From Beginning to End (2009)

Do Começo ao Fim - FROM BEGINNING TO END – CATCH IT ( B+ ) Brazilian movie "Do Começo ao Fim" is a visual treat along with moving performances by João Gabriel Vasconcellos and Rafael Cardoso. This movie talks about the taboo topic of half brothers falling in Incestuous relationship & Love. Though the movie deals with sensitive and hardcore subject matter but the movie not for a second seems like anything different than a Love Story. I loved what one of the reviewer mentioned on IMDb that this movie reflects the Dream World where the Incestuous Love between Half brothers is nothing more than merely LOVE. The movie starts off with Francisco & Thomás, when they are young kids. From there the whole beauty of caring for each other was represented in a very decent way plus how the mother & Francisco's father started to feel that they are more closer than they are suppose too. I loved the way movie was progressing but then suddenly the death of Pedro (Francisco's father) & 10 years later the death of their Mother changed the movie into another direction. The movie didn't show how the boys dealt with these feeling as teenagers, because I believe that's the toughest part or Maybe as I have mentioned before the director was living in Dream World. so, from there we were left with Intimate Love of Francisco & Thomás. The Love scene between João Gabriel Vasconcellos and Rafael Cardoso was pasteurized exquisitely & the dialogues were splendidly powerful. After that movie went off to Love & Long Distance relationship between Francisco & Thomás, which was heartfelt to watch because of outstanding chemistry between João Gabriel Vasconcellos and Rafael Cardoso. João Gabriel Vasconcellos and Rafael Cardoso are exceptionally gorgeous and their chemistry and performance was very natural & touchy. There was not a second when I felt like they were merely two actors playing falling in Love because the way they behave around each other & looked at each other, it was all LOVE. Lucas Cotrin as young Francisco & Gabriel Kaufmann as young Thomás were treat to watch. They were funny, caring & shared an awesome chemistry. Júlia Lemmertz looked elegant & exquisite, if I was the director I would have loved to see the whole family dealing with this issue but somehow Director lived the Dream Charming World. Fábio Assunção Jean Pierre Noher and Louise Cardoso were good in their parts. Overall, watch it for Erotic & Intimate chemistry between João Gabriel Vasconcellos and Rafael Cardoso along with Stunning Cinematography.

Fmovies: FROM BEGINNING TO END (Do Começo ao Fim) is the work of writer/director Aluzio Abranches who was born and raised in Ipanema, Rio de Janeiro, Brazil. He graduated in Economics before going to the London International Film School, in 1983. His first feature- film, 'Um Copo de Cólera' (1999) was acclaimed in several international film festivals. In 2002 his second feature-film, As três Marias (The Three Marias) also was selected to various festivals abroad. His latest movie, 'Do Começo ao Fim' (From Beginning to End) tells a story about two male half-brothers who fall in love. The movie caused tremendous controversy as some people loved the delicate relationship between them and others who were outraged by the suggestion of incest. Nevertheless, it is undeniable it was groundbreaking for the homosexual Brazilian cinematography, being selected to over 25 international film festivals, many of them dedicated to the gay pride and film production.

Though the feelings of viewers continues to be quite mixed, hopefully in time the film as an art work will be better appreciated. It is an exquisite study of family in a different light than any other film has probed. Julieta (Júlia Lemmertz) is currently married to Alexandre (Fábio Assunção) and they have a child Thomás who according to the narrator - the half brother Francisco from Julieta's previous marriage to Pedro (Jean Pierre Noher) - was born with his eyes closed and kept them closed except for looking at his new brother. Into this loving atmosphere the two brothers are close, enjoying each other's company in play and adventures and proximity. Francisco as a child is played by Lucas Cotrim and Thomás as a child is played by Gabriel Kaufmann. Thomás idolizes his big brother and Francisco looks to Thomás for secure love. The boys visit Pedro (Francisco's father) in Buenos Aires at Christmas and Pedro discusses with Julieta that he is concerned that the boys are too close, a fact that Julieta acknowledges but assures Pedro that this is normal in boys their age. At home in Rio de Janeiro Alexandre poses the same concern, but the two young boys are so happy and successful in school and sports that the subject is dropped. Pedro dies, then Julieta dies, and the two now grown young lads have only their shared father Alexandre to parent them. As young very handsome, athletic men Francisco (now played by João Gabriel Vasconcellos) and Thomás ( Rafael Cardosa) are left alone in their home and their relationship deepens into a physical one. The lads deeply love each other and their physical love is as wondrously portrayed as their love as half brothers. They exchange rings. They both are dedicated swimmers, but Thomás is better and is offer to go to Russia to train for the Olympics. The idea of separation deeply troubles them both, but Francisco's love for Thomás sees the importance to his brothers career and off Thomás goes to Russia. While the lads are separated they yearn for each other: Francisco attempts to assuage his longing with a young girl but his commitment to Thomás is stronger. The film ends in a statement of commitment and love between these two extraordinary men.

