Godzilla Poster

Godzilla (1954)

Drama | SciFi 
Rayting:   7.6/10 29.7K votes
Country: Japan
Language: Japanese
Release date: 3 November 1954

American nuclear weapons testing results in the creation of a seemingly unstoppable, dinosaur like beast.

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DarkestOperator 20 December 2008

Ever since I was a child, the Godzilla character was one of my favorites. I have seen many Godzilla films but today I have been privileged to have seen where it all began. Godzilla did not begin as a character in a kid's movie. This movie, I must say is NOT for young children. It is very much a mature film, an allegory for Hiroshima and Nagasaki. As a movie, it is a very dark and tragic one, with numerous references to Japan's suffering during the Second World War. The acting was top-notch as were the special effects (for the time). The music seemed to underscore the ominous nature of the film. I can only imagine what the reaction of the Japanese people was when they first saw this movie 64 years ago. The rest of the world should watch this to see what nuclear power can really do and to see what Japan went through during World War II.

9/10. The first and the best (and should have been the only) Godzilla movie that has ever been released.

Hitchcoc 20 March 2006

Fmovies: When one thinks of all the schlock that has come out of Japan when it comes to monster movies, many which use the Godzilla figure, one forgets that this was a pretty darn good movie. I remember as a child, watching it on late night television, in 1960. It was New Year's Eve and the adults were out doing whatever it is they did. The presence of Raymond Burr gave me a sense of comfort (Perry Mason was a staple at our house). I realize he was added for American audiences. It didn't matter to me. Unlike so many of its successors, this was nicely paced, didn't bank on Godzilla being a matinée idol (some of the films are so stupid where the thing becomes a friend to Tokyo, a form of defense). This film has the terror of "The Beast from 20,000 Fathoms." The sets were much better. The battle scenes truer than the cheaper things that came later. The monster was a force. I have always enjoyed that scene where one goes over a hill or a rise just before a beach, and on the other side is the monster. The scenes of him wading into the harbor. This is a striking presentation for the early days of monster movies. Of course, it's all based on radiation and the nuclear threat. This stuff enlarges things and makes them rampage. I hope to purchase the Japanese remastered version from 2004. I'd like to see it the way it was intended to be seen.

UniqueParticle 31 May 2019

Pure classic sci-fi horror monster! I don't know how they made some of it seem so real, it's a wild gritty epic gargantua. The destruction was done so well and the emotions were admirable!

JermaineWarfare 6 January 2005

Godzilla fmovies. It's been fifty years since Ishiro Honda and the gang at Toho made the first Godzilla movie, and looking back on it, it's plain to see why this film has become more than just a cult sensation. It's mix of raw human emotion, fantastical story, and menacing precautionary messages help to deliver one of the silver screens greatest films. Akira Ifkube's foreboding score adds just the right amount of dark edge to Honda's masterpiece,as does Akihiko Hirata's performance as jaded scientist, Dr. Daisuke Serizawa. The suitmation and set designs used in this classic are superb as well, giving a certain level of realism missing from many later monster films. And, of course, veteran actor Takashi Shimura exceeds all expectations as Dr. Yamane.

Looking back on this film, taken in it's entirety and without the added American scenes, Godzilla (Gojira) truly is a film that will last the ages.

Coventry 28 December 2005

Along with the 1933-version of "King Kong", this original Japanese release of "Gojira" is THE most essential giant monster movie ever and one the very few horror movies that every film lover in general has to see at least once. Why? Because, it's so much more than just silly drive-in cinema with a cheap looking monster! This is dark and apocalyptic Sci-Fi with a nearly allegorical rant about nuclear warfare and the honest fear for new types of weaponry. But I really don't feel like going into the deeper meaning behind "Gojira", as it primarily is an adrenalin rushing and overpowering action classic that doesn't need intellectual defense at all. One of the many reasons why I love this film so much (and same goes for "King Kong") is that we don't have to wait a dreadfully long time and/or endure a large amount of tedious speeches before we see the monster we want to see! Godzilla makes his highly memorable first appearance after approximately 20 minutes (by stretching his neck over a cliff!) and, from then on, this is deliciously hectic and paranoid monster-madness! The little bugger is presumably the result of too much H-bomb radiation and lives in the depths of the ocean, near the island of Odo. But now he's heading for Tokyo with his unnameable strength, fiery breath and – oh yeah – insatiable appetite for destruction! Particularly this extended sequence in which Godzilla blasts his way through the Japanese capital, crushing buildings and setting monuments on fire, is very impressive and legendary. The actor-in-monster-costume works a lot better than any form of computer engineered effects and the carefully imitated Tokyo sets are truly enchanting. The absolute best aspect about this production is its powerful score, which makes Godzilla even more threatening. Great stuff!

This milestone simultaneously meant the go-ahead for an innumerable amount of quickly shot sequels ("Son of Gozilla", "Godzilla vs. Mothra"), spin-offs ("Godzilla VS. King Kong"), remakes ("Godzilla 1984", the hi-tech American version) and of course an overload of pathetic imitations ("Reptilicus", "Monster from a Prehistoric Planet"). I still have to see all the direct sequels but don't really know what to expect from them. I guess that even if they're only half as good as this original, I'll be very satisfied.

Vigilante-407 17 January 1999

Gojira (not Godzilla, King of the Monsters, with Raymond Burr), stands as one of the best monster movies...and one of Japan's finest and most allegory pieces of cinema. The original version of the movie has a lot of anti-nuclear sentiment that the US editors dropped from the Raymond Burr version. A woman on a subway noting that is seemed like she survived Nagaski only to die from Godzilla is an offhand but telling comment on Japan's unique view of the use of nuclear weapons.

The story itself is makes a bit more sense than the patchwork used with Raymond Burr (though that version is also quite good for the genre that it helps perpetuate). The effects are (I think) still great...the grainy, documentary feel of the movie makes it seem a lot more real.

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