Grave of the Fireflies (1988)

This film proves without any doubt that animation isn't just suited to tales of fantasy, sci-fi or cartoon comedy and violence. This absolutely heartbreaking Japanese anime tells the story of a young boy, Seito and his younger sister, Setsuko, as they attempt to survive the American bombings on Japan in the last year of World War II.

The story itself, based on a true story, is powerful enough but the decision to animate the film truly elevates this film to a higher level. This would have been a powerful enough live action drama, along the lines of Spielberg's Empire of the Sun or even Schindler's List. However, the Studio Ghibli team, have brought an extraordinary amount of life to all the characters, but especially the young siblings. Now we're not talking realism as such here - the characters are in no way photo-realistic, they do have the usual characteristics of Japanese anime humans, large eyes and exaggerated expressions. What this achieves however is a heightened level of subtle nuances in expression which are arguably more powerful and provocative than anything a real-life actor may achieve. Some may claim this is overly manipulative or sentimental, but coupled with the characters movements and actions, it gives the characters such a strong, and very human, presence. You truly care for these kids, which is an astonishing achievement. The voice cast (original Japanese) contributes significantly here also.

It is the tiny moments which give this film so much power and emotional depth - from subtle expressions to brief scenes showing Seito playing with his sister at bath time, attempting, unsuccessfully, to cheer her up when she misses her mother. The painted backgrounds are works of art in themselves, just beautiful. And of course the scenes with the fireflies bring a touch of pure magic - a heightened innocent reality to contrast the horrific realities of the war.

The greatest achievement of this film is that, apart from a couple of obviously sentimental scenes, such as Setsuko's sobbing or illness, it doesn't force any false emotion on the viewer. It really comes from your involvement with the characters. It's completely honest to it's own story and even cuts off scenes abruptly, which could potentially have been milked for cheap sentiment. It often seems to say - This is what happened, you don't need to see anymore. Another of it's strengths is that it really doesn't comment on the politics of the war in any way, just the effects on innocent people.

This is an intensely moving film and a masterpiece of animation. If you aren't moved by these characters, you really need to check your pulse. 10/10

Fmovies: Being my first Anime review I thought I'd start off with my one of my favourite pieces of work from who else but Studio Ghibli. Ghibli have rarely produced anime that doesn't fall short of great but Graveyard is something different indeed.

Set in the aftermath of World War II, Graveyard is focused on the lives of a caring brother and his young sister (Setsuko and Seita) and how they struggle against both the elements of wartime and a depreciating Japanese empire. The most striking thing about Graveyard is probably how real everything seems. The animation is very unconventional to the likes of say Spirited Away or Laputa but in a good way. The horror of war is beautifully realised through the animation, whether it be the American destruction being shown or the bleak outlook on peoples lives, namely the two main characters. Thankfully it earns every shred of emotion it conveys through these two sympathetic characters that only the coldest of hearts wouldn't warm up to.

Avoiding any Hollywood sentimentality, it is often a bleak and depressing perspective depicted but all the more brutally powerful in the process. With my eyes welling up through the duration of the film, it occured to me just how well the Director understands what raw heartfelt emotion is and how to play the audiences heart strings. Nevertheless nothing is shown in a heavy handed approach, no empthasis is put on the Americans nor is there any special attention taken to the war details. If anything the citizens of Japan are shown in the coldest light often giving little help to the plight of others, but demonstrating furthermore what desperate situation everyone is in.

Takahata instead decides to focus on the plight of it's title characters against the background of war. With the empire of Japan in crisis and food shortages everywhere it is heart breaking to see a brother struggle to meet ends meet for his sister. Due to the approach taken it borders on being horrifying but fortunately the tone is changed with the spirit put into Setsuko's character. Much like 'The Pianist' the issue is not the war but the struggle and will to survive in it. This is clearly displayed in a plot that revolves around the downward spiral Setsuko trying to feed himself and more importantly the younger and more vulnerable sister Seita. The animation though detailed and indeed beautiful in some sequences (namely relating to the title), is not by any means flashy but captures emotions and interactions between the characters perfectly. It's the perfect mixture of such animation, realistic and highly likeable characters that makes the whole film one tearful experience. Dealing with such difficult issues it's very hard to imagine this being a film and if it was I don't think it would of been done as well.

Part of the brilliance also comes from symbology and the association to many different worlds in such a understanding depiction. The child, Seita, is nothing short of perfection in child like behaviour happily oblivious to the desperate situation, amusing herself with simplicity and the quirks of nature and the outdoors. The older brother Setsuko who must carry the burdon of everything is also perfectly portrayed and to watch there decent is painful to say the least. To struggle is one thing but to have shock, shattered dreams and be depended on is something anyone can empthasise with.

There may be some people who will shy away from Anime, disregarding it as a mere cartoon. To those people and everyone else I reco

This film is utterly emotionally draining whilst being rewarding at the same time.

The animation is both realistic and stylized but that's not the point, the main focus of this film is the character development of the brother and sister protagonists. Their relationship is nothing short of beautiful and touching.

And without spoiling anything I have to say that this film touched me in a way no other film has ever touched me in my adult life. One or two films have upset me and reduced me to watery eyes but Grave of the Fireflies had me in fits of sobbing despair. I was a mess! I'm talking total emotional breakdown. Couldn't talk without sobbing! One of the best films I have EVER seen, animated or not.