The physical aspects of the relationship are beautifully captured in the sensitive cinematography by Ueli Steiger: the acts are passionate but visually subtle. The musical score by André Abujamra adds another realm of power to the story's character. Each of the actors in the film is excellent. It is rare that broken family stories have been shared with such

this is the best movie I ever saw, i watch over and over again and I din't something something I didn't last time. I even feel envy and wondering if this could had happen in real life, if it did!!! great , it makes you wanting more from the movie and hopping you could somebody to love and complement to each other. I really recommend this movie. Since the beginning of the movie you could experiment everything is different, we are so used to home box movie,big budget movies and those with big names, those who make a lot of noise and is only about anything but nothing deep, Independent movies specially the ones from Film festivals like this one, are the ones who really capture what being a human is and explores many aspects of life in which not everyone is comfortable to talk about.

From Beginning to End fmovies. Imma kinda out of words to write right now, but anyway the intense heat of the feeling I've just had since the end of movie, which is about ten minutes now, just wants to emerge the word LOVE itself.

You won't find any other explanation for such a heart-devastating flick like this rather than your own personal feelings regarding to your own private desires. If you're into gay interest movies, don't you please, lose the chance of watching it. It is remarkably poetic and stunning. Your heart shall write the final lines for it. You'll get what I mean, once you've reached that point.

LOVE itself is represented in every little second of this movie.

Even though the subject matter may repel some, as the film begins it immediately immerses the viewer into the family life of brothers Thomas and Francisco. The film is fearless and daring in many ways as its touches on some very taboo subject matters. It slowly creeps up to you, but once this drama sees the boys as grown men, it takes a very nostalgic mood. There is a very haunting aspect to this film that will leave you lulled and wanting more. There is also a certain amount of sadness eminent from the fantastic performances from Rafael Cardoso and João Gabriel Vasconcellos. Both these men light up the screen, and their chemistry was incendiary with a very fierce dynamic relationship that takes twists and turns in many directions but ultimately leaves you yearning for what was once between them. The film is pretty much about life changes and how some of the best times are hard to let go as mere memories. Both brothers, in their own way, must deal with life's changes and its unexpectedness. Very poetic and always eloquent in its storytelling, dealing with such difficult subject matter was flawlessly handled sensitively in the very capable hands of Aluisio Abranches. Brazil should be proud to have this film. It represents very well the beautiful people of Brazil, their culture and it give you great insight of a culture that is filled with traditions as well as strong family and community ties.

As the movie beautifully unfolds, we explore and observe a relationships and how difficult it can be to let go of the tie that binds.

The filmmaker starts off with an intriguing premise. How much would love flourish if we lived in a world uncomplicated by belief systems that thrive on shame and conformity? In my eyes, the filmmaker is a dreamer. Not a realist. And it was refreshing and fascinating to watch as the story unfolded. It was profound.

The story begins with a boy at the age of six who is escorted by a nurse to see his newborn brother. Immediately, the filmmaker is setting up the rules of his idyllic world. And the rules are consistent throughout. The father is nowhere to be seen. In fact, there are no adults other than an impartial nurse who leads the boy to the person who will ultimately be the love of his life.

The six year-old brother looks into his baby brother's eyes through the viewing window and a profound connection is formed. The filmmaker makes his first point. Could this mysterious thing we call love start even before birth? In most of the best love films that I've seen, and I've seen plenty, when two lovebirds meet the love of their life they have that experience of, haven't we met before? Or, I feel like I've known you all my life.

I won't go into the whole story but I was fascinated by the filmmaker's decision to leave as much conflict out of the picture as possible. He showed us hints of potential conflicts but wisely didn't emphasize them. It was a brave choice. Abranches' vision would prefer to keep the boy's perpetually in the womb of their mother. Which is another important theme throughout the story.

Abranches give us a vision of his Garden of Eden before the fall and the Great Conflict. Before Adam hid himself in the bushes when God walked the grounds and he asked Adam, why are you hiding? I'm naked. And God became angry, who told you thou wast naked? What kind of world would that be like? I can only imagine but I caught a glimpse of it up there on the big silver screen. I highly recommend From Beginning to End.