Gangs of New York (2002)

Gangs Of New York is a solid action crime drama from director Martin Scorcese who continues to show his skill as a filmmaker with this film. The cast are admirable in their roles including Leonardo DiCaprio, Daniel Day Lewis, and Cameron Diaz. DiCaprio is great as Amsterdam Vallon a man seeking revenge against the one who killed his father. DiCaprio may not have the flashier role like Day Lewis but he's still believable as the hero bringing that intensity he's been know for to the character. Daniel Day Lewis gives a knock out performance as Billy "The Butcher" Cutting a psychotic gangland kingpin who killed Amsterdams father. Day Lewis is terrific in the role of a man whose willing to kill anyone without hesitation. The people are either with him or against him there is no middle ground. Cameron Diaz is good as Jenny Everdeane a woman willing to do almost anything to survive and a potential love interest for DiCaprio's Amsterdam. John C Reilly, Jim Broadbent, Bredan Gleason, Henry Thomas, and a brief appearance by Liam Neeson are effective as the supporting characters but most of them don't have much to do and aren't in it much either. All of them still turn in solid performances none the less in their limited screen time. Most of the movie takes place in New York during 1863 when one of the worst riots in American history took place. The fact that this really did happen gave the movie a realistic fool especially the location where they chose to have this film take place giving audiences a look at what it could've been like back then in New York. The action sequences which mostly involve people getting beat up in brutal ways are well executed especially the riots at the end. The showdown between Amsertdam and Bill was a bit of a letdown but it was fitting for the movie. The film was a bit long with a running time of 167 minutes. The pacing was a little slow at times but the performances by the cast make it worth watching anyway. Despite some flaws Gangs Of New York is still a well made crime drama with enough action, some suspense, a little humor and romance. So if you can get past the long running time Gangs Of New York is definitely worth watching and most of that besides what I already mentioned is because of the exceptional performances (especially Day Lewis and DiCaprio) by the lead actors and the amazing talent of Scorcese who continues to prove himself as a gifted filmmaker with this movie. Well done.

Fmovies: It's so true what people say, that Daniel Day-Lewis doesn't act. He *becomes* the characters he portrays. It's simply astounding to see an interview with the soft-spoken, somewhat effeminate actor and then watch him as the terrifying, dominating Butcher in this, or Daniel Plainview in There Will Be Blood. Watch Gangs of New York for his performance alone and you won't be disappointed. That isn't to say the story isn't intriguing (it is) or Leo isn't good (he is) but really, Day-Lewis stole the show outright.

Well, I just got back from seeing "Gangs of New York" at the theater, and I have many positive things to say about this film. It's easily the most powerful film I've seen this year, even topping the excellent "White Oleander". I have never seen a film portray poverty in the 1800's as well as this film did. It also made me feel like I was there, witnessing the poverty and brutality. It's a film that makes us be thankful that times like those have passed, and for us not to forget those who lived and died during those times. It's also a film that's not afraid to show war in its total uglyness. Martin Scorsese definately got his point across with this film, but he didn't do it alone. The cast were all excellent in their parts, no bad acting here at all. Leonardo DiCaprio and Cameron Diaz showed they are more than just pretty faces. Daniel Day-Lewis was magnificent as "The Butcher", a character whom you want to both love and hate. Quite simply the best film I've seen all year, and I hope it will get nominated (and win) many Oscars. Even if it doesn't, it's a true winner in my eyes. Nice to see that Hollywood can actually do something useful with a $100million budget for once. This was playing at the theater the same time as "The Two Towers"... unfortunately, most of the people in the long line-up went to see "TTT"... they sure missed out, since GONY has more to say in the first 10 minutes than LOTR has to say over 3 hours. Although this film is rather long (2 hrs 47 mins), I was so provoked by it that the time flew by. "Gangs of New York".... A film that's not to be missed!!

10/10 - Higly reccomended!

Gangs of New York fmovies. I am a Civil War "buff," so I wanted to see this movie the moment I heard it was being made. Yes, the New York Draft Riots did happen, just two weeks AFTER the Northern victory at Gettysburg, demonstrating that the outcome of the War was anything but certain, even after Lee had been forced to retreat to the south bank of the Potomac River. Today, many would find this surprising.

The movie did take some license, however. There was no wholesale firing on civilians by Union soldiers. In fact, reported deaths after three days of rioting were less than one-hundred. Many of the dead were randomly selected blacks, who were hanged and mutilated (which was accurately depicted in the film). Today, many would also find this surprising, because the schools teach that the North was good, and the South was bad. The truth is that blacks were subjected to inhumane treatment everywhere, especially in the Nothern cities.

There was also no firing by offshore naval vessels. That was artistic license. (My source for all of the above is a doctoral dissertation that was published about ten years ago titled "The New York City Draft Riots.")

The movie makes the important point that the North had run out of "home grown" manpower to fight the South. Had it not been for Irish and German volunteers through 1863, and black volunteers in 1864, the North would have sued for peace. The 1864 Democratic Platform promised to bring the War to a swift and speedy conclusion.

