JFK (1991)

Kevin Costner embodied this role as Jim Garrison and Oliver Stone directed everything about it masterfully! A very long winded 3 hours 25 minutes so really takes up time and well worth every bit of it. If you wanna understand the major conspiracy this is perfect for you; it redeems itself with vast info and sheds light on such a tragedy in which, in my opinion, many things went downhill after JFK was assassinated. Also Gary Oldman is among one of my favorite actors ever; always perfect as villain roles such as Lee Harvey Oswald! Cool how Joe Pesci is in this too as David Ferrie, he's great at using the F bomb excessively. Also the entire intermission with Donald Sutherland is perfection! Truly excellent political drama!

Fmovies: The first film in Oliver Stone's films about the American presidency, JFK is a historical drama exploring a popular conspiracy theory regarding John F. Kennedy's assassination, adapted from the books On the Trail of the Assassins by Jim Garrison and Crossfire: The Plot That Killed Kennedy by Jim Marrs. On November 22, 1963, President John F. Kennedy was shot and killed in Dallas, Texas, allegedly by Lee Harvey Oswald (Gary Oldman). The inciting incident occurs when New Orleans District Attorney Jim Garrison notices several inaccuracies in the Warren Report (the official investigation of the assassination) and decides to reexamine the case of Kennedy's death. Garrison and his team pursue the truth at all costs, and eventually take Kennedy's death to court to ask: who really is responsible for killing the President?

Clocking in at more than three hours, the film has a definite focus on its story, with every element of the film being used to further the plot. Garrison is a modern hero in the film, a city DA that rises to the enormous challenge of investigating the President's assassination. Kevin Costner seems to perfectly capture this type of character (also achieving a thick, charming southern accent) and connecting with the viewers. He is surrounded by an all-star supporting cast, all of which truly become the real life figures they portray. Stone writes believable and engaging dialogue, but since the film focuses so heavily on story, he spends little time developing the characters. Oliver Stone is a controversial director, and his style can be very polarizing, but personally, I enjoyed his strange method of storytelling. The costumes seemed appropriate for the setting, and the set designs were extraordinary, particularly the recreations of 1960s city streets such as Dallas and New Orleans.

John Williams was responsible for writing the film's score, and was nominated for an Oscar for his efforts. Williams was busy writing the score for Hook around the same time, so he actually wrote themes for the film before the film was shot. This resulted in Stone cutting and editing the film to the music, instead of the typical method of fitting the music to the film. Williams gives JFK a tragic, but heroic theme, but also incorporates pulsing synthesizers for the investigative scenes (an unusual tactic for the composer). This resulted in an effective score and a seamless integration with the film. The cinematography was unusual, but played a very important role in the story. The film opens with a montage of newsreel clips from JFK's presidency. It slowly intersperses Stone's own clips, but the lighting and coloring (black-and-white and grainy film) make the clips all seem genuine. Much of the film is shot in this manner, giving a very real sense to the story, very similar to a documentary. I can honestly say this film would not have been the same had it not been for this unique approach to cinematography.

JFK (rated R) contains strong language throughout, and the assassination scenes may be too graphic for young viewers. The 3-hour runtime will bore some; however, any lover of historical dramas or investigative thrillers will finish the film asking for more. The film is an emotional journey, and viewers will always find themselves rooting for Garrison and his seemingly impossible quest. I give this film a B+, finding it "guilty" of keeping me on the edge of my seat.

Whether you agree with Jim Garrison's conspiracy theory or not, Stone's film is an effective mystery.

The pieces of the puzzle are put together with great skill so that the viewer is kept involved despite the length of the film. The John Williams score helps to build the atmosphere of intrigue and confusion. Costner is rather bland, as usual, but that works well here since he is surrounded by such an interesting group of colorful characters.

This is definitely a good mystery -- and a frightening one if even part of the conspiracy theory has validity.

JFK fmovies. Its no more a hidden truth that JFK was murdered as his ideologies went against the interest of the Military Industrial Complex.The government,CIA,FBI and Corporate Mafia were all involved in this conspiracy.May be this movie has went above the head of some idiots who call it a speculation and a propaganda or a conspiracy theory.

The subsequent expenditure of trillions of American Taxpayers money to wage war by various presidents especially President Bush(both senior and junior) establishes the fact that America is a democracy not of American people but of American Capitalist Mafia.Imagine how much money the American government spends on countering Terrorism and then think who benefits from these investment.

"JFK" was and remains so controversial that any positive reviews (not to say they were characteristic) it received were dwarfed by the trashing to which it was subjected in the official press, which started well before it was released. This was disturbing, for what is the big need -- it is just a movie. But to so many "JFK" was not, it was somehow threatening.

Ultimately, it does not matter whether JFK's conclusion is correct, and I am even willing to give a little more license than I normally would to more-substantive, as well as less-important, inaccuracies, although I have my limits here too. But this movie's significance is just that it was made. For although other films had chronicled the events surrounding the assassination, none had in any substantial way sought to discredit the Warren Commission, as was so absolutely merited.

Regardless of your opinion on what really happened, it is my view that everyone should be critical of the media, which were so obsequious to the Warren Commission. The New York Times from the start referred to Oswald as the "assassin," not the "suspect." Life Magazine altered photos strongly suggesting a shot had been fired from the grassy knoll. Many years later, when being interviewed by Dan Rather about his film, Oliver Stone said to his face, referring to the event: "Where were you, Dan?"

Indeed, in a documentary he made, Rather said, "in the absence of any CREDIBLE evidence, we can only..." This fallacy is a betrayal of the legal definition of evidence, with Rather's poor characterization of the word "credible." There is enormous, indeed endless, evidence contradicting the Warren Commission's view, and much of it is certainly credible, including all the evidence of the Commission's own efforts to conduct a dishonest and incomplete investigation and intimidate witnesses into changing their testimony to support the version it wanted. In fact, I consider it Gerald Ford's greatest character flaw that he served on it and backed its conduct and conclusion, a far more disturbing matter than his pardon of Nixon. Whether the evidence to which Rather referred is CONCLUSIVE is another story; that is up to us, the jury. The sort of smugness Rather shows has been characteristic of much of the media, and I do not know all the reasons they behaved as they did. Thus, we needed a more courageous, enterprising person like Oliver Stone to step in and fill the gap -- the overwhelming majority of people believe the Commission got it wrong.

Stone's enlistment of mere hypotheticals, theorized by Garrison (setting aside the final scene--there were moments before) or whoever, has been subjected to unfair, ill-conceived criticism. Most people who knew anything at all about the assassination believed there were problems with the Commission's version before they saw this film, and came out of it with an elaboration and hypothesis, not a mindbender. Even if we concede that some younger viewers knew little about the assassination, the notion of the critics of "JFK" that the film would automatically program their minds is an insult to their intelligence, of the ability of people in general to think and come to their own conclusions. Indeed, no one to whom I have EVER spoken has betrayed a view of events that reflects even most, if not all, of Stone's conclusions. If any programming is called for, it is to program people against the Commission's version, n

Oliver Stone is undoubtedly one of the most controversial directors of all time, his work has included horrifyingly real stories of Vietnam, stories of the corruption of politics and a much-despised account of Jim Morrison's life. No matter the subject matter, Stone always gives it his all and sometimes the world's response is positive and sometimes it's negative. With JFK we are faced with one of his films that was probably one of his most successful (next to Platoon of 1986). This is a rare instance in which the public loved the concept of conspiracy in their own country, and took special interest in the debates that it caused amongst the government upon release. The best thing about this film is that it is and was treated as so much more than a film. My honest opinion is that this response was created not because of a more plausible theory but because of Stone's fantastic and unique job putting the story together.

The film opens on a surprisingly suspenseful scene of the murder of John F. Kennedy. The chopped style of the scene lets you know that something is not right, dramatic black and white shots spliced with the blurry grain shots of the home video taken by a witness (it won Academy Awards for Best Film Editing and Best Cinematography). This, accompanied by John Williams' excellent original score helped do an excellent job of creating a mood, just for this very first scene. Often times a director will stop after this, give it his all for style and then stop after the first scene, but Stone doesn't do this. He makes the film so much more than a boring investigation; he takes you in to each of the puzzle pieces (indeed, it feels like you're with Kevin Costner "digging" through hundreds of events.) For 90% of these clips that lace the film's concepts together, the camera is not kept steady, it is, indeed, like you are there witnessing it. The human eye doesn't only look at what is important, and a situation of trauma can make everything seem broken, confused. Oliver Stone doesn't try to make sure you understand what's going on. Some frown upon this, but it's realistic and that's what counts.

Kevin Costner plays Jim Garrison, the district attorney of New Orleans who investigates the murder of John Kennedy. Sometimes you are expected to disagree (at first) with some of Garrison's presumptuous statements, and when you do there is always at least one character around who will agree with you. Stone realizes most viewers aren't devoted enough to believe everything Garrison says no matter what it is throughout the film. Stone has said that he wants people to "rethink history" and that this film is not guaranteed fact, but an "alternate myth" to the myth that has been presented before. The story is not solid because very few ideas or people or events in life are. What I mean to say is that Garrison's comments are not necessarily ridiculous, it's just a matter of how hard he tries to support them. The focus constantly changes -- yes, Costner will smile a bit when he makes a ridiculous remark that everyone rolls their eyes at, yes, even at the end of the film some clips will be left unchecked, and yes, you will see that there is no way that the question "who killed JFK" is answered as simply, solidly, and, dare I say it, Hollywood-esquely as a one man killing. If you watch this movie looking for real life, without dramatization and without guaranteed entertainment and fun, you will be impressed. This is not a popco