Liberal Arts (2012)

I liked this warm hearted and intelligent comedy, written and directed by Josh Radnor, a lot more than his first film "Happythankyoumoreplease'.

Radnor also stars in the movie as Jesse Fisher, a 35 year old well read nice guy working as an admissions interviewer at a New York City college. He receives a call from his favorite former college professor, portrayed by the skilled veteran actor Richard Jenkins. Jenkins asks him if he can come to Ohio to attend his retirement party at his university, where he's stepping down after 37 years of teaching.

Radnor accepts and while there meets Zibby, played by the superbly talented Elizabeth Olsen. She's 19 years old and a student there, as well as the daughter of friends of Jenkins. They're attracted to each other but Radnor hesitates at starting a relationship with her due to the age difference.

Subsequently, what happens between them takes some unexpected twists and turns. I'll leave that to the viewer to see what happens.

There are some wonderful supporting performances as well. Allison Janney is a hoot as a jaded imperious former English Romantics professor of Radnor's. Zac Efron, in a small but important role, plays a Zen-like philosopher who proffers up some interesting advice. Plus, Elizabeth Reaser adds well to the mix as a bookstore employee who may be a potential love interest for Radnor.

All in all, not everything works in the film, sometimes going off the rails, but overall I enjoyed this quirky, intelligent comedy whose genre seems to be getting rarer and rarer in today's films.

Fmovies: Josh Radnor writes, directs and stars in Liberal Arts. He plays Jesse Fisher a 35 year old introverted but bookish and charming nice guy who is an admissions interviewer at a New York City college.

Fisher receives a call from his former college professor (Richard Jenkins) who asks him to attend his retirement party at his university in Ohio. While he is there he meets what seems to be a mature 19 year old student, Zibby (Elizabeth Olsen) and both are attracted to each other, she inspires him to love classical music and opera but is hesitant to develop the relationship further because of their age difference. Zibby represents a hope for the future and vitality of youth that chimes with Fisher.

He also meets his former English Romantics professor (Allison Janney) who he found inspirational for his love of poetry and literature as a student and later has a very unromantic one night stand with her only to discover she is jaded and has a heart of stone.

Zac Efron pops up offering Fisher Zen like philosophy just when he needs it. Fisher also bumps into a depressed student who also reads the books that Fisher read as a student and Fisher feels compelled to reach out to him.

Fisher finally meets a bookstore employee who shares the same love of literature he has and they are about the same age.

The film is pleasant like Fisher but lacks backbone. Radnor is channelling Woody Allen, well three women fall for him in this movie but the movie lacks the cutting wit and melancholic bite which Allen could easily slip in his films.

The film deals with the nostalgia of looking back which both Radnor and Jenkins do in this film. Even I felt a tingle when Jenkins admitted that he has always felt like a 19 year old, mainly because I had a similar thought earlier in the day before I watched this film.

However Radnor is not strong enough an actor to keep up with skilled actors like Janney and Jenkins and his romance with Olsen did not look believable to me. A 19 year old would had ditched him as soon as he had a rant about Twilight type slushy vampire books.

Some of the plot strands were unresolved, why did Jenkins change his mind about retiring and wanting three more years which the film never again dealt with.

The hyphenate that is this Josh Radnor guy presents a somewhat thin but ultimately rewarding film with LIBERAL ARTS. The story is a charming one—jaded New Yorker makes an excursion back to his alma mater in Ohio and meets a much younger and gorgeous kindred spirit who forces him to self-reflect. But unfortunately, it's also a story that provides enough material for an 80 minute film which Radnor stretches out to around 97 minutes. Thus, some of the film drags a bit. Luckily, Radnor casts actors with incredible talent who breathe life into the film when it begins to deflate.

Elizabeth Olsen, specifically, is an ace. In a character reversal from her breakthrough in MARTHA MARCY MAY MARLENE, she is beautiful and funny, effortlessly natural. The scenes featuring her make the film. Watching her this early in her career and contemplating just how much potential she has and what she'll be able to do with it is exciting for any movie lover. Richard Jenkins is wonderful as always, as is Allison Janney. Even Zac Efron, making a humorous cameo appearance, helps liven things up a bit. The bond shared between Radnor's character and a depressed, anti-social undergrad, played by John Magaro, is particularly sincere.

The film seems to be a meditative-lite work. It's brooding and thoughtful, but it's not something that will permeate your thoughts or stick with you days after watching. But it isn't supposed to be. (At least I don't think so.) The film is probably significantly more appealing to a select group of people—mainly those with a "liberal arts" background, or those able to register all of the literary references—but that is not to say the film is only for some. The pleasant romantic-comedy-ish-drama story and the aforementioned acting is enough to create a film anyone can enjoy if they try. If the viewer tries to get past the somewhat pretentious collegiate talk, tries to hold on for the somewhat slow moments, tries to watch the film as a light and entertaining piece to pass 90-something minutes, it's highly recommended. Seek it out.

Liberal Arts fmovies. A very watchable independent rom-com that delves deeper than the usual Hollywood studio version. A film about maturity and growing up and the beauty of words and music.

I particularly liked the intelligence and wit of the script, the use of Classical music and what it can do to you and the highlighting of the difference in location from bustling grey New York to the beautiful quiet greenery of Ohio.

I did find that the main character, written, directed and portrayed by Josh Radnor was too perfect. He was intelligent, sensitive, funny, moralistic and empathetic all rolled up in this cute little package. However, if he had not written it for himself it may not have annoyed me as much. I also found Olsen as the wise beyond her years 19 year old to be rather annoying at certain points, but take out those slightly annoying characteristics, some predictable elements and a pretty awful sub-plot involving Zac Efron and the screenplays words and meaning are too enjoyable to let those things spoil it for you.

Oh and Allison Janney and Richard Jenkins steal every scene they are in.

"nobody thinks they're adult, it's the worlds darkest secret" or words to that affect...

I just watched "Liberal Arts" tonight and I loved it. If you have been to college, and had the complex bright future/bleak future talk with yourself, you will understand this movie.

To me college was about hope, but it was also about facing the real reality of life, and after college is when the real work begins, more emotional growth than anything. I loved Josh's Radner's character, he was a little lost, and kind of reaching back to days of old hoping to re-kindle some of that passion and drive he once had when he was in college. Elizabeth Olsen's character was great as well, she had the I'm-too-mature-for-my-age-group sort of attitude, that proved just how young she really was. The rest of the cast was fabulous, Richard Jenkins, who I have alway's loved, and Allison Janey, who surprisingly was not the usual character you see with her. This is a movie you take friends to, and then go out for coffee and have a great conversation.

These days it is very rare to find a well rounded film with a good moral. While Josh Radnor is know for his raunchy sitcom "How I Met Your Mother," he has many hidden talents that the show does not utilize. As a writer, director, and actor he is superb, and he brings a refreshing change of pace to not only the drama industry, but the film industry in general. From the opening sequence to the credits the film is thoroughly entertaining, and intelligent. Elizabeth Olsen was enthusiastic and energetic, just as Zibby should have been portrayed. Zac Efron was surprisingly humorous, and his slightly off-key character adds a certain lightness to such a dramatic film. Every cast member was perfectly cast, the script is humor, entertaining, and charming. The most astonishing aspect of the film was the use of a classical soundtrack, a general push toward fine arts, great classic literature references, and the idea presented that love and music join us all together. No matter what your particular tastes in film in I urge you to take the time and watch 'Liberal Arts,' you will not be sorry.