Loving Pablo Poster

Loving Pablo (2017)

Action | Crime 
Rayting:   6.3/10 18.4K votes
Country: Spain | Bulgaria
Language: English | Spanish
Release date: 31 May 2018

A journalist strikes up a romantic relationship with notorious drug lord Pablo Escobar.

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User Reviews

memo-63450 23 June 2018

Never watched a movie from this side of the story.. but its in English.

Gordon-11 11 September 2018

Fmovies: This film tells the life of Pablo Escobar and his mistress Virginia.

The story is captivating because it is intense and suspenseful. There is a constant threat of danger to all the characters involved. Many people lose their lives, yet fortunately the film is not too graphically gory. I feel sorry for the characters, and what happened to them.

gradyharp 18 November 2018

It is rare when a film about a real life notorious monster can be offered in a biographical film that pulls the audience in to see all aspects of the character. Virginia Vallejo's book about the notorious drug lord of Colombia - Pablo Escobar - so aptly titled LOVING PABLO, HATING ESCOBAR - did that and she co-authored the script with Director Fernando León de Aranoa. The result is the same. It is a see all hear all examination by a journalist strikes up a romantic relationship with notorious drug lord Pablo Escobar.

The story has been well outlined - 'In 1981, Virginia Vallejo (Penélope Cruz) is a famous Colombia's journalist and TV news anchorwoman who is invited to a VIPs party in the ranch of Pablo Escobar (Javier Bardem) a low-born man who gained money and power with drug trafficking together his friends, turning them in the new generation of rich men of the country. Seduced by his charisma, Virginia starts a passionate love affair with Escobar despite he's a family man married with María Victoria (Julieth Restrepo). Along the 80's years, Escobar becomes famous in his try to better the life of the low-born people of Medellín and raising a politician carrier in the Colombia's congress, but Virginia starts to understand Escobar's real power controlling an empire of crime in Colombia and spreading his drug by all USA. It causes that the DEA's agent Shepard (Peter Sarsgaard) interests by his business and by Virginia, contacting her looking for a way to stop him. With the President Belisario Betancur allying with USA to stop Escobar and extradite him to judge outside Colombia, this last one starts a war in the country to eliminate all his enemies, politicians and non-politicians, unleashing his thirst for blood and his ambition to rule everything. Virginia, seeing as her carrier and her reputation are destroyed by Escobar, faces a extreme situation: to die at the hands of Escobar or by his enemies as an act of reprisal, or save herself helping Shepard to stop Escobar before he kills her.'

Javier Bardem (apparently required to add fat to his character's body) is superb as is Penélope Cruz. The minor roles are very well played and while the crossover between Spanish and English confuses everyone no matter their linguistic skills, the story works on every level.

aramkx 12 January 2019

Loving Pablo fmovies. If you didnt see Narcos you will probably will have difficulties to understand many connections in the movie. And Wagner Moura was so good that its very hard to challenge him , not Bardem not someone else. Just an average movie with Escobar story after Narcos success..

redlightlessness 23 June 2018

Narcos seasons 1 and 2 have already captured the story of Pablo Escobar fantastically. In Narcos, Wagner Moura portraits Escobar in such a convincing way that to me he is now Pablo Escobar. Watching a quality actor like Bardem doesn't change the fact that even a movie edition of Narcos would easily be a better movie.

zkotpen 23 June 2018

I struggled to make it through "Loving Pablo". The goofy accents made it into some ridiculous sort of comi-tragedy, in which cartoon characters are acted out by people. Made the whole production seem confounded and stupid.

Having Colombians characters speaking slurred English among themselves in exaggerated accents was the wrong artistic choice. It distracts from the story, and calls credibility into question.

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