Lagaan: Once Upon a Time in India (2001)

It is seldom in this modern era of IT generation that a long movie surpassing three hours of running time and without a show of synthetic acting, vulgarity and cheap comedy, captivates the audience to stick to their seats. WELL DONE Gowarikar ...... WELL DONE Amir Khan .......

Mr. Gowarikar, please note that if this sublime film had been directed by a British or American director like Danny Boyle or Richard Attenborough .... the Oscars would have definitely flown into the laps of the director and the protagonist actor. This is not to say that your directorial skills lack the excellence to win the coveted Academy Awards, but it is to mention the inherent bias and prejudice which prevails among the jury of the Oscar Award Committee towards directors, producers and actors of the Sub-Continent namely India. Mother India (1957) met the same fate from the then jury of Academy Awards committee who simply rejected its nomination for the Oscars on the grounds that it is laden with too much songs, formulaic in nature.

Besides, the excellent performance of Amir Khan as an aggressive and challenging native youth 'Bhavan'; Rachael Shelley has put up a remarkable and evocatively strong performance as the suave young British lady Elizabeth Russell, who aspires to help out the hapless villagers from the cunning guile of his brother, Captain Russel.

Now what can one say if the members of the Oscar awarding committee do not understand the meanings of wordings of the emotionally focused songs (due to language and culture difference). It is a handicap with them and not with the local Indian movie making team.

Keeping aside this injustice, the movie characterizes pure and pristine feelings, emotions, struggle and fighting spirit of a raw and unskilled cricket team of illiterate Indian villagers who capitalized the opportunity to get waived the odious land revenue tax, with exacting standards of will power and perseverance.

After a long time, there is an Indian movie bred with the contents found in the Indian films of yester years.

Fmovies: This is actually the first ever film I have seen where the audience clapped cheered and booed effectively as if they were a part of the actual proceedings in the film. I heard someone say that they felt that they were really at a cricket match. I loved the movie even though admittedly at the time (surprising for an Indian) I didn't know cricket at all...I learned while watching it with the help of a friend but also found I didn't need to! It certainly renewed my interest and made mea cricket fan soon enough, the next match that year I watched with grave interest.

About the fikm, the acting was good. Rachel Shelly and Paul Blackthorne were impressive and unlike in other Hindi films where they are usually clichéd versions of foreign characters, they were very drawn out believable characters. Aamir Khan was definitely the star attraction (obviously) as in any case it was 'his movie' but honestly he was very good, one of hsi best performances i'd personally say. Gauri was given very little to do in the movie but she did stand out in her own way. The supporting cast were all excellent in each of their roles, although some characters were a bit too starkly depicted. The British cast on the other hand had precious little to do except look foreboding.

The setting in the Gujrati village and country was beautiful. The sets were historically accurate I've been told and the backdrop just right for the match and one would it imagine it fit into the time frame suggested. The costumes were also appropriate. I especially liked that scene where Elisabeth imagines Aamir in a suit, it worked because being who she is of course shed see him like that.)Some historians might nitpick on small points, but they were so minor that the rest of the story overshadowed these errors.

At first I wondered whether foreign viewers would understand it what the unusual concept of musical numbers, but most seem to have understood the game of cricket (non cricket playing countries I mean) and the historical context as well and seem to have also taken the musical numbers in their stride.

The only thing that got to me was the length of the movie. I really wish that they had done some serious editing, it just ran too long and the cricket match was too dragged out. It should have either focused more on the cricket match for the majority of the film, or reduced the footage of the rest of the film to balance it out. I saw many scenes that could have been edited out and were totally unnecessary.

The songs were enjoyable and only one or two were unnecessary and could have been cut down or deleted entirely, like the 'Radha Kaise Na Jale' and the song where both girls sing. Honestly this movie was one Hindi movie that did not require many songs at all if at all. A background score maybe but not 6 songs. It got tedious and it gets on the nerves especially when you've been sitting in the theatre for 2 hours and you know that there is 1 more hour to go. Luckily people with DVDs will be able to fast forward!

Although Predictable in places with characters being over-drawn or under-drawn and everyone knew the ending that was inevitable, ending, (it isn't much of a long shot at all) but we watched it for the thrill of it anyway.

The overall effect the movie was so good that I fully believe that it deserved a nomination and I never say that about most Hindi movies. Even though it did not win I'm very proud of this movie.

Sony Entertainment's Lagaan is more an experience than a movie.

Indian actor Aamir Khan's home production is a cinematic experience which highlights Indian cinema to the hilt, while weaving a tale set in Champaner during the time of the British Empire's presence which deals with Lagaan (the tax of the land) and a village's upheaval against its oppressors.

The film revolves mainly around three characters namely Bhuvan (Aamir Khan), Gauri (debutante Gracey Singh) and Elizabeth (British actress Rachel Shelley), and deals with Bhuvan's spirited fight to defend what is his birthright, as he embroils the entire village into a magnitude of problems which inadvertently ends up being their only escape from the tyranny under which they reside. Gauri is the simple village girl who loyally stands behind the man she loves yet cannot profess her love to, while Elizabeth is the beautiful sister of the British Lieutenant and the complication who aids the village in their fight against injustice.