Grave of the Fireflies fmovies. "Grave of the Fireflies" is one of the most ambitious, depressing, and quite frankly, best films that I've ever seen. I was nearly moved to tears by this film's brave treatment of such critical subject matter. Yes, it's an Anime' piece, but surprisingly, it came out in 1988, during a time where most Japanese animation films were either relentless bloodbaths, borderline pornography, or both.

As a fan of the Anime' genre of film-making, many great pieces have achieved some sort of cult status here in America, yet none have really reached mainstream success. Some have broken through the barrier and have gained acceptance with American critics, like Katsuhiro Otomo's "Akira," or "Princess Mononoke," or "Spirited Away" (both films directed by Hayao Miyazaki). One that I've seen and has been barely mentioned by most critics is "Grave of the Fireflies."

What we have with "Grave of the Fireflies," is a story of innocence lost and two children who ultimately face a losing battle with trying to survive in a small Japanese village in the closing days of World War II. WWII was the costliest conflict in world history, with millions dead and thousands left to pick up the pieces.

In the center of it, are the aforementioned two children, who are pretty much left to fend for themselves after their mother is killed in a bombing raid. Because their father is off fighting in the war and they have no way of contacting any other family, they're sent to live with their aunt, who is at first warm and welcoming to them, but eventually becomes very cruel and the children are forced to live in a nearby bomb shelter. From that point on, the two children embark on a journey that is every bit as unpleasant and difficult as the grim realities of the world around them.

Very easily one of the best Anime' films that I've ever seen (or any animated film for that matter), I find it difficult to believe just how truly overlooked "Grave of the Fireflies" is. The animation is beautiful, though certainly not dated by any means (even though Japanese animation has progressed well since this film was made).

We get a sense of the dread of the two lead characters, who watch as the world around them crumbles into heaps of ashes, and aircraft loom ominously overhead, dropping their deadly, incendiary cargo on unsuspecting Japanese villagers.

The director, Isao Takahata, obviously has a special resentment of the war, but manages to avoid condemning it outright. The director instead lets us focus in on the conflict as seen through the eyes of the two children, who watch unflinchingly as the realities of their world begin to falter before them.

"Grave of the Fireflies" is a bold statement on the condition of the human soul during conflict. I probably shouldn't say this but I am anyways, but this film has to be the "Schindler's List" of animated pieces. It's brave, it's not overly sentimental, but it is relentless in its dramatization of a dangerous reality. It should be required viewing in any high school world history class.

A beautiful film; not to be missed by anyone.

Occasionally there's a film that literally changes one's perceptions of the world. `Grave of the Fireflies' is one of those films. No movie ever made generates such an intense and powerful emotional response as this one.

It's an animated film set in Japan during the closing days of World War II. Two children; a boy named Seita and his much younger sister Setsuko; must quickly learn to cope with life after their mother is killed during a fire-bombing raid by American B-29's. The film starts with the children and their mother preparing for the attack, then follows the children as they attempt to survive the death of their mother, and the possible death of their father, a naval officer serving aboard the Japanese heavy cruiser `Maya.' (A US submarine torpedoed the `Maya' in late October of 1944 during the battle of Leyte Gulf.)

The story of two orphans trying to survive in war-ravaged Japan is not the subject of your typical light-hearted animated film. In fact it may be much too serious for anyone under the age of 14. The first five minutes of the film hits one like a sledgehammer – by far the most emotional opening scene I've ever come across. I found myself already reaching for the tissues, and trying to choke back the tears.

Yet there's more than just tragedy in `Grave of the Fireflies.' It is the most awesome love story one is ever likely to see. But it's far from the typical Hollywood idea of a love story. Instead of the usual highly attractive Hollywood actors of the opposite sex pining for one another in front of the camera, we have an animated Japanese brother and his much younger little sister. It's not a tale of romantic love, but one of `brotherly' love.

Seita loves his little sister, and once he discovers that his mother has been killed in the bombing, he does everything he can to keep his sister from finding out about her horrible death. Then, with typical Japanese seriousness, he begins to immediately provide for and comfort Setsuko; she being the only member of his immediate family he has left. Though not stated in the film, it seems obvious that part of Seita's motivation for looking so carefully after his sister has to do with avoiding his own pain and despair having been left with NOTHING after the bombing attack. No mother, no father, no home. The war Japan is waging against the rest of the world takes its toll on these two little ones, without regard for their feelings or emotions.

That which truly broke my heart into ten thousand tiny pieces was the selfless way Seita looked after his younger sister, and shielded her from the horrors all around, especially the lack of food. Films show us many things, some good, some evil, but rarely has any film shown how one person so unselfishly puts another ahead of them self. Seita does makes some mistakes in the way he goes about taking care of his sister, but I can't fault him for his love and his devotion. Who of us have always chosen the best path, the most perfect way of doing things? Surely not I! Seita's obvious love and devotion to Setsuko is the most moving and convicting thing I've ever come across on film.

I use the word `convicting' because this movie convicted me of my own very selfish nature. `Grave of the Fireflies' caused me sadness not just because of Seita's brave attempts to take care of his little sister; but because he gave of himself so totally and completely, even though his sister

I was warned this movie would be emotional, but I had no idea just how understated that was. By the end, my friend and I were huddled together, pouring out tears I've never shed for any movie before. It was a mix of horror, empathy, sadness, and so many more emotions I can't even begin to list.

Visions of this film have haunted me since first watching it, and I would find it hard to watch again, simply from it being so heart-wrenching. Only one movie has ever hit me hard enough to keep me from subjecting myself to it's strong emotions again (The thief, the cook, his wife and her lover).

I strongly urge all to watch this, as it rises well about any films I've seen, anime or not.