Hombre Poster

Hombre (1967)

Western  
Rayting:   7.4/10 11.3K votes
Country: USA
Language: English
Release date: 21 March 1967

John Russell, disdained by his "respectable" fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

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User Reviews

bkoganbing 11 July 2006

Paul Newman did a whole bunch of films with Director Martin Ritt and Hombre, one lean and mean western ranks as one of the best.

Newman is John Russell, the ultimate in the Stockholm Syndrome in the western film. He's a man who was kidnapped by the Apaches as a child, raised among them, and then when he was rescued from the Apaches, turned his back on his rescuers and went back to live among them. The opening of the film has some closeup shots of Newman as an Apache and he does look like a figure of interest with those baby blue eyes of his. The viewer is already involved, this is a person of interest, there's a story here, let's find out about him.

Circumstance has put him on a coach with several other passengers, including the Indian agent at the San Carlos Reservation, Fredric March and his wife Barbara Rush. Unbeknownst to everyone else, March has embezzled a whole stash of money from the tribe and is on the run, like Berton Churchill in Stagecoach. Of course Churchill is not taking his young pretty wife along with him.

The outlaws led by Richard Boone know about the loot and they ambush the coach, but the holdup is unsuccessful. Nevertheless the passengers are left afoot with the loot, but limited water on the Arizona desert.

It falls to Newman to lead them to safety, a guy they had previously snubbed. Hombre gets deliciously ironic that way.

Next to Newman, I'd say the best performance in the film is easily that of Diane Cilento, the very wise and earthy boarding house keeper. She's one experienced with life woman who if everyone heeded it would have been better all around.

Why are they with Newman, cause he can cut it. And as a film, Hombre definitely cuts it.

MFFJM2 9 May 2004

Fmovies: Outstanding direction, writing, acting, and cinematography make this film perhaps the best western ever made, and certainly outstanding in it's genre. The good guys aren't all that good, and the bad guys are despicable. The dialogue is from Elmore Leonard, and is some of the best dialogue ever written, western or not. Example: Early in the film Diane Cilento has retreated to the privacy of a shack to remove her petticoat because of the heat. Paul Newman is in the room, and watches her silently as she bears her legs. Then he says, "You'd better stop right there lady, or I'm gonna know all there is to know about you." Ms Cilento's character Jessie (a hard frontier woman who runs a boarding house and sleeps with the town sheriff) retorts, "You might have cleared your throat." Newman says, "I couldn't, my heart was in it." The minor part cast is also outstanding: Martin Balsam, Richard Boone, Cameron Mitchell, David Canary. I also mention the cinematographer, often overlooked, because it was James Wong Howe (Molly McGuires, This Property is Condemned, Hud, Fantasia) who was one of the greatest cinematographers that has ever lived.

tybrando 23 April 1999

Is this movie not a micro-view of society? We have a certain class structure. We have heroes and villains. We have one man, who, perhaps by virtue of his Apache affinity, is essentially "at one" with himself. He tells the person who comments that they had mistakenly believed that he was taking the money for himself, "What you think is your business." He is unaffected. He knows who he is, what he's about, and is not "on the string," dancing to the tune that others would call for him. He has his own code; his own values, and he demonstrates them -- in action -- throughout this fine film. Richard Boone is great as Grimes, and the overall cast is very good. This movie, in some ways, could be taken apart, viewed, and reviewed much the same way as Henry Fonda's "12 Angry Men." There is much to admire about this movie . . . much to admire in the character, John Russell.

byroncallas 15 February 2002

Hombre fmovies. There are so many rave comments here about Hombre I won't repeat them. I'll just say this is my favorite Paul Newman movie of them all, and one of the best Western's ever made. Richard Boone is terrific as the villain. Newman's low-key performance is remarkably powerful and authoritative. Great cast, story, mood, with an almost Zen like quality in the unfolding and resolution. Hombre has stayed with me for 33 years.

teddles-4 28 March 2000

Are you interested in human nature? Great films like "Hombre" work by putting a bunch of people together in a dramatic situation that needs resolving. The unfolding of the story grips your attention because you can relate to the emotions involved and you can understand the games being played by the characters. You can see into human nature.

"Hombre" works at the highest levels. Flawlessly acted by an ensemble cast, it never misses a beat in its understated style as it explores Good, Evil and everything in between. Would you risk your life for a bunch of strangers? What sort of person does, and why?

"Hombre" tells the story.

writerasfilmcritic 1 June 2005

This brutal western is easily one of Paul Newman's best performances, hearkening back to "HUD" in its power and forthright honesty. Newman plays a white man raised by Apaches on the reservation in Arizona who grew up to become a member of the Indian police. His real father has died and he cuts his long hair and goes down to the town to claim his inheritance, a boarding house which he intends to sell "for a herd of horses down in Contention." The residents of the building, including the attractive female manager, are thus made to leave and he accompanies them on their stage coach journey down to Bisbee. They are joined by the Indian agent, skillfully played by Frederic March, his snooty, sheltered wife, and a sinister stranger, wonderfully acted by Richard Boone at his most gritty and threatening.

The characters in this movie, regardless of their importance, are fleshed out convincingly. The writing is spare and fraught with meaning, in fact, it is almost too perfect. No words are wasted and no act appears frivolous. Newman plays the quintessential stoic, an Indian mystic who rises above the circumstances of his harsh existence out of sheer detachment. He accepts the brutality of the world at face value and harbors absolutely no illusions. He doesn't stick his neck out like some damn fool in order to impress anybody and he survives because he deals with what comes his way, yet refuses to be affected by it, no matter how tough things get. Just to watch his very convincing interpretation of this sort of person is rewarding enough, but that is only one of the roles so well evoked in this excellent drama. Richard Boone has some of the great lines, such as, "Mr., you've got some mighty hard bark on you coming down here like this," followed by, "Well now, what do you suppose HELL is gonna look like?" Frederic March hands in a good performance as the crooked Indian agent, a role quite unlike his great offerings in earlier films such as "Man in the Gray Flannel Suit" or "The Best Years of Our Lives." "Hombre" is first-rate movie fare, an entertaining, action-filled story brimming with conflict. As art, it is right up there with the best films ever made, a philosophical masterpiece.

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