The first half sets the scene beautifully, explaining what Lagaan is, introducing the characters and gradually pulling the audience into this period and place, literally taking the viewer into Champaner through cinematography which highlights the locales and sets which establish the standard of living. It makes you feel for the characters, believe in the villagers and draws you into the celluloid created world, while the second presents to you their turmoil, dawns on you what is at stake and whisks you away in a tornado of emotions and rising spirits.

The opening scenes are more congruent to joining a conversation midway, as from the moment you are thrust into 1893's India, you gain footing and a sense of atmosphere, feeling at ease as the camera pans across its setting for the movie, drifting into the journey that will hold your attention for the duration of the film. Apart from familiarising the viewer with its characters, the first half also takes you back with its breathtakingly beautiful cinematography and fitting background score. The characters are established, the situation presented and relationships etched, with each scene rhythmically flowing from one to the other in a continuos motion.

The second half is less involved in justifying its characters and aims more towards culminating the scene which has been set in the first. By this time you are already a part of this world and your emotions have already been stirred, now they are put to the test as the events which will determine the entire crux of the film begin and get the viewer involved.

The romantic triangle between Bhuvan, Gauri and Elizabeth is expertly handled. The beauty of its predicament is that no one feels a loss by the end of the film, and director Ashutosh Gowariker beautifully justifies eternal love (but not necessarily requitted love) through drawing a comparison with the spiritual romance of the Hindu god Krishna and Radha. A delightfully delicately handled scene and situation gives birth to the foundation which will resolve the triangle in a manner leaving warmth in the viewer's heart.

Aamir Khan is a revelation. His acting is superb and be it the conviction and fire in his eyes, the way he draws breaths from the air of the abode he calls home or even gulps at the atrocities he witnesses, he has become Bhuvan completely. His portrayal is such that it puts you inside Bhuvan's psyche and enables the viewer to understand the character from his demeanour alone. His piercing eyes stare sharpl

Lagaan: Once Upon a Time in India fmovies. I initially gave this movie a miss after I was totally disappointed by "Asoka". The latter was hugely advertised but I don't find it good at all.

I finally saw "Lagaan" after a friend told me that this movie was actually good. And she was right. I borrowed the DVD from the library and had to see the movie in 2 sessions due to it's almost 4-hour-long running time. But it was worth it!

The cricket game was captivating. I didn't know anything about cricket but before the movie ended, I felt that I almost understand the game!

I'm not Indian and I seldom see Indian movie even though I love foreign movies, especially Japanese. But "Lagaan" is truly the best Indian movie I've ever seen, or at least the best of the year 2001.

Initially I was warned about the length of the movie-3hrs and 50 mins.But believe me, its worth it.There is a refreshing Indian-ness about the movie,which is welcome after a recent bout of Hollywood remakes in Hindi that have become such an eye-sore.

The emotion that Indians share about cricket is effectively taken advantage of(the cricket match played between villagers of Champaner and the British officers which forms the climax ,extends to about an hour and a half).

The best part of the movie is the characterization of the eleven players (villagers).Aamir Khan is at his best in this movie and Gracie Singh lives the role of Gauri.The acting talents of the British actors esp. that of the officer Captain Russel(played by Paul Blackthorne) is notable.

There was never a boring moment in the film, the dialogues and songs' lyrics are very meaningful.And lastly I must appreciate the work behind the entire cricket sequence as it covers most of the aspects of the game and not to mention - match fixing,sledging,body line bowling ,making it gripping till the last ball! A must see for Indian cricket fans!

This was my first full-fledged trip into Bollywood and I couldn't have asked for a better entry. While there were some inconsistencies in sound, overall I loved the picture. Some of the songs and dances were breathtaking and emotionally charged. In particular the number where Bhuvan and the young boy are sitting on a hill and they're shrugging their shoulders, soon getting the village into the act. The other number where Bhuvan and Gauri re-enact the love of Krishna and Radha in exquisite dancing. Also there were many moments of stunning, breathtaking images, including the women of the village seated in the temple praying for salvation. Absolutely stunning.

While I feel some judicious pruning could have trimmed the nearly 4 hour long version I watched (the DVD of which included an additional 17 minutes cut from this version) the picture did not seem nearly as long as it really was.

Aamir Khan is such an instantly likable presence and Gracy Singh is simply irresistible as Gauri.

Paul Blackthorne was a hilarious, old-school villain right out of a penny dreadful melodrama – and I mean this as a compliment.

Rachel Shelley's Elizabeth was a perfect blend of Victorian reserved beauty and free spirit and noble in her heartbreak.

So many other performances ran the gamut from old school "b" stereotypical characters to some original ideas.

The blending of melodrama (in its purest sense) true comedic moments (the hen keeper), self and enlightenment culminated in the scene where Bhuvan shocks the village by touching an untouchable; his stirring, heartfelt speech about brotherhood and putting away castes shaming the village into enlightenment.

Some of the criticism leveled at Lagaan is (I believe) unduly harsh. This is a charming movie and a perfect introduction into the joys of Bollywood.