Bravo to Scorsese for bringing all of this to light. In the meantime, the movie is about twenty minutes to long. The brothel scenes, the "uptown" scenes, and some of the scenes in the catacombs struck me as slow and superfluous. On the other hand, the street scenes and the scenes of the random gangs (of which I wish there were more) were glorious.

One thing Scorsese left out, however: The mountains of animal and human waste in the streets! Not long after his movie was released, the History Channel produced a documentary on the Five Points area, and it is staggering to consider the tons and tons of animal and human waste piling up in the streets, and the thousands of gallons of urine running in the gutters. There were old photos of waste in the streets stacked six feet high. Needless to say, infant mortality in such a fetid environment was about 50%. Scorsese leaves this out, and there is scarcely a horse in the movie.

Day-Lewis does a superb job with a character that is unevenly developed. He is a homicidal thug in the beginning, a menacing, but somewhat benign, presence in the middle, and a psychotic killer in the end. It isn't really clear why he vacillates the way he does. Bi-polar, I guess. DiCaprio proves he can act, and he exudes a manliness he did not possess in earlier films. Diaz turns in a creditable performance. The cast of thousands adds a nice touch to the film.

I would never say this is a "great" film, but it certainly is worth a look. Kudos to Scorsese for the herculean effort, and a tip of the kepi for the poetic ending, which reminded me of the ending in 1936's "San Francisco."

In the 1840's New York is a mess of gangs all fighting over small areas of turf. The main rivalry is between the immigrant Irish and those who see themselves as Natives of their New York. A battle rages between them and the leader of the Irish (Priest Vallon) falls to the blade of Bill "The Butcher" Cutting – witnessed by Vallon's young son. Sixteen years later and things are different but no better. Cutting is now the head of the Five Corners and all the gangs answer to him. It is into this situation that an unknown man called Amsterdam returns – none other than the grown son of Priest Vallon. Seeking a fitting revenge for the death of his father, Amsterdam makes sure he catches Cutting's sole eye and gradually is taken into his trust.

Despite lukewarm reviews I decided that any Scorsese film is worth a look and gave GoNY a night of my time. In terms of plotting the film is essentially a revenge drama that sees Vallon trying to get close enough to Cutting to take him out in a fashion befitting the man. You might rightly point out that such a straightforward tale does not require 180 minutes to tell but it does when the film tries to make this much more of a sprawling affair that aims to bridge the cinematic gap between the western and the gangster films while also painting a rich tapestry of characters against a rich background of 19th Century New York. However it fails to do this on several levels and the end result is a film that feels a lot baggier than it really should have done. This is best seen in the characters because none of them really develop beyond the first impressions they give, or a better example is the failure of the film to use Jenny in the critical way that she was clearly intended to be used.

Scorsese may lose his way with the story but it is easy to forgive him because he does so well with the majestic historical sweep he gives to everything else. The sets look great, the costumes look great and the dramatic flair he gives in delivery add so much. It is a real problem that he has not taken the characters and story along for the ride but I found his silver lining to be enjoyable even if his rather OTT approach did further take away from the realism of the people and the story. His approach is matched by the cast, who are mostly enjoyable despite lacking depth. DiCaprio is more than the bland pinup I had feared he would be but he can't do much more than play the "silent revenge" card from start to finish. He is overwhelmed by Day-Lewis who has great fun in a fantastically OTT role that worked much better than I expected him to. Diaz is not that good and I felt she was miscast in an attempt to get "credibility" by working with Scorsese. The support cast is roundly good and features solid turns from Neeson, Reilly, Gleeson and many others fill out a strong cast.

Overall this is an impressive film in terms of sweep and style but not in terms of story and characters – which is a bit of a problem in a film that pretty much lasts three hours. The skill of Scorsese and the presence of so many stars make it worth a look but it is hard to get past the problems in the way that the story is not as well done as it could have been, even if the general historical sweep and spectacle makes it worth taking a look at.

Daniel Day-Lewis elevates this film from just "good" to "very good" or even "excellent." He is absolutely riveting, one of the most interesting "villains" I have ever seen on film. I am sorry Day-Lewis didn't win the Academy Award for his performance. He was just outstanding to watch. His facial expressions alone cracked me up!

Day-Lewis played "Bill 'The Butcher' Cutting" he is one nasty dude. However, there are no real "good guys" in this story. The supposed hero, played by Leonardo DiCaprio, is a revenge-seeking man with a ton of flaws himself. The rest of the characters are either thieves, gang members, corrupt politicians or corrupt policeman. Ah yes, another family-oriented film from that kindly director Martin Scorcese.

What Scorcese lacks in family values, he comes close to making up for in style. This is another fascinating visual film with great sets, costumes, color and camera-work. Other typical Scorcese touches are in here: Catholic-bashing and brutal language. (I question whether the f-word was used back in the days this film takes place.)

All in all, a tough film that could be too unpleasant to watch but for Lewis' outstanding performance and the spectacular visuals.