I, too, have disliked films that were highly rated by a large majority of film critics. 'Fargo' comes to mind as does 'Moulin Rouge' and 'Mystic River.' However, unlike the reviewer, I watched these films several times over before reaching a final judgment in the event that I had been too hasty in my initial impressions. Neither of these films, though, were hailed as classics like 'MASTER AND COMMANDER'

Many people go into a theatre with a preconceived notion of what they think they will see, only to be disappointed when what they see is not what they expected. Each person carries with them their own set of experiences and no amount of explanation or arguments will change their mind, either. Yet, once in awhile a movie transcends the boundaries that define it, and its true genius is not something that everyone is going to apprehend. This is the case with 'MASTER AND COMMANDER'.

All I can say to that reviewer is simply, 'I am really sorry that you were not able to see what I saw.'

Movies like 'MASTER AND COMMANDER' only come around once in a generation. It is, without question, the finest movie ever made about tall ships. However, its greatness lies not in the story line but in those elements that typically ruin what would otherwise be great historical films, namely: dialogue, special effects, and sound track. Take for example, 'Gangs of New York.' The cinematography and sets were outstanding but the dialogue of everyone but Daniel Day-Lewis was severely lacking in historical authenticity. Another example is the 'Passion of the Christ' which used a mix of Aramaic and Hebrew to add its authentic feel, but it came across as highly artificial.

'MASTER AND COMMANDER' brought to life a language totally forgotten: the language of the sea, circa early 1800's. Every actor spoke the language as if they were born into it, and that element alone made the viewer feel as if they were viewing a window in time of a world rarely seen.

The sound editing alone was worth the price of admission. I have never been to a film where I actually felt that I was part of the environment. 'MASTER AND COMMANDER' did that, and even if you play the DVD on a plain TV, you would still marvel at the realism of the sound.

Finally, unlike every other sea movie that preceded it, the special effects were seamlessly integrated into the real footage of the ships at sea. At no time, did I get the sense that I was watching a scale model in a tank. In reality, the actual ship passed through rough seas on its journey around the Horn and these real scenes were added to the movie.

All these factors I mentioned above set the movie apart but that does not mean it had a substandard plot and mediocre acting. On the contrary, Russell Crowe was at his best playing Lucky Jack Aubrey with a panache that could only be matched by the late Errol Flynn. If I were a seaman aboard the HMS Surprise, I would truly feel that I could follo

My summary quote is from a scene where the captain (Crowe) makes a joke at the expense of his good friend and physician (Bettany). It is indicative of the fine humor sprinkled into an otherwise serious movie.

Many commentors said this movie is dull or boring. They must have wanted an event-driven, action-oriented movie, which this is not. There really are only two, rather brief, battle scenes. Instead, this is very much a character-driven movie. The approach the captain takes to his mission, extending it beyond his orders, to try and do his part to thwart the French power play in the waters near Brazil in 1805. His good friend, the doctor, wanting to study insects, birds, reptiles and other creatures on the shore of strange lands, including the Galapagos, but being disappointed by demands of the mission. Young boys literally growing up on the ship to become effective military leaders. The claustrophobic conditions on the ship, enduring rough seas that almost destroy their temporary home, or lack of rain that makes them wonder if they will die of thirst.

Overall a fine movie. The critic Ebert has a good and complete review. The DVD is good, with a very nice picture and both DTS and Dolby sound, but no extras relating to the movie.

Master and Commander: The Far Side of the World fmovies. The British Navy ruled the waves throughout the nineteenth century and this film captures some of that spirit rather well. The cast is excellent, Crowe in particular shining as the captain. The battle scenes between Anglo-French vessels are very entertaining, the cannons blasting great big holes into enemy ships! The story itself is not going to set the world on fire, but its all done very nicely. The film offers a glimpse of what life at sea was like during the Napoleonic Wars and anybody with an interest in history should catch the film. A few more battles would have been nice, but there you go! It's over 2 hours long, but doesn't drag. One to watch definitely.

Peter Weir has directed a bunch of will-be-Oscar-nominated movies. For me, this is not a merit for a filmmaker, since Oscar-dramas are usually 95% of entertainment, which by itself isn't interesting. His style is very compromising and clean, you are not surprised by originality, but you can enjoy the professional touch he has in his work.

Another Australian, Russell Crowe is also a professional, but has some weak points in his acting, mainly caused by certain machismo he desperately tries to maintain in all his characters.

Rest of the cast was unfamiliar to me and I had not read any Patrick O'Brian books. But the sea itself, tall ships and the Napoleonic Wars are of course great elements to base the story on, especially for a amateur war historian and summertime sailor like me.

I was surprised, how truly good Master and Commander was. A true adventure! I enjoyed the whole film and could not find anything I wouldn't like. Things were different in back then and Master and Commander presents its version of the Napoleonic Era. It looks very rich and detailed. Undoubtedly O'Brian novels form a fine background for the excellent screenplay. Soundtrack is very well done too, and musical scenes with Aubrey and Maturin playing duet with violin and cello ties their friendship. One of the best things in Master and Commander is the heartwarming friendship between these two characters.

It's like Weir and Crowe were born and trained to do this movie. And obviously I have born to watch it, since I've seen it five times so far. A perfect jewel of its kind. Oh, how I wish they'd make a dozen of sequels, especially since the end was sort of open and had a sense of continuation. If I had watched this movie when I was 12 I probably would have had a career in the navy...

See this film NOW at the best, state of the art theater you can find. You'll know why five minutes in.

I didn't want to leave the theater when this roller coaster rhapsody to sea soldiery circa 1805 was over. It's stirring entertainment. No love interests needed. This was what it was really like. One ship, 197 men, 4500 miles from home. Chasing a French ship twice her size. No retreat.

Pirates of the Crappy Be-in was a cute romp, but Master and Commander has real ships, real crews, real cannon,convincing characters, historical accuracy and a REAL film director.

Director/ Peter Weir (Witness) has returned big time and, with this one film, revived classic Australian realism, actually surpassing the production values of Peter Jackson's Ring Trilogy. This is not a fantasy film, but history - painstakingly recreated. And rousing history it is, with plenty of action AND robust character development. The adaptation by Weir and John Colley is right on target, brimming with great characters and scenes.

And Russel Crowe? Other than "The Insider", this is his best role ever. Gladiator was just a warm-up. A Beautiful Mind? Well, nice acting from the neck up. Go see this if you want to see both his athleticism and his formidable acting chops! And he decent musical gifts as well (RC studied violin for the role).

I've always thought Weir was one of our great directors. Now he's been given all the toys Peter Jackson enjoys. And Weir uses them to great effect - recreating a nautical reality that lacks nothing except the need to wipe your face every ten seconds. The cutting of Russel Boyd's fabulous photography is perfect. You get to know every inch of the ship, topside and down below. You also get a strong sense of the social dynamics on board - how men got along with each other for so many months. I felt swept along in a perfect mix of virile action and characters I could get to know and care for. One thing I loved was the constant caring between many of the men along the rank and file. There's a strong sense of honor and decency in the film. Yet enough grog flows to keep things loose.

This is vigorous stuff and my most thrilling two hours in a theater for a while. Congratulations to everyone involved.

For now, the best director Oscar goes to Peter Weir over Clint Eastwood (Mystic River)in 2004. Master and Commander is my pick for best picture, just because it is so masterfully realized. A stunning, exhilarating, and - at last - realistic action saga.