Hamlet (1996)

The actors play wonderfully, especially Kenneth Branagh himself. It's good that Robin Williams got the comedy role of Osiric, otherwise it could be a bit strange to see him in such a production. It is really great that Kenneth decided to use the fullest version of the text, this happens definitely not too often... Thanks to that the viewers can see the whole, not the chosen - by the director - parts. Also - thank God that the film is in a classical form; NO to surrealistic fanfaberies ! Although "Tytus Andronicus" was impressive nevertheless, but still Hamlet is a different story, at least that's my point of view.

Fmovies: Branagh claims to present the only complete, uncut movie version of Hamlet, and his version is indeed much longer than anyone else's. However, it is not, as Branagh would have us believe, Hamlet as Shakespeare intended it to be. The "complete text" of Hamlet is really an amalgamation of three extant texts, and there is no evidence to suggest that these texts were ever performed together in their entirety in Shakespeare's day. While we don't know how long these plays were when originally performed--though the prologue of Romeo and Juliet mentions "the two hour's traffic of our stage"--we can be fairly certain that Shakespeare's company never indulged themselves as

Indulgence is the name of the game in Branagh's Hamlet. What else could explain the movie's excessive length, its lavish opulence, and its absurd number of torso shots? Why else would Branagh ask Gerard Depardieu, one of the greatest living French actors, to speak only five lines of text (none of them memorable)? Why else would he get Judi Dench to play a role that doesn't even appear in Shakespeare's text? Why (mis-)cast Jack Lemmon in a role that would have been played more effectively by a much younger actor? Though certainly a great actor and a fine director, Branagh's self-indulgence threatens to overwhelm this movie at every turn. Perhaps the problem stems from his desire to make the definitive version of a text so endlessly resonant that it resists any definitive version.

That said, there is much to praise in this movie. Branagh's Hamlet is aggressive, moody, brilliant, robust--more appealing than Olivier's brooding dreamer. The larger roles are all played admirably, particularly Jacobi's charismatic Claudius. Finally, there are some scenes in the film that are as great as anything Branagh has ever done. The "To be or not to be" soliloquy, set in a hall of two-way mirrors with Claudius and Polonius lying in wait behind one, approaches cinematic genius.

--Ben

First, what I didn't like. The acting was not really up to the Hamlet standard. Branagh was really over-the-top, doing a lot of yelling mostly. In my opinion, those actors who were not big-name celebrities generally did a better job; though I would except Billy Crystal and Robin Williams. (And Charlton Heston, too, but I wasn't sure if he was playing at being a hack.) A lot of the ambiguities in the play were clearly resolved one way in the flashbacks.

What I think speaks very much in this play's favor is that it is accessible. Shakespeare is hard to understand for the vast majority of people nowadays; many people are not even inclined to try, because of its reputation as Serious Literature and its archaic English. If they see this film they will understand clearly at least one man's interpretation of the play. They will be seeing it more as Shakespeare's audiences saw it: a play with sword fights and battles, and mighty kings and nobles, murder and incest and evil schemes and ghosts--and great art, if one cares to look for it, but in Shakespeare's day most didn't, any more than most people do now. Branagh's overacting, and his forcing of his interpretation of the story on the viewer, may detract from Shakespeare's art somewhat, but it is better that modern audiences get a piece of it, rather than nothing.

I've got to say one more thing though. Some people are complaining that "it's set in the 19th century and that wasn't Shakespeare's time". Well, in Shakespeare's time their costume and scenery was that of their own day for all of their plays. Shakespeare may have SAID it's in the days of ancient Rome or medieval Denmark or whatever, but he didn't dress his characters up like they were, he used the costumes of his own time. For the same reason his plays are full of anachronisms. For example, in King John the English and French have cannons--in Robin Hood's day. In Julius Caesar they talk of chimneys, which wouldn't be invented for another thousand years, and in Henry IV they talk about Machiavelli, who wasn't even born yet then. So I think this objection is silly--you might as well complain that the play isn't in Danish (after all they live in Denmark don't they?).

Hamlet fmovies. This was long. 4 hours of uncondensed Shakespeare and I must say I enjoyed it. Kenneth Branagh is perhaps the Laurence Oliver of our times. A great actor obsessed with the work of Shakespeare. And this is his masterpiece, Hamlet (1996), a free uncondensed version with every line of what Shakespeare has written, on the last movie ,besides The Master, filmed on 70mm film.

If you've graduated high school, you probably know the story of Hamlet. Hamlet is visited by the ghost of his father, who request the he kills his uncle, the new king of Denmark, because he murdered Hamlet's father. What I love about this adaptation is the things Kenneth Branagh does because he's using the medium of film. The use of Flashbacks in events is a great use that the stage adaptations could never do, same with the scenery. Elsinore Castle comes alive. It was genius for him to set the story in the 19th century. It gives a beautiful touch to the movie and costumes and set design were appropriate. THe final thing he does great is how he plays Hamlet. My English teacher taught him more as a mopey Dane, but he plays him as a cunning but indecisive genius which I believe is more interesting. His soliloquies have great touch to them, using visual elements and artful expression to make them interesting instead if Rambling.

The cast is great too. No weak link in the acting, and everyone holds their own. The guest appearances of famous actors, Charlton Heston, Robin Williams and Billy Crystal add moments of freshness to secondary characters. The Cinematography shows off the world well and fits most scenes, same with the music.

The problem is the length. It drags in places and with trimming could've been a masterful movie.

Overall great adaptation (better than the Mel Gibson one) and shows off to a new generation the beauty and power of something written 400 years ago. If you have the time, check it out.

8/10

seen one you've seen them all, right? wrong! I still like the sombre Olivier version and Gibson did well, but this is in a class of its own.

I finally realized with this expanded production set 200 years closer to the present the full message that Shakespeare cleverly concealed with the more prominent aspect of Hamlet's quandary, and that is he, Hamlet, is driven to distraction by the awareness its the insidiousness of human nature that created the conditions that saw his father murdered.

looking at the play with this insight you can see numerous scenes where this notion is there in the background. and by changing the era, Branagh shows yet again the astonishing applicability of that truth. all you need is to read a newspaper, something 'included' in this production.

thank god for British stage actors raised on Shakespeare.

a very rewarding viewing.

Still being of school age, and having to learn Shakespeare almost constantly for the last four years (which is very off-putting of any writer, no matter how good), I didn't really expect to enjoy this film when my English teacher put it on; I thought it'd be the typical English lesson movie: bad acting, awfully shot, badly edited and the dreaded awful old dialog, so, as you can tell, I was all but ready to go into a coma from the go. However, I watched and, much to my disturbance, found myself not only paying attention, but actually enjoying the movie too. This production of Hamlet is possibly one of the best drama movies I have seen in a long time- and it really brings to life what I expect Shakespeare wanted his plays to be like (well, with the difference that this is cinema) much better than my English teacher harking over the text ever possibly could. The story is good, the dialog seems to flow with an unexpected grace that is far from boring (though a little hard to keep up with if you aren't used to Shakespeare's language) and even the smallest parts are performed with a skill you wouldn't expect; mainly, perhaps, due to the staggering number of cameos this movie has. Brian Blessed and Charlton Heston are as great as you'd expect these two veterans to be, even in such small parts, but it is Robin Williams as Osric and Billy Crystal as the Gravedigger who really stand out, giving such minor parts an unexpected zest, as well as offering some comic relief amidst the tragedy.

The main stars, of course, are also wonderful. Kenneth Branagh excels as Hamlet, bringing not only the confusion and pain required to the roll, but also a sort of sardonic air which plays beautifully in the comic scenes, making the movie as a whole much more watchable. The other major players are also good, but it is Kenneth Branagh who stands head and shoulders above the rest in the title role.

The set pieces, too, are often quite stunning, giving a refreshing change to the danky old castle corridors we're used to seeing in Shakespeare productions, as well as a real sense of the country around them.

Of course, the movie, taken as a movie in its own right, is not without faults, but no major ones (the pacing is the only real problem I can think of offhand, as well as the prose for anyone not used to, as I said, Shakesperean language) and, especially when compared to the sort of Shakespeare productions I'm used to seeing in class, it really is quite brilliant. It's even made me rethink my previous typical teenager stance on Shakespeare, that his plays are boring (I came to the conclusion it's not the plays that are boring, merely the teachers who recite them in class). If only they made all of his plays into movies such as this one, English students in schools everywhere might have a higher opinion of the Bard.

Overall 7/10