Irreversible Poster

Irreversible (2002)

Crime | Mystery 
Rayting:   7.4/10 121.4K votes
Country: France
Language: French | Spanish
Release date: 1 August 2002

Events over the course of one traumatic night in Paris unfold in reverse chronological order as the beautiful Alex is brutally raped and beaten by a stranger in the underpass.

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Jonny_Numb 10 July 2005

I'm a sucker for film-world hype--always have been, and probably always will be. When I stumble across a film that is so controversial it inspires both gasps of horror and cheers of praise, I flock to it. There is something intriguing about film's capacity to house unpleasantness, and just how far a director will go in conveying his message (it's always interesting to see whether or not they have a justified reason for the excess). "Irreversible," the backward-structured film from French shock auteur Gaspar Noe ("I Stand Alone") spins you out of control with as much regularity as his camera and characters will allow. It's a curious piece of work designed to provoke the audience--at the beginning, you're disoriented and confused (and, if you're like me, getting carsick from the deliberately erratic camera movements), and even repulsed by the actions of the unfamiliar characters hassling the patrons of a seedy homosexual club, a sequence that ends with a ghastly murder. Okay, then, so what? Clearly the rest of the movie is going to give us an explanation...but would the film have had a similar effect if it were told in a straightforward manner? Is the backward motion of "Irreversible" just a gimmick used by Noe (who is not immune from snobbery and pretension) to draw attention to his film? It's hard to say. Personally, I reject the notion of the reverse storyline being used as a gimmick, simply because of how deliberately the previous pieces fit (certain passages of dialog, particularly a discussion of orgasms that serves as a prelude to one of the most horrifying rape scenes in film history); Noe certainly wasn't asleep in his construction of the film. "Irreversible" displays the type of oppressive misanthropy (the dialog is loaded with racial and homophobic slurs) evidenced in Noe's "I Stand Alone" (the tale of an out-of-work butcher driven to madness by everyone around him), but then pulls back from the hard-edged violence to show a tender humanity that might be even more startling, since the film could have easily played itself for nothing but shock value the entire time. "Irreversible" is an unsettling conundrum that guides us through the highs and lows of the human condition--it pushes buttons of morality, shows in graphic detail what others would only suggest, and brings us out the end of the tunnel exhausted, invigorated, and breathless. A stunning film, somewhat hampered by its excessive dialog.

Coventry 14 February 2004

Fmovies: Holy Macaroni! Believe the hype, folks...this really IS one of the most shocking, confronting and raw movies ever made! It actually is one of those rare purchases that makes you wonder what the role of cinema is in modern society. Irréversible certainly can't be classified as 'entertainment', that's for sure. It merely looks like a brutal eye-opener, highly unpleasant to watch at times and it sometimes makes you even feel ashamed to be human! Some of the stuff here goes beyond your most feared nightmares and could easily provoke depression, anti-social behavior and anxiety among influential viewers. It's real-life drama and that makes it so powerful and shocking. Irréversible is told backwards, 'Memento'-style if you wish...only it's a lot more effective here as it was in Memento, which actually was a pretty boring and extremely overrated movie. This very simple backwards-structure aspect gives Irréversible the opportunity to implement a couple of unique and rarely seen style elements. The first half hour (which actually is the end of the story) smacks you in the face right away sets the tone for a non-stop, raw experience. Also, you don't really get to know the characters until the last chapter (which is actually the beginning of the film) The characters are a riddle to you constantly and you can't symphatise with any of them, since you just know too little. Through wild camera movements and simplistic techno-music, a claustrophobic and horrifying atmosphere gets created and the violence is really hard to digest. The infamous scene in which Monica Belluci brutally gets raped is one of the most perverted things I've ever seen. It seems to go on forever and you can really visiualise the painful hell the poor girl is going through. I'd call Irréversible a successful combination of ancient, rough exploitation and modern art-house film-making. The brutality portrayed here is typical for the euro-shock cinema but the stylish shooting lifts it up to Cannes Festival material. Cult as pure as it comes!

CTzen 9 February 2004

A lot has been said about this movie. Yes, there are a couple of brutal and violent scenes. It's even hard to watch at times, but Irreversible is much more than that.

I personally think that the acting is great. There's a natural chemistry between the 3 main characters. Monica Bellucci does a wonderful job as Alex. I give her a lot credit for being involved in such difficult role.

I really like the way the story was told. Some people say that it's a rip off of Memento, and that it doesn't work well in this movie, but I have to disagree. The movie "starts" in a dark way, with a lot of graphic images and violence. But at the end there's this kind of peace, a little dose of happiness..."the calm before the storm". It works really well, and that's what make this a really sad story.

I really recommend this film. But like I said before, it can be hard to watch. Just watch it with an open mind and give it a try.

dbborroughs 19 February 2004

Irreversible fmovies. If movies are suppose to effect the viewer then this movie is king of the hill. From the dis-orienting camera moves that open the film through the violence in the gay bar, the seemingly never ending rape and the films unraveling of the days events in a backwards march I have yet to meet anyone who has not been deeply effected by this movie - if they were brave enough or stupid enough to watch it. (I'm still trying to figure out a local Best Buy displaying a large number of DVD's as if it was the latest Adam Sandler movie)

It is not an easy movie to watch but as an examination of what people are capable and how violence can come from nowhere and from the unexpected its a masterpiece. The backward structure takes what is essentially a dull revenge story and turns it on its ear as we are forced to really examine how things get out of hand very quickly and what people will do when pushed to the limit.

If you want a challenge to your psyche and can brave simply some of the most vicious and nasty screen violence (yes its graphic but much is also implied) then see this movie - preferably with out distraction. But be warned, even if you think you know what this movie is about and what your limits in screen violence is, you still won't be prepared for what a mental hot foot this film is.

Infofreak 14 July 2003

Watching 'Irreversible' makes you question why you watch movies. If you just want movies to be entertainment and nothing more then obviously this is not something you will EVER want to see in your life. But if you think that film, like literature, is capable of many things, including looking at horrible and disturbing subject matter that you would prefer not to deal with, then 'Irreversible' is highly recommended. But beware, I feel I have the ability to stand all kinds of extreme material, but even I found it extremely difficult to watch. Writer/director Gaspar Noe previously made the brilliant and confrontational 'I Stand Alone', a movie that unfortunately never reached a wide audience. He manages to top himself with this one. Both movies make a mockery of supposedly "difficult" Hollywood fare like 'American Psycho', 'Fight Club', 'Boys Don't Cry' and 'Requiem For A Dream', which are pure Disney compared to Noe's work! 'Irreversible' has a similar structure popularized (but not originated) in Christopher Nolan's 'Memento'. The plot is told in reverse chronological order. This means that the early parts of the movie show the most distressing and difficult material and as the movie continues it gets progressively lighter, and therefore ends ironically on a happy ending. The opening sequences, after the first more subdued scene (which incidentally features a cameo from 'I Stand Alone' star Philippe Nahon as quite possibly the same character), are the most difficult to watch, not just because of WHAT happens (one of the most extreme and realistic acts of violence I've ever seen in a movie) but the way it is shown, with trippy, disorienting hand-held camera work. Later in the movie we see why this event happened by witnessing a grueling rape sequence which is almost impossible to watch. It is these two scenes which made this movie so notorious, but neither are gratuitous in my opinion, they are just REAL. This is reality. Things like this happen every day. Watching it is horrible yes, but even more horrible is the idea that real people must experience these events in the real world. This is what makes this such a disturbing and powerful movie if you have the stomach for it. On a technical level it is brilliant, and the acting by Monica Bellucci and Vincent Cassel, then still a couple off screen (gossip says this is no longer true), and Albert Dupontel is first rate. 'Irreversible' is obviously not a movie for everyone, but if you think you are up to it it comes with my highest possible recommendation, as does 'I Stand Alone' ('Seul contre tous'). These are two astonishing movies which look at the unlookable, and are literally unforgettable.

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