Inside Out Poster

Inside Out (2015)

Animation | Comedy | Family
Rayting:   8.2/10 622.9K votes
Country: USA
Language: English
Release date: 15 July 2015

After young Riley is uprooted from her Midwest life and moved to San Francisco, her emotions Joy, Fear, Anger, Disgust and Sadness conflict on how best to navigate a new city, house, and school.

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User Reviews

mohan59 21 September 2015

For some reason, I couldn't quite catch this movie in theaters and I managed to watch it on an international flight. And boy, am I glad I did!

As far as concepts go, I was astonished at the amount of detail and coherence in execution. The visuals are absolutely stunning, the colors rich and vibrant, the characters utterly memorable and some of the most poignantly heart-breaking lines of dialogue ever spoken/sung in any movie, let alone feature animation. It is every bit a Disney-Pixar classic and as emphatic a return to form as it can get.

The story revolves around a young girl child who is happy in her world and has to suddenly acclimatize to another environment when her family has to move. Growing pains and social issues affect her while she grapples with increasingly complex situations, both at home and school. Meanwhile, the interplay between the five primary emotions inside her mind is both dynamic and fraught with compromises, much like how we deal with others everyday. As things come to a head and young Riley is about to make a life-changing decision, the events that follow leave a lasting impression, with an increased appreciation of the phrase "emotions are what makes us human"!

I recognized some dichotomies - for instance, Minnesota, usually perceived cold, is regarded as warm and comforting by Riley while San Francisco, renowned for its sunny weather, is seen as foreign and unwelcome. The other contrast I noticed was all five emotional figures (Joy, Sadness, Anger, Fear, and Disgust) do not always stay true to form, with Joy especially exhibiting nuances far beyond what her name implies - case in point, her touching admission preceding the last act (that entire sequence was too much for my eyes to take, by the way). All this might be considered a tad too much for young children to appreciate, but with time, they may probably realize how beautifully honest this movie was in trying to portray their growth and the underlying issues.

Certainly, it is not without flaws: the plot meandered a bit 2/3rds into the length; Joy's "A-ha" moment seems strangely contrived, despite the impact it had; the music was adequate but not truly captivating as in the case of other Pixar offerings. But the beauty of this medium is that it offers filmmakers opportunities to steer audiences to more engaging experiences; Pete Docter and Co accomplish this with aplomb.

In terms of cast and crew, the voice actors are superb selections - Lewis Black aces the Angry persona with generous dollops of sarcasm; Mindy Kaling is just perfect voicing Disgust; Richard Kind's performance as the imaginary Bing Bong is an absolute tear-jerker, while Kaitlyn Dias shows remarkable poise playing Riley. But it is Amy Poehler who steals the show in a coruscating blend of vivacity, vibrancy, and vicariousness. Her Joy is not an infallible leader, but one who accepts others in the face of challenging situations and plows ahead with inspiring positive energy. The animation left me spell-bound, especially the sequence where thoughts are shown to be abstracted, and are endowed with a lot of heart. The movie is fairly short, but a running time of 94 minutes is appropriate justice to a slightly heavy subject matter. The humor compensates with trademark Pixar staple of jokes, albeit intended for slightly more mature viewers. Pete Docter gave us the outstanding Up six years ago and ably accompanied by Ronnie del Carmen, has categorically demonstrated that he is a fabulous storyteller and a master entert

gloriesalbuainain 14 June 2019

Fmovies: I watched the movie long time ago, and I've just rewatched it today. For kids it will be a funny movie with no meaning maybe!! But for an adult, its so true!! You lose your childhood personality you change you feel sad, i mean it literally touches my soul Great movie for both kids and adults.

Fountain245 14 July 2019

I've lost count of how many good movies Pixar has produced. This is another one and I'd rank it very high on my all-time Pixar movie list.

It centers on a little girl whose family has just decided to move house due to his father changing jobs. Logically this provokes new changes, adjustments and hopes and we have the perfect opportunity to explore them as the picture offers us the chance to find out what's going on inside this girl's mind. Emotions perfectly depicted by mini-avatar which inhabit her brain. They're in charge of her emotional well being which is something that needs to be taken care of for this little girl to become a stable and happy woman. The fact that the film targets young adults shouldn't hold back adults at all since it core message is one we can all relate to.

crimson_knight_7 24 June 2015

Inside Out fmovies. For every child, growing up can be exciting, confusing, and difficult. For Riley, who is uprooted from her Midwest life when her father starts a new job in San Francisco, Riley is directed by her emotions, Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) in Headquarters Control Center inside Riley's mind to help her overcome everyday life. However, Riley and her emotions struggle to adjust to Riley's new life in San Francisco and emotional disorder arises. Although Joy, Riley's main and most fundamental emotion, tries to keep things optimistic, the emotions fight on how best to navigate Riley's new world.

After watching "Inside Out" with my wife, we both agreed that "Inside Out" is the perfect Pixar Animation movie for any family on a night out. It was both imaginative and relatable for both children and adults. I never thought "Inside Out" would be this enjoyable, but I was able to experience every emotion of "Joy", "Disgust", "Anger", "Fear", and "Sadness" for each and every moment of this film. At the end of the night, I was pleasantly unsatisfied because I wanted to watch the movie again and again. Parents, if you're looking for a fun filled movie night with your children, this movie will not only please them, but you as well.

A Definite 9!! Well done Pixar!

Heinzwill 29 July 2016

It's been nearly a year since I first saw this film. I would say I had pretty low knowledge in films before I first saw Inside Out (not to say that I'm highly intelligent on films now). I only saw about 200 films prior. I hadn't seen a lot of classic films or even know that film can be an art form just through its camera work among other aspects. So you could say that I can't speak for everyone on my views of this film. And you may be right because opinions are subjective anyway.

This is my favourite film ever.

Like I said above, I didn't see a lot of films that were deemed as masterpieces at that time. While I still have a lot more to see, I can say that I have caught up with many notable ones now. I've seen The Godfather. I've seen 2001: A Space Odyssey. I've seen Casablanca. I've seen The Shawshank Redemption. I've seen Pulp Fiction. I've seen Lawrence of Arabia.

Yet this is still my favourite film of all-time.

80 years from now, this won't change. I felt something extraordinary that will never be felt again. This to me, was a revelation. In honest words I've never experienced something like this before. Only because of Inside Out I was able to kick myself off of a serious depression I had for years, understand the meaning of feeling, feel sympathy to why people act the way they do, be interested in films. In fact, I went and watched the films I mentioned above because of Inside Out.

Ever since that late July of 2015 I had been compulsively obsessed with Inside Out to the point where I checked its Oscar chances, IMDb rating, Rotten Tomatoes rating and box office grosses to the point where I felt like I had to stop myself from doing as when seeing anything negative about it just makes feel let down and quite sad about it. It's still something that I'm trying to quit but obviously it's not going that well (ie. this review after one year of the film's release).

Inside Out taught me more about depression, empathy, importance of sorrow and interpersonal relationships than any books, talk shows, real-life stories or cat posters could ever dream of. It made me want to become a filmmaker because if this much craft and intelligence can be put in a film, then sign me up to the industry because I want to be a part of it. I don't want to talk about the story or the technical aspects of Inside Out because everyone has talked about it already.

In the course of less than ten months, I've see this film six times. That's more than any other film during the same period. It's a true testament to its strength and impact on me that's hardly ever going to fade away. I know this isn't the case for everybody. I keep trying to find anybody else who had the same experience as I did walking out of this film for the first time. I yielded only little results and although it brings me down a little since I don't really have anyone else to relate to, I keep telling myself, that no matter what happens to Inside Out in the future, whether its Rotten Tomatoes score or IMDb rating or its overall stature among the general public, whether it gets worse or better for it, this will always be favourite film of all-time. Nothing will change that and I have to let go of everybody else's opinion whether or not they had similar emotional experiences towards it.

You can vote "not helpful" on this review all you want (which seems to be a recurring case for all positive user reviews here.... I wonde

OliverGinger 20 September 2015

Before I start, I will say this; I'm writing this after coming back from a second viewing of Inside Out. Both viewings were out of choice. That's not a unique thing, but I very rarely watch films more than once at the cinema, mainly because life is short, or rather, life is too quick for me. But there's two main reasons why people watch some films more than once at the cinema, especially where I come from; either the film was interesting, detailed, or multi-layered and needs to be seen again to sink in properly, or, it was really, really good.

In this case, for me, it's the latter. That's not to say that the film isn't interesting, detailed or multi-layered, but the reason that was repeating in my head to see it again was 'it's really, really good.' But is it? Yes, yes of course it is... Speaking with a bunch of friends with whom I saw it the first time, a risky phrase was unanimously agreed upon, which was that we 'trust the Pixar team to do the right thing.' Needless (totally needless) to say that expectations were high, and frankly, they were surpassed.

Even though the film is what we come to expect from Pixar (the universal moral themes, the perfect balance between comedy and sadness, and visually stunning animation and action sequences), I didn't feel that I had seen it all before, and neither was it repetitive nor 'ordinary'. The film hits all the high notes, with perfect intonation, and with discipline and passion. As touched on before, the balance between humour and sadness is strong and impressive; the amount of emotions that the film displays and takes us through is varied and immersive, yet not overwhelming. The film executes such clever ideas with simplicity and ease, leaving us to feel for the characters rather than worry about the 'science' of it all, or even being worried about 'not getting it'.

The animation is constantly eye-drawing and detailed; the characters' glistening skin is particularly wondrous. And what great characters they are. Riley is brilliantly sympathetic throughout, even with her difficult mood swings, and the supporting characters are perfectly entertaining. One might think that the superficial nature of the characters (Anger is angry, Fear is always scared etc.) would become old quickly, however the fun never diminishes, thanks to a witty script, expressive animation, and very strong voice performances from the entire cast.

However, to top all this off, the real gem comes from the character of Joy, surely a strong contender in the list of Pixar's greatest characters. Even though we are inside the head of Riley for the majority of the film, and the events that drive the movie are essentially her reactions to her new world (moving from Minnesota to San Francisco), the story is Joy's. Being probably the most flawed character in the film (paradoxically, maybe), it's her journey we care about the most, and she ends up being the most in-depth character in the film, occasionally questioning her actions in the first half (well, the cynics will be), and becoming the most sympathetic by the end. Amy Poehler's outstanding performance makes Joy simultaneously the strongest and weakest character in the film (emotionally, that is).

After all of this, the freshness of the ideas, the simplified neuroscience, the technical brilliance (saying that, Giacchino's score is probably the most subtle thing in the film, exquisitely putting the finishing touches on the most emotional sce